Recording - January 2016 - 41

Next in the kit is a specially built stereo
spacer bar. This is an adaptation of the
company's SMT-1 and SMT-2 stereo bars.
It is a large hollow rectangular device with
built-in mounting threads as well as movable mounting bolts and screw caps. It
also comes with a Posi-Lok adjustable
angle adaptor and foam strip for sonically
damping the whole assembly.
Printed on the bar are distance and
angle markings. The stereo bar can be
used for near-coincident stereo miking
techniques. Even cooler, the bar is specially made to accommodate Nuvo series
mics in a Blumlein array. To accommodate this, AEA has created a special end
cap that fits on the tops of the mics and
holds them firmly together and in place.
In use
One of things that I noted in my N8
review was that its sound was reminiscent
of AEA's R88 mk2 (reviewed October
2013), which is a large ribbon stereo mic
in a fixed Blumlein pattern. Like the N8, it
is a very open, honest mic-one of the
most classic, natural-sounding stereo ribbon mics on the market. Although most
people assume it is a stereo version of the
company's R84 mono ribbon mic thanks
to similar looks and size, I found the N8
to be closer to its sound. With this stereo
kit and a pair of N8s you have a similar
sonic setup, but of course it's more versatile because it can be disassembled into
two mono mics!
I used the kit with my pair of N8s in
said Blumelein setup pretty much everywhere I used the R88 mk2 when I
reviewed it: as room mics, in front of a
drum kit, and at distance on acoustic guitar, backing vocals and more. I also used
them in a near-coincident set up as traditional drum overheads, and again as a
front of kit set up, but this time much closer
to the kit-which offered a wide, intimate
spread on the toms and ride.
Overall I feel this kit is better suited to
the depth of the N8, but I can also see
how it could be a very nice stereo setup
with the N22 up close on delicatelyplayed acoustic instruments and percussion. I only own a single N22, so I
couldn't test my hunch.
As an added bonus, the kit is microphoneagnostic (aside from the Blumlein cap)
and is equally at home holding pencil condensers and dynamic mics in traditional
X/Y setups.
If you are in the market for a pair of
quality ribbon mics for stereo duties, I
would not hesitate to jump on this package now!
Price: $252 for kit alone; with N8 mics,
$2380; with N22 mics, $1980
More from: Audio Engineering
Associates, www.ribbonmics.com
RECORDING January 2016

41



http://www.clearsonic.com http://www.ribbonmics.com

Table of Contents for the Digital Edition of Recording - January 2016

Contents
Recording - January 2016 - Cover1
Recording - January 2016 - Cover2
Recording - January 2016 - 1
Recording - January 2016 - 2
Recording - January 2016 - 3
Recording - January 2016 - 4
Recording - January 2016 - 5
Recording - January 2016 - Contents
Recording - January 2016 - 7
Recording - January 2016 - 8
Recording - January 2016 - 9
Recording - January 2016 - 10
Recording - January 2016 - 11
Recording - January 2016 - 12
Recording - January 2016 - 13
Recording - January 2016 - 14
Recording - January 2016 - 15
Recording - January 2016 - 16
Recording - January 2016 - 17
Recording - January 2016 - 18
Recording - January 2016 - 19
Recording - January 2016 - 20
Recording - January 2016 - 21
Recording - January 2016 - 22
Recording - January 2016 - 23
Recording - January 2016 - 24
Recording - January 2016 - 25
Recording - January 2016 - 26
Recording - January 2016 - 27
Recording - January 2016 - 28
Recording - January 2016 - 29
Recording - January 2016 - 30
Recording - January 2016 - 31
Recording - January 2016 - 32
Recording - January 2016 - 33
Recording - January 2016 - 34
Recording - January 2016 - 35
Recording - January 2016 - 36
Recording - January 2016 - 37
Recording - January 2016 - 38
Recording - January 2016 - 39
Recording - January 2016 - 40
Recording - January 2016 - 41
Recording - January 2016 - 42
Recording - January 2016 - 43
Recording - January 2016 - 44
Recording - January 2016 - 45
Recording - January 2016 - 46
Recording - January 2016 - 47
Recording - January 2016 - 48
Recording - January 2016 - 49
Recording - January 2016 - 50
Recording - January 2016 - 51
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Recording - January 2016 - 53
Recording - January 2016 - 54
Recording - January 2016 - 55
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Recording - January 2016 - 57
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Recording - January 2016 - 70
Recording - January 2016 - 71
Recording - January 2016 - 72
Recording - January 2016 - Cover3
Recording - January 2016 - Cover4
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