Recording - February 2014 - 59
These time constraints are:
1. 200 µs attack / 300 ms release
2. 200 µs attack / 800 ms release
3. 400 µs attack / 2 second release
4. 800 µs attack / 5 second release
5. 200 µs attack / program dependent
release: 2 seconds for transients, 10 seconds for multiple peaks
6. 400 µs attack / program dependent
release: 300 µs for transients, 10 seconds for multiple peaks, and 25 seconds
for consistently high program level
According to the original manual the
unit "can produce [a] full limiting effect
during the first 10,000ths of a second."
Only available on the 670 is a
Left/Right - Lat/Vert switch. This control
comes from the era of cutting vinyl and
refers to the height and width of the
grooves. In modern practical terms, it is
similar to what many mastering engineers
do with M/S processing where you can
compress the center frequency material differently from the outer/stereo material.
Below the VU meter is a pair of set
screws labeled HR for headroom, a plugin only feature, and Bal which balances
the bias current. This controls the additive
signal deflection or "thud" of the attack
and is perfectly calibrated at its 12
o'clock position.
Modern day accoutrements
Below the standard control window is a
second rack panel which contains a few
more plug-in-only features: a Side-Chain
Filter (20 Hz to 500 Hz in 12 dB/octave
steps), Output/Makeup gain controls, and a
Mix knob allowing for parallel compression.
The DC Threshold control, originally
located on the rear of the unit, is the last
control on the plug-in. Turning this changes
both the compression ratio and knee. They
affect each other and work in tandem.
Between this knob and the Fairchild's
threshold the unit can achieve compression
ratios of 2:1 up to 30:1 limiting.
Just like the GUIs of the LA-2A and
1176 collections from UA that also were
updated in recent years, the new GUI
here is bigger, more 3-dimensional and
more detailed than the previous version... not to mention more beat-up and
vintage looking!
This new Fairchild Collection demands
slightly more CPU power than the new
1176 Collection, but not as much as the
LA-2A Collection. Compared to the original Legacy Fairchild plug-in (also included in the new collection) it takes about
three times as much juice.
You can get 7 mono and 6 stereo
instances on a UAD-2 SOLO card, 56
mono and 40 stereo on the newer OCTO
RECORDING February 2014
59
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Recording - February 2014
Table of Contents for the Digital Edition of Recording - February 2014
Contents
Recording - February 2014 - Cover1
Recording - February 2014 - Cover2
Recording - February 2014 - 1
Recording - February 2014 - 2
Recording - February 2014 - 3
Recording - February 2014 - 4
Recording - February 2014 - 5
Recording - February 2014 - Contents
Recording - February 2014 - 7
Recording - February 2014 - 8
Recording - February 2014 - 9
Recording - February 2014 - 10
Recording - February 2014 - 11
Recording - February 2014 - 12
Recording - February 2014 - 13
Recording - February 2014 - 14
Recording - February 2014 - 15
Recording - February 2014 - 16
Recording - February 2014 - 17
Recording - February 2014 - 18
Recording - February 2014 - 19
Recording - February 2014 - 20
Recording - February 2014 - 21
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Recording - February 2014 - 26
Recording - February 2014 - 27
Recording - February 2014 - 28
Recording - February 2014 - 29
Recording - February 2014 - 30
Recording - February 2014 - 31
Recording - February 2014 - 32
Recording - February 2014 - 33
Recording - February 2014 - 34
Recording - February 2014 - 35
Recording - February 2014 - 36
Recording - February 2014 - 37
Recording - February 2014 - 38
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Recording - February 2014 - 40
Recording - February 2014 - 41
Recording - February 2014 - 42
Recording - February 2014 - 43
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Recording - February 2014 - 45
Recording - February 2014 - 46
Recording - February 2014 - 47
Recording - February 2014 - 48
Recording - February 2014 - 49
Recording - February 2014 - 50
Recording - February 2014 - 51
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Recording - February 2014 - 53
Recording - February 2014 - 54
Recording - February 2014 - 55
Recording - February 2014 - 56
Recording - February 2014 - 57
Recording - February 2014 - 58
Recording - February 2014 - 59
Recording - February 2014 - 60
Recording - February 2014 - 61
Recording - February 2014 - 62
Recording - February 2014 - 63
Recording - February 2014 - 64
Recording - February 2014 - 65
Recording - February 2014 - 66
Recording - February 2014 - 67
Recording - February 2014 - 68
Recording - February 2014 - 69
Recording - February 2014 - 70
Recording - February 2014 - 71
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Recording - February 2014 - 73
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Recording - February 2014 - 76
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Recording - February 2014 - 78
Recording - February 2014 - 79
Recording - February 2014 - 80
Recording - February 2014 - Cover3
Recording - February 2014 - Cover4
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