Recording - October 2013 - 47

5

6

called Kreg, for the framing for acoustic treatments. See Figure 4 for the
basic layout; it was clear from the beginning where the studio gear was
going to be placed, and he designed the room around that.
Jeff accounted for a lot of bass resonance by placing two bass traps in
the corners of the room, as well as stuffing an existing closet with industrystandard 703 fiberglass insulation.
The walls themselves were reinforced with stained hardwood, which
helps to solidify the walls, provide good mounting points for clouds and
wall panels, and looks great to boot. The cloud, designed to adjustably
hang from the ceiling, was made of a conglomeration of materials; starting
off with a bunch of 703, he covered that with some thin slots of wood in a
crosshatch design, and finally covered it with a layer of felt. See Figure 5.
While it is great to focus on absorption and room deadening, you do want
the ability to have some diffusion to help sort out some of the mid- to-higher frequencies. I happen to get a lot of cardboard materials from the numerous orders
that I get shipped here at the Conservatory. We get a lot of laptop boxes, since
we run a 1:1 program where each student gets a MacBook Pro, and when I
get these shipped, they come with very sturdy recycled cardboard corners. Jeff
had the great idea to take these, stain them, and mount them to provide a unique
and good-looking set of diffusing panels. Figure 6 shows what the initial layout
was planned to be, prior to mounting, as laid out on the floor.
With a Pro Tools HD|3 Accel system running through a Behringer X32
board, Jeff has a good amount of flexibility in routing and connectivity. The
board’s Ethernet capability is a major benefit—he can tie into the CAT-6

runs found throughout his house, allowing him to use
virtually any room as a live room for tracking. With
two Behringer S16 digital snakes and a couple of P16
headphone boxes, the entire house is essentially his
personal audio playground, easily set up without having to run cables all over the place after the fact.
So, with all that planning and execution, the end
result is exactly what he was going for—a great looking, very comfortable room (See Figure 7).
Jess Repanshek (repanshek@recordingmag.com) is a
musician, audio lover and Apple IT guy, based in Gilbert,
AZ. He works on his own experimental music when he’s
not working as an instructor at CRAS (the Conservatory
of Recording Arts & Sciences, at www.audiorecording
school.com). Learn more about Jess and his work at
www.audiorecordingschool.com/blog/

7



http://www.audiorecordingschool.com http://www.audiorecordingschool.com http://www.audiorecordingschool.com/blog/ http://www.FRONTENDAUDIO.com http://www.FRONTENDAUDIO.com

Recording - October 2013

Table of Contents for the Digital Edition of Recording - October 2013

Recording - October 2013
Fade In.
Contents
Talkback.
Fast Forward.
AEA R88 mk2 Stereo Ribbon Microphone.
Live In The Studio.
The Mixing Workshop: Spectral Balancing.
Apogee Symphony I/O 8x8 + 8 MP and Symphony 64 | ThunderBridge.
Radial Engineering Gold Digger and Cherry Picker.
Echo Digital Audio Echo2.
Gear Shootouts—A Home-Brewed Personal Guide.
Twenty Questions On Mics And Miking: A Chat With Shure’s John Born.
ADAM Audio A77X Powered Monitors.
Plug-In Outlet: Slate Digital Virtual Buss Compressors.
From Room To Studio.
iOS Music Tools: iMusicAlbum Audio Mastering Studio.
Talking Acoustics With Peter D’Antonio.
Recording Fundamentals. Chapter 22: Compression—Part 1.
How To Edit.
Readers’ Tapes.
Advertiser Index.
Fade Out.
Recording - October 2013 - Recording - October 2013
Recording - October 2013 - Cover2
Recording - October 2013 - 1
Recording - October 2013 - 2
Recording - October 2013 - 3
Recording - October 2013 - Fade In.
Recording - October 2013 - 5
Recording - October 2013 - Contents
Recording - October 2013 - 7
Recording - October 2013 - Talkback.
Recording - October 2013 - 9
Recording - October 2013 - Fast Forward.
Recording - October 2013 - 11
Recording - October 2013 - 12
Recording - October 2013 - 13
Recording - October 2013 - AEA R88 mk2 Stereo Ribbon Microphone.
Recording - October 2013 - 15
Recording - October 2013 - Live In The Studio.
Recording - October 2013 - 17
Recording - October 2013 - 18
Recording - October 2013 - 19
Recording - October 2013 - 20
Recording - October 2013 - 21
Recording - October 2013 - The Mixing Workshop: Spectral Balancing.
Recording - October 2013 - 23
Recording - October 2013 - 24
Recording - October 2013 - 25
Recording - October 2013 - Apogee Symphony I/O 8x8 + 8 MP and Symphony 64 | ThunderBridge.
Recording - October 2013 - 27
Recording - October 2013 - 28
Recording - October 2013 - 29
Recording - October 2013 - Radial Engineering Gold Digger and Cherry Picker.
Recording - October 2013 - 31
Recording - October 2013 - Echo Digital Audio Echo2.
Recording - October 2013 - 33
Recording - October 2013 - Gear Shootouts—A Home-Brewed Personal Guide.
Recording - October 2013 - 35
Recording - October 2013 - 36
Recording - October 2013 - 37
Recording - October 2013 - 38
Recording - October 2013 - 39
Recording - October 2013 - Twenty Questions On Mics And Miking: A Chat With Shure’s John Born.
Recording - October 2013 - 41
Recording - October 2013 - ADAM Audio A77X Powered Monitors.
Recording - October 2013 - 43
Recording - October 2013 - Plug-In Outlet: Slate Digital Virtual Buss Compressors.
Recording - October 2013 - 45
Recording - October 2013 - From Room To Studio.
Recording - October 2013 - 47
Recording - October 2013 - iOS Music Tools: iMusicAlbum Audio Mastering Studio.
Recording - October 2013 - 49
Recording - October 2013 - Talking Acoustics With Peter D’Antonio.
Recording - October 2013 - 51
Recording - October 2013 - 52
Recording - October 2013 - 53
Recording - October 2013 - 54
Recording - October 2013 - 55
Recording - October 2013 - 56
Recording - October 2013 - 57
Recording - October 2013 - 58
Recording - October 2013 - 59
Recording - October 2013 - 60
Recording - October 2013 - 61
Recording - October 2013 - 62
Recording - October 2013 - 63
Recording - October 2013 - Recording Fundamentals. Chapter 22: Compression—Part 1.
Recording - October 2013 - 65
Recording - October 2013 - 66
Recording - October 2013 - 67
Recording - October 2013 - How To Edit.
Recording - October 2013 - 69
Recording - October 2013 - 70
Recording - October 2013 - 71
Recording - October 2013 - Readers’ Tapes.
Recording - October 2013 - Advertiser Index.
Recording - October 2013 - 74
Recording - October 2013 - 75
Recording - October 2013 - 76
Recording - October 2013 - 77
Recording - October 2013 - 78
Recording - October 2013 - 79
Recording - October 2013 - Fade Out.
Recording - October 2013 - Cover3
Recording - October 2013 - Cover4
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