Recording - November 2015 - 39
Interestingly, the top end of the C314 is
not far off from the gentle dullness of the
KSM44. Don't get the wrong impression,
though; like the KSM44, the C314 is not
trying to be dark, dull, or vintage. It has a
classic mic tone that is well removed (in a
good way) from the many bright, modern,
piano is one of the C414's best-known
uses, it was not a better or worse situation,
but more of a "which flavor suits the track
better" thing. The C414 XLS would be my
choice for a jazz or classical take, while
the C314 was nice for a pounding rock
track.
vintage models of yesteryear, but taken
on its own, it provides a lovely balance of
weight, clarity and smoothness.
If you are looking for a great-sounding
alternative to the plethora of bright modern microphones on the market, one that
is well-voiced to a large number of tasks
open mics on the market. In my sessions I
found the C314 to be a great workhorse
on all of the abovementioned sources. I
wasn't really made aware of its subtle top
end until I compared it to a few bright
modern condensers.
One last test I did at the end of the review
was on some piano takes, where I put the
mic side by side with the C414 XLS. While
Conclusions
From the 1980s onward, AKG has
often been criticized for changing the
sound of the C414 in later revisions, first
making it too dark, then too bright, and
so on and so on. ("Infinite are the arguments of engineers," to paraphrase
Ursula LeGuin.) I can't say with certainty
how the C314 compares to the darker
and offers a nice hint of vintage vibe without taking it too far, be sure to check out
the new C314. I will warn you, though: if
you get one, you're going to end up
wanting a pair of them.
Price: $699.99
More from: AKG Acoustics, www.akg.com
http://www.akg.com
http://www.gracedesign.com
Table of Contents for the Digital Edition of Recording - November 2015
Contents
Recording - November 2015 - Intro
Recording - November 2015 - Cover1
Recording - November 2015 - Cover2
Recording - November 2015 - 1
Recording - November 2015 - 2
Recording - November 2015 - 3
Recording - November 2015 - 4
Recording - November 2015 - 5
Recording - November 2015 - Contents
Recording - November 2015 - 7
Recording - November 2015 - 8
Recording - November 2015 - 9
Recording - November 2015 - 10
Recording - November 2015 - 11
Recording - November 2015 - 12
Recording - November 2015 - 13
Recording - November 2015 - 14
Recording - November 2015 - 15
Recording - November 2015 - 16
Recording - November 2015 - 17
Recording - November 2015 - 18
Recording - November 2015 - 19
Recording - November 2015 - 20
Recording - November 2015 - 21
Recording - November 2015 - 22
Recording - November 2015 - 23
Recording - November 2015 - 24
Recording - November 2015 - 25
Recording - November 2015 - 26
Recording - November 2015 - 27
Recording - November 2015 - 28
Recording - November 2015 - 29
Recording - November 2015 - 30
Recording - November 2015 - 31
Recording - November 2015 - 32
Recording - November 2015 - 33
Recording - November 2015 - 34
Recording - November 2015 - 35
Recording - November 2015 - 36
Recording - November 2015 - 37
Recording - November 2015 - 38
Recording - November 2015 - 39
Recording - November 2015 - 40
Recording - November 2015 - 41
Recording - November 2015 - 42
Recording - November 2015 - 43
Recording - November 2015 - 44
Recording - November 2015 - 45
Recording - November 2015 - 46
Recording - November 2015 - 47
Recording - November 2015 - 48
Recording - November 2015 - 49
Recording - November 2015 - 50
Recording - November 2015 - 51
Recording - November 2015 - 52
Recording - November 2015 - 53
Recording - November 2015 - 54
Recording - November 2015 - 55
Recording - November 2015 - 56
Recording - November 2015 - 57
Recording - November 2015 - 58
Recording - November 2015 - 59
Recording - November 2015 - 60
Recording - November 2015 - 61
Recording - November 2015 - 62
Recording - November 2015 - 63
Recording - November 2015 - 64
Recording - November 2015 - 65
Recording - November 2015 - 66
Recording - November 2015 - 67
Recording - November 2015 - 68
Recording - November 2015 - 69
Recording - November 2015 - 70
Recording - November 2015 - 71
Recording - November 2015 - 72
Recording - November 2015 - Cover3
Recording - November 2015 - Cover4
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