Recording - March 2014 - 19
the amount of dimming (lowering of volume)
that occurs when you push the Dim switch,
activate Talkback, etc.. The Sub/DAC
Output can be configured to drive external
meters (with a level that's fixed or that follows the active speaker level), or dual mono
or stereo subwoofers (with settable relative
level to the main speakers, as explained
above). You can even set the headphones to
mute or not mute the speakers when
engaged, or to remain stereo when the
Mono switch is pressed.
If you want to learn about what you're
hearing as you use the m905 in day-to-day
operations, there are lots of tools available. The L-R function lets you hear out-ofphase information in the stereo image by
inverting the Right signal and subtracting it
from the Left, similar to how one creates
Side audio in a Mid-Side mic setup. Mono
monitoring is of critical importance in
today's world of tiny device speakers, and
it's easily accessible at all times.
There's lots more, including a huge raft of
digital clocking and configuration options,
but I'll close by mentioning X-Feed, a Head
Related Transfer Function (HRTF) system that
lets the headphone output simulate the
crosstalk and filtering that occurs when listening to speakers. This replaces the sometimes artificial stereo image (everything in
one ear or the other) with a more natural
"blended" sound. (Listening to the stereo
releases of the Beatles back catalog with
this control engaged is fascinating!)
In use
I got to work with the m905 for a few
weeks in my main and backup studios,
with three sets of speakers, a sub, and all
of the headphones (11 pairs!) reviewed in
this issue. It gives you all the flexibility you
need to really nail your monitor levels,
and it's a joy to work with once you get it
set up to your satisfaction. It becomes easy
and fun to do all the things we should do
regularly when we work in a studio, from
monitoring our SPL to be sure we're not
fooling ourselves with "louder is better" to
checking our work for mono compatibility
and out-of-phase information.
And the sound? Glorious, simply glorious. Pristine, detailed, impeccably clean;
revealing even the tiniest of noises or digital yuck in less-than-perfect audio, and letting you revel in the glory of really wellrecorded music, especially over extremely
high-ticket headphones like the AKG K812
reviewed in this issue.
The m905 isn't cheap by any stretch of
the imagination, and a lot of studios might
find it out of reach at first. But you pay for
quality, and if there's a stereo reference
monitor solution out there that does more
and sounds better, I'm not aware of it.
Price: $3495 ($3325 street)
More from: Grace Design,
www.gracedesign.com
http://www.primacoustics.com
http://www.primacoustics.com
http://www.gracedesign.com
Recording - March 2014
Table of Contents for the Digital Edition of Recording - March 2014
Contents
Recording - March 2014 - Cover1
Recording - March 2014 - Cover2
Recording - March 2014 - 1
Recording - March 2014 - 2
Recording - March 2014 - 3
Recording - March 2014 - 4
Recording - March 2014 - 5
Recording - March 2014 - Contents
Recording - March 2014 - 7
Recording - March 2014 - 8
Recording - March 2014 - 9
Recording - March 2014 - 10
Recording - March 2014 - 11
Recording - March 2014 - 12
Recording - March 2014 - 13
Recording - March 2014 - 14
Recording - March 2014 - 15
Recording - March 2014 - 16
Recording - March 2014 - 17
Recording - March 2014 - 18
Recording - March 2014 - 19
Recording - March 2014 - 20
Recording - March 2014 - 21
Recording - March 2014 - 22
Recording - March 2014 - 23
Recording - March 2014 - 24
Recording - March 2014 - 25
Recording - March 2014 - 26
Recording - March 2014 - 27
Recording - March 2014 - 28
Recording - March 2014 - 29
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Recording - March 2014 - 31
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Recording - March 2014 - Cover3
Recording - March 2014 - Cover4
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