Recording - November 2014 - 4

PUBLISHER: Thomas Hawley
ASSOCIATE PUBLISHER: Brent Heintz

EDITORIAL

EDITOR: Mike Metlay
SPECIAL PROJECTS EDITOR: Lorenz Rychner
TECHNICAL CONSULTANT: Paul Vnuk Jr.
EDITOR AT LARGE: Beto Hale
MÚSICO PRO EDITOR: Fernando Curiel

If I am not for myself...
Who will be for me? That old saying has particular resonance this month, as we
look at strategies for recording songwriters to get themselves noticed. Unless you're
lucky enough to have a major label deal, it's up to you to gather an audience that
cares passionately about your music... and these days, you can't get a major label
deal until you can demonstrate that you can do that anyway! (One of my favorite
ironies of the modern music business-you court major label exposure by demonstrating that you really don't need it.)
Bobby Owsinski has been in this business for decades as a producer and an educator; when I heard him speak at last year's PreSonuSphere user conference on the
power of social media and how to maximize its effects, I knew I had to get him in
front of our readership. I loved Bobby's book Social Media Promotion For Musicians
and reviewed it in our April 2014 issue, and asked him to follow up with some tips
gleaned from his books. He replied with ten easy ways to make sure your socialmedia time isn't being squandered.
Similarly, I was hooked up with Katy Krassner, a successful social media strategist, through the efforts of our author Eric Alexandrakis, who's sung her praises in
previous issues as a satisfied client. Katy responded to my request with a quick set
of five great ideas to help build and keep a strong audience following. You'll notice
that Katy and Bobby don't agree on every point; opinions vary on how best to work
the promotion angle in today's climate. The last element in the process must be you,
the musician, seeing what works and what doesn't, and these two articles will give
you a great start.
Also on the topic of promotion and profit, Sean Shannon weighs in with a fun and
thought-provoking article on making your studio pay for itself in ways both traditional and unusual, and Eleanor Goldfield's Fade Out poses the one question every
artist must know how to answer if he or she wants to have any hope of succeeding.
This issue isn't all about the music business, though; we also have some great articles with practical advice on recording technique and studio workflow. The folks at
DPA Microphones were kind enough to welcome me to their headquarters in
Denmark earlier this year, and I participated in a fascinating clinic on mic directionality with DPA's Mikkel Nymand. Mikkel was kind enough to tell me more on the
topic in a fun interview, and you can read all about it on page 14. Also in this issue,
Paul J. Stamler elaborates on a short article he did for our 20th Anniversary issue
back in 2007, with the first of two pieces on the evils of phase mismatch and how
to combat them in your miking setups. We hear from Sven-Erik Seaholm about when
to get a larger studio involved in your projects, and mastering engineer Maor
Appelbaum discusses what every artist should bring to a mastering session to maximize his or her chances for success.
There's a nice slate of songwriter-friendly gear in this issue, too. sE Electronics has
done it again with an affordable high-quality ribbon mic that any studio can use.
Korg brings us a handy and versatile keyboard controller with sweet built-in sounds.
Prism Sound makes its high-end conversion and interfacing portable with the Lyra 2.
Daking Audio turns a classic EQ design into a handy 500 Series module. We also
try out new ribbon-tweeter monitors from Samson, Blue's new Mo-Fi active headphones, a variety of great software, and more.
It can be daunting to get the world to listen to what you have to say, but everyone agrees that the best place to start is to have something worth saying: good
ideas expressed beautifully and captured with the highest possible quality. In that
regard, our mission remains true-to bring you the techniques and technology that
help you turn your dreams into music. It's a struggle, but it's a worthwhile struggle,
and we wouldn't have it any other way.
Enjoy the issue!

CONTRIBUTORS
Bobby Owsinski, Paul Vnuk Jr.,
Sean Shannon, Sven-Erik Seaholm,
Paul J. Stamler, Katy Krassner, Gary Eskow,
Marty Peters, Eleanor Goldfield
SOCIAL MEDIA
Brent Heintz, Paul Vnuk Jr.
ART & PRODUCTION

ART DIRECTOR: Scott Simmonds
PRODUCTION MANAGER: Colin Courtney
WEB GOALIE: Colin Courtney

PLAYBACK PLATINUM SERIES
Lorenz Rychner

EDITOR/PRODUCER:

CIRCULATION
Tiffany Sepe

CIRCULATION MANAGER:

ADVERTISING SALES AND MARKETING
DIRECTOR: Brent Heintz
CLASSIFIEDS MANAGER: Colin Courtney
ADMINISTRATION
Thomas Hawley

ACCOUNTS RECEIVABLE:

EXECUTIVE OFFICERS

PRESIDENT: Thomas Hawley
VICE PRESIDENT: Brent Heintz

SUBSCRIPTIONS/ADDRESS CHANGES:
1-954-653-3927
ADVERTISING/CLASSIFIEDS/MAIN OFFICE:
(303) 516-9118
RECORDING MAGAZINE
(ISSN 1078-8352; USPS 002-298) is published
monthly, 12 times per year, by Music Maker
Publications, Inc., 5408 Idylwild Trail, Boulder,
CO 80301-3523.
Tel: (303) 516-9118 Fax: (303) 516-9119
email: info@recordingmag.com
Los Angeles Editorial Office:
Beto@recordingmag.com
Periodicals Postage is paid at Boulder, CO and at additional mailing offices. POSTMASTER: Send address changes to
RECORDING, Subscriber Services, P.O. Box 5024, Fort.
Lauderdale, FL, 33310. Tel: 1-954-653-3927, Fax: 1-954-7723393. Subscription rate: $23.97 per year. Distributed to the
music trade by Hal Leonard Corporation. All material is subject
to worldwide copyright protection, and reproduction or imitation in whole or in part is expressly forbidden without written
consent from the publishers. All reasonable care is taken to
ensure accuracy in the preparation of the magazine, but Music
Maker Publications, Inc. cannot be held legally responsible for
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© Copyright 2014 Music Maker
Publications, Inc.

PRINTED IN THE U.S.A.
4

RECORDING November 2014



Recording - November 2014

Table of Contents for the Digital Edition of Recording - November 2014

Contents
Recording - November 2014 - Cover1
Recording - November 2014 - Cover2
Recording - November 2014 - 1
Recording - November 2014 - 2
Recording - November 2014 - 3
Recording - November 2014 - 4
Recording - November 2014 - 5
Recording - November 2014 - Contents
Recording - November 2014 - 7
Recording - November 2014 - 8
Recording - November 2014 - 9
Recording - November 2014 - 10
Recording - November 2014 - 11
Recording - November 2014 - 12
Recording - November 2014 - 13
Recording - November 2014 - 14
Recording - November 2014 - 15
Recording - November 2014 - 16
Recording - November 2014 - 17
Recording - November 2014 - 18
Recording - November 2014 - 19
Recording - November 2014 - 20
Recording - November 2014 - 21
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Recording - November 2014 - 23
Recording - November 2014 - 24
Recording - November 2014 - 25
Recording - November 2014 - 26
Recording - November 2014 - 27
Recording - November 2014 - 28
Recording - November 2014 - 29
Recording - November 2014 - 30
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Recording - November 2014 - Cover3
Recording - November 2014 - Cover4
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