Recording - July 2014 - 54
Maxon Fuzz Elements Pedals
B Y M I K E M E T L AY W I T H A L L E N G O O D M A N A N D M I C H A E L S C H U L Z E
We don't do a lot of effects pedal
reviews in Recording, but every once in a
while those crazy guys at Godlyke
Distribution import something so cool we
have to give it a quick mention in our
Guitar Recording issue. That's the case with
the latest series of distortion pedals from
Japanese pedal maker Maxon: a set of
seven-yes, seven!-unique fuzzes with
the inspiring name of Fuzz Elements.
Each pedal comes in a rugged white case
with external AC or battery operation, and
has a noiseless footswitch with true bypass
operation. Each pedal's controls and sound
are different, and we'll try to give you a feel
for what they do, how they sound, and
where they might be useful, starting with a
quote from Maxon about the intended
design goal for each. Here we go!
The FA10 Fuzz Elements Air "recreates
the classic Octave/Fuzz effects of vintage
Japanese pedals, offering a powerful
sound by adding upper and lower harmonic overtones." It has Expander and
Level knobs and a Fat/Scoop switch. The
Expander adds distortion but not as much
as it controls background noise-is this a
downward expander of some kind?
The Fat setting is very midrangy and
heavy, occupying a lot of the mix (a la
"The Boys of Summer"); the Scoop setting
is that classic no-mids tone that was popular in the hair-metal era. These overtones
are definitely there, but they're not overbearing; they fill out the guitar's sound
and add a significant richness to the tone.
FE19 Fuzz Elements Ether "expands on
Octave/Fuzz sounds of FA10 by adding a
parametric tone section to the circuit." In addition to the Expander and Level knobs on the
Air, it has controls for B/C (EQ Boost/Cut),
and Freq (EQ Frequency). Being able to tune
in a particular boost or cut gives a lot of tonal
flexibility, but Allen missed having an LFO to
sweep the frequency for quasi-phase effects.
On both the Air and Ether, you don't have
to crank Expander way up to get a great
tone; you can get good fuzz with little background hiss and hum at low settings.
The FEA10 Fuzz Elements Earth "recreates the legendary sounds of early 70's
Transistor Distortion pedals. Aggressive
while still retaining excellent note definition, the FEA10 excels at Alternative and
Stoner Rock sounds." Controls include
Sustain (distortion amount), Tone (a "tilt"
control, left for bass boost/treble cut,
right for treble boost/bass cut), and Level.
http://www.eartrumpetlabs.com
http://www.realtraps.com
http://www.eartrumpetlabs.com
http://www.realtraps.com
Recording - July 2014
Table of Contents for the Digital Edition of Recording - July 2014
Contents
Recording - July 2014 - Cover1
Recording - July 2014 - Cover2
Recording - July 2014 - 1
Recording - July 2014 - 2
Recording - July 2014 - 3
Recording - July 2014 - 4
Recording - July 2014 - 5
Recording - July 2014 - Contents
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Recording - July 2014 - Cover3
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