Recording - February 2015 - 6

RECORDING MAGAZINE FEBRUARY

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Reviews

FeatuRes

20 Neumann U47fet Condenser Microphone.

14 The Right Mic For The Right Vocal.

An often-imitated classic mic is reissued by its original
maker, and we have all the details, from extensive
recording sessions to a head-to-head comparison with
the original in a famous recording studio.

Here's a history lesson and a practical breakdown of
the main mic types-ribbon, dynamic, and condenser-
and how to choose and use them for the best possible
vocal tracks.

REVIEW BY PAUL VNUK JR.

56

BY MICHAEL SCHULZE

32 Audio-Technica AT5045 Cardioid
Condenser Instrument Microphone.

24 Processing Vocals-Vintage To Modern.

The 50 Series, with its remarkable rectangular capsule,
takes on a new form in this compact and flexible mic.
REVIEW BY PAUL VNUK JR.

52

The classic signal processors of yesteryear can teach
us useful vocal treatment techniques that easily
apply to today's more affordable hardware and plug-ins.
BY MICHAEL SCHULZE

34 API 505-DI and 565 Filter Bank 500
Series Modules.

42 First Steps. Part 2: In Your Room.
Nothing you learn will help you hear your recordings
properly if you haven't tamed the inherent problems
in your listening space. Here's a quick intro to what
to look for and how to fix it.

API isn't resting on its laurels; its newest tools in the
widely-praised 500 Series format are bound to solve
a variety of studio problems.

BY PAUL J. STAMLER

REVIEWS BY PAUL VNUK JR.

36 Universal Audio UAD-2 Manley Massive
Passive EQ Plug-in and UAD-2 Satellite
Thunderbolt.

48

Our favorite UAD-2 reviews are the ones where we
can compare the plug-in to the real hardware, and
Manley Labs was kind enough to provide us with a
Massive Passive, which we're reviewing right
alongside the plug-in and UA's newest DSP engine.

50 Vocal Session Tips.
A successful LA engineer who's worked with every
one from Rihanna and Kelly Clarkson to Sean
Kingston and Bruno Mars shares his approach to
capturing world-class vocals.
BY GREG OGAN

54 A Vocal Recording Template.
Setting up a template beforehand lets you have a
personalized yet flexible way to get right to work on
creating vocal tracks and mixes in your DAW.

REVIEWS BY PAUL VNUK JR.

72

48 Resident Audio T4 Thunderbolt Audio
Interface.
Apple's newest connectivity format is slowly gaining
ground, and this compact interface represents a first
step into previously unexplored territory.

BY GREG OGAN

58 Specs: Removing The Mystery. Part 1: Levels.
Our new series on separating valuable data from
hype and spin when reading spec sheets starts with
a look at the numbers that form a foundation for
many audio specs: signal levels.

REVIEW BY MIKE METLAY

52 DPA Microphones d:screet Necklace
Microphone.

60

A novel way to wear a high-quality mic-it's
comfortable, easy to work with, great-sounding,
and... well... discreet.

BY MIKE RIVERS

64 Rescuing Audio From Tape Cassettes.
They're cheap, fragile, and often nasty-sounding, but
they might contain irreplaceable audio history. Here's
a basic guide to getting audio out of them in the
best possible shape.

REVIEW BY PAUL VNUK JR.

56 iOS Music Tools: Korg Gadget.

36

32

This all-in-one music production app stands out for
its unique and fun sequencer and a wide variety of
high-quality synths and rhythm machines.
REVIEW BY DEVON BRENT

60 Cathedral Pipes Notre Dame Tube
Condenser Microphone.
If you've never heard of this boutique mic builder,
this eye-popping mic will have you sitting up and
taking notice in no time.
REVIEW BY PAUL VNUK JR.

72 PreSonus Temblor T10 Subwoofer.
Rattle your windows with this powerful and studiofriendly sub.
REVIEW BY MIKE METLAY

BY SCOTT DORSEY

RegulaRs
4

Fade In.

8

Talkback.

10 Fast Forward.
66 Readers' Tapes.
BY MARTY PETERS

80 Fade Out.

COVER DESIGN BY SCOTT SIMMONDS
PHOTO BY PAUL VNUK JR.

Vocal Performance.
GUEST EDITORIAL BY BETO HALE

77 Advertiser Index.
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Recording - February 2015

Table of Contents for the Digital Edition of Recording - February 2015
