Recording - March 2015 - 58

Part 2: Gain
ike
By M
Gain is a regular part of our audio gear vocabulary-preamp
gain, gain reduction, master gain, maximum gain, make-up
gain, gain riding... the list goes on. Since gain is all about levels and usually involves decibels, learning about it will be a
good followup to last month's article.
There's gain and then there's gain
"Gain" is our jargon for amplification, a way of expressing the
ratio of output to input level of a device. A mic preamp that gives you
5 volts out for an input of 5 millivolts has a gain of (5V / 0.005V)
= 1000. Saying that it has a gain of one thousand is perfectly legitimate, but since the decibel is a ratio, we often express gain in decibels. As we explained last month, decibels let us write very large or
very small ratios of numbers in a compact form. Fire up your scientific calculator, take the logarithm of the ratio (the log of 1000 is 3),
multiply the log by 20 (since it's a voltage ratio), and you have what's
likely a more familiar gain of 60 dB.

s

River

important to know how far it can be turned down. The difference
between maximum and minimum gain is sometimes specified as
gain range.
A guitar or bass pickup generally has about 20 dB more output than a microphone, so an instrument (DI) input on a preamp
will have about 20 dB less gain than the mic input. Electronic
instruments usually have a line level output, so no gain is needed, although line level inputs often have a small amount of gain
that is adjusted to best match the source.
How do we measure gain?
Like most specifications, gain has some strings attached. One
is that it must be measured under realistic operating conditions.
When measuring gain, the input level must be low enough to
assure that the device doesn't clip. You need a clean sine wave
at only a few millivolts RMS to measure the maximum gain of a
mic preamp.

Like most specifications, gain has some strings attached.
With modern audio gear, we're nearly always talking about
voltage gain, so the adjective "voltage" is usually dropped, but
there are such things as current gain and power gain as well.
Since transistors amplify current rather than voltage, current
gain is important to circuit designers, but not so much to end
users. What about a power amplifier? As a rule, we put in volts
and get out watts, so voltage, current, or power gain could
describe them. However, I'll discuss how it's usually and properly done in our next installment. Stay tuned.
How much?
The amount of gain that a device or a circuit provides is often
related to its function. In order to boost a low-level mic signal to
line level, gain on the order of 30 to 60 dB, or occasionally as
much as 75 dB, is necessary. Since mics and sound sources
vary widely, a mic preamp has to deal with a wide range of
input levels. Since we expect about the same level out of a preamp no matter what goes in, its gain is, by necessity, adjustable.
In addition to knowing a preamp's maximum gain, it's also
58

RECORDING March 2015

Gain is usually measured at 1 kHz and is assumed to be constant within a fairly small tolerance over the device's full operating frequency range, unless of course it's a device where gain
varies with frequency (a filter or equalizer) or amplitude (a compressor). It's hard to cheat on a gain measurement, but sometimes there can be some surprises-see the sidebar for a realworld example I encountered some years ago.
Measuring gain of an amplifier is easy as long as it has connectors for attaching a signal generator and meter to its input and output, respectively. Suppose, though, that you want to measure the gain
of the mic preamp inside a mixer or interface, where the preamp's
output is hard-wired to the mix bus or A/D converter and never sees
the outside world. If the spec sheet says that mic preamp's gain is 56
dB, you'll have to trust the manufacturer unless you plan to open the
case and put your meter on the correct point in the preamp circuit.
However, if there's a direct output or insert (send), it usually comes
directly from the mic preamp, so it's possible to check the preamp
gain at that point. A block diagram helps here, though an actual
schematic diagram may be more accurate.



Recording - March 2015

Table of Contents for the Digital Edition of Recording - March 2015

Contents
Recording - March 2015 - Cover1
Recording - March 2015 - Cover2
Recording - March 2015 - 1
Recording - March 2015 - 2
Recording - March 2015 - 3
Recording - March 2015 - 4
Recording - March 2015 - 5
Recording - March 2015 - Contents
Recording - March 2015 - 7
Recording - March 2015 - 8
Recording - March 2015 - 9
Recording - March 2015 - 10
Recording - March 2015 - 11
Recording - March 2015 - 12
Recording - March 2015 - 13
Recording - March 2015 - 14
Recording - March 2015 - 15
Recording - March 2015 - 16
Recording - March 2015 - 17
Recording - March 2015 - 18
Recording - March 2015 - 19
Recording - March 2015 - 20
Recording - March 2015 - 21
Recording - March 2015 - 22
Recording - March 2015 - 23
Recording - March 2015 - 24
Recording - March 2015 - 25
Recording - March 2015 - 26
Recording - March 2015 - 27
Recording - March 2015 - 28
Recording - March 2015 - 29
Recording - March 2015 - 30
Recording - March 2015 - 31
Recording - March 2015 - 32
Recording - March 2015 - 33
Recording - March 2015 - 34
Recording - March 2015 - 35
Recording - March 2015 - 36
Recording - March 2015 - 37
Recording - March 2015 - 38
Recording - March 2015 - 39
Recording - March 2015 - 40
Recording - March 2015 - 41
Recording - March 2015 - 42
Recording - March 2015 - 43
Recording - March 2015 - 44
Recording - March 2015 - 45
Recording - March 2015 - 46
Recording - March 2015 - 47
Recording - March 2015 - 48
Recording - March 2015 - 49
Recording - March 2015 - 50
Recording - March 2015 - 51
Recording - March 2015 - 52
Recording - March 2015 - 53
Recording - March 2015 - 54
Recording - March 2015 - 55
Recording - March 2015 - 56
Recording - March 2015 - 57
Recording - March 2015 - 58
Recording - March 2015 - 59
Recording - March 2015 - 60
Recording - March 2015 - 61
Recording - March 2015 - 62
Recording - March 2015 - 63
Recording - March 2015 - 64
Recording - March 2015 - 65
Recording - March 2015 - 66
Recording - March 2015 - 67
Recording - March 2015 - 68
Recording - March 2015 - 69
Recording - March 2015 - 70
Recording - March 2015 - 71
Recording - March 2015 - 72
Recording - March 2015 - Cover3
Recording - March 2015 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com