Recording - May 2014 - 30
spectrum. Grab your second mic and invert the phase, sweeping it across the speaker until the hiss is at its lowest. Do the
same with any additional mics. You won't be able to completely cancel the phase like you can inside the DAW by moving regions, but it will be really close. Once your phase is in
order, you can blend your mics together.
There are also simple phase-shifting devices that you can put
inline between one of the two mics and your recorder; you turn
the dial until the blend sounds best. The best known of these are
the Little Labs IBP (In Between Phase) and the Radial
Engineering Phazer, but I've never worked with either.
In terms of the blend of mics you have up, I will typically choose
an 'alpha mic' and at this point, I've become rather predictable: in
most cases it will be the SM57. More often than not, I'll use this as
my alpha mic and blend the others in relation to it. The other dynamics fill out the sound, particularly in the punchy mids. The ribbon will
add depth and warmth and the condenser will add room tone.
I'd like to briefly suggest recording a DI track if you have the
space in your DAW's track count. This isn't because it'll sound
good now, but it may come in handy later to try some reamping (sending the recorded DI signal back out to an amp).
Now, before you print your guitars and call it a day, read
this last little section about the fascinating oddities you may
want to try when recording guitar cabinets (insert evil chuckle
here).
http://www.GreatRiverElectronics.com
http://www.GreatRiverElectronics.com
Recording - May 2014
Table of Contents for the Digital Edition of Recording - May 2014
Contents
Recording - May 2014 - Cover1
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Recording - May 2014 - 1
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Recording - May 2014 - Contents
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Recording - May 2014 - Cover3
Recording - May 2014 - Cover4
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