Recording - August 2015 - 53
I can barely scratch the surface of what
is possible with the pulse engines here-
after many hours of working (well, playing!) with SIGNAL, I'm still thinking of new
things to try. And I haven't even mentioned
the whole range of effects provided with
every preset, both on each pulse engine
and on the global instrument. Effects
include EQ, Compressor, Filter, Tape
Saturation, Reverb, Delay, and more.
Output has done a great job with their
presets not being too heavily effected,
using them to provide a very musical character.
I'm not one to read manuals or guides,
but trust me... take a moment and click on
the '?' Help icon in the upper right of the
SIGNAL interface and glance over the
awesome built-in Help overlay. Different
overlays are available for every page in
SIGNAL, and serve as a great guide to
getting started with the immense power
under the hood. Every modern instrument
should have something like this!
General impressions
SIGNAL hits a rare sweet spot with
ease of use and flexibility, and its sound
quality is of the highest caliber. Its pulsing
sounds are relevant in many modern
musical genres, and perhaps even more
so in sound design and composition for
film and games. If you often create temposynced modulation or layer modulations
into sophisticated patterns, you know just
how time-consuming this can be. SIGNAL
makes this work fast and simple, and
most of all enjoyable.
The extensive, well-designed presets
provide a huge range of possibilities, and
the macros provide just enough musical
control to massage them into your productions. If you're the adventurous type,
the Pulse Engines are enormously flexible,
opening doors to sounds you've never
heard before. I can see SIGNAL becoming a standard in most composers'
libraries, and at $199 it is a tremendous
value.
Jon Hillman (hillman@recordingmag.com)
is a game audio composer and sound
designer living and working in northern
Colorado. Learn more at jonhillman.com.
RECORDING August 2015
53
http://www.jonhillman.com
Table of Contents for the Digital Edition of Recording - August 2015
Contents
Recording - August 2015 - Intro
Recording - August 2015 - Cover1
Recording - August 2015 - Cover2
Recording - August 2015 - 1
Recording - August 2015 - 2
Recording - August 2015 - 3
Recording - August 2015 - 4
Recording - August 2015 - 5
Recording - August 2015 - Contents
Recording - August 2015 - 7
Recording - August 2015 - 8
Recording - August 2015 - 9
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Recording - August 2015 - Cover3
Recording - August 2015 - Cover4
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