Recording - July 2014 - 16
a mix can lean the whole thing to one side. However, if a doubled guitar is one
of the three, and is spread out far left and right, the other two can be balanced
on either side to great effect. This can also be nice in a guitar/vocal song, with
the doubled guitars spread wide and the vocal in the center.
While recording the double, it can be wise to spread the two takes far
right and left, and let the musician know which they are hearing where. This
way, they can more easily match the takes. If this isn't done, the musician
can get confused and may not be able to match what he or she did the first
take.
To compress or not to compress?
This will depend on the style of playing. If the guitarist is banging away at
the guitar, less compression will be needed... or even wanted. If the playing
is very soft, more compression may be needed-but be careful not to compress too much, as this will yield more noise than notes!
Always keep in mind that compression can be added after the fact. A bit of
compression on the way in can be nice, especially if you have great compressors with a nice sound. But too much compression can be hard to deal with
later. I have a colleague who likes to say that the Gain Reduction needle on the
compressor should be like a "blade of grass in a light breeze!" It should just
move down gently during louder parts, rather than slam down hard the whole
way through. This yields a nice, full tone. Remember, though: more can always
be added later, so never overdo it in the recording stage.
Playing styles and advice
There are times when it can be wise to advise a player on how they play a part,
e.g. to play louder or to back off. If the player is playing so softly that the mics need
to be turned up so loud that you hear them breathing as much as playing, ask if they
can dig in a bit more or use a pick. Conversely, if they are playing so loud that the
guitar's tone is gone, it can be good to ask if they might
play a bit more softly or try playing with fingers.
Volume does not necessarily translate to vibe or
good sound in the song. I often find that precision
playing is more effective than loud playing to add
energy to a song! Having the player come into the
control room and listen to an early take can be a
great way to help them figure out what's best. Always
keep in mind who you're talking to; some artists can
be delicate around what they perceive as criticism of
their style. It's true that too little advice can give you fits
when you get to mixdown and realize you don't have
exactly what the song called for... but too much
advice can kill a session's vibe fast!
Here's a sample EQ curve for recording acoustic
guitar. Note the gentle control of low mids and
the drastic rolloff of extreme bass (which will
only have thumps and mic rumble).
Recording - July 2014
Table of Contents for the Digital Edition of Recording - July 2014
Contents
Recording - July 2014 - Cover1
Recording - July 2014 - Cover2
Recording - July 2014 - 1
Recording - July 2014 - 2
Recording - July 2014 - 3
Recording - July 2014 - 4
Recording - July 2014 - 5
Recording - July 2014 - Contents
Recording - July 2014 - 7
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Recording - July 2014 - Cover3
Recording - July 2014 - Cover4
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