Recording - February 2016 - 45
In my LCT 640 review, I landed on the
word "pleasant"; with the LCT 640 and
now with the LCT 550, it means that this
mic is voiced quite honestly and naturally, but with a very gently rounded, beautiful top end and zero stridency. It's a
mic that is well voiced for use on the
abovementioned sources in a pop/rock
context, but even more so, like its big
brother, it excels on classical and jazz
sources, especially strings.
I'm writing this review in midDecember, and as you might gather for
an engineer who does a lot of house-ofworship tech, this is the time of year
when I get the most work tracking
strings. I used the LCT 550 on two cello
sessions and one violin tracking session,
and in each instance I found it to be a
truly "what you hear is what you get"
style of mic. Its slightly forward yet
rounded top end does well to highlight
the strings without harshness or squonk,
and the slight low end bump keeps the
body response gently full.
While you might think that its low noise
floor first and foremost helps you get up
close and intimate on quiet sources, that's
not all this nearly-silent mic buys you. It
also allows you, when in a good quiet
room, to get some distance on quiet
sources, achieving a touch more openness
and depth without losing the source.
Lastly, as I was wrapping up this
review, just this morning I used the mic
to record a 60-voice children's Christmas
choir with great success. Once again,
the LCT 550 gave me a sound that was
clean, clear, and pleasant.
Conclusion
I will conclude this review by amending a
statement I made four years ago about the
LCT 640. Because at the time most modern
mics had an in-vogue bright openness, I felt
then that in the case of the LCT 640, having
its slight pleasant sheen might stop it short of
being a do-it-all workhorse mic.
Since then, however, most mics I have
been reviewing are now trending a little
more flat, full and yes, pleasant sounding.
I think that the LCT 550 falls squarely in
this camp, and could easily serve well as
a one and only workhorse mic, especially
if you have any desire to record acoustic
instruments such as strings and acoustic
guitar. If you don't need the multiple patterns of the LCT 640 and you want to
know what it's like to work with a mic that
defines the phrase "wicked silent", you
owe it to yourself to check out the LCT
500... and what it doesn't sound like.
Price: $699
More from: Lewitt, www.lewitt-audio.com
http://www.lewitt-audio.com
http://www.CRAS.EDU
http://www.audiorecordingschool.com/consumer.html
Table of Contents for the Digital Edition of Recording - February 2016
Contents
Recording - February 2016 - Cover1
Recording - February 2016 - Cover2
Recording - February 2016 - 1
Recording - February 2016 - 2
Recording - February 2016 - 3
Recording - February 2016 - 4
Recording - February 2016 - 5
Recording - February 2016 - 6
Recording - February 2016 - 7
Recording - February 2016 - 8
Recording - February 2016 - 9
Recording - February 2016 - Contents
Recording - February 2016 - 11
Recording - February 2016 - 12
Recording - February 2016 - 13
Recording - February 2016 - 14
Recording - February 2016 - 15
Recording - February 2016 - 16
Recording - February 2016 - 17
Recording - February 2016 - 18
Recording - February 2016 - 19
Recording - February 2016 - 20
Recording - February 2016 - 21
Recording - February 2016 - 22
Recording - February 2016 - 23
Recording - February 2016 - 24
Recording - February 2016 - 25
Recording - February 2016 - 26
Recording - February 2016 - 27
Recording - February 2016 - 28
Recording - February 2016 - 29
Recording - February 2016 - 30
Recording - February 2016 - 31
Recording - February 2016 - 32
Recording - February 2016 - 33
Recording - February 2016 - 34
Recording - February 2016 - 35
Recording - February 2016 - 36
Recording - February 2016 - 37
Recording - February 2016 - 38
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Recording - February 2016 - 40
Recording - February 2016 - 41
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Recording - February 2016 - 45
Recording - February 2016 - 46
Recording - February 2016 - 47
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Recording - February 2016 - 80
Recording - February 2016 - Cover3
Recording - February 2016 - Cover4
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