Recording - February 2016 - 57
I also think the Worker Bee is better
suited to electric guitar cabinet; it has a
nice 2 kHz dip that keeps guitars from
being too forward and fits a Shure
SM57 or Audix i5 like a glove. I also
preferred the Worker Bee's evenness on
baby grand piano over the King Bee,
which again was a tad too forward in
the upper mids and highs for my taste.
It may sound like I'm nitpicking
between the two models, but it's only to
highlight the fact that right out of the
chute, Neat have brought to market a
pair of microphones that work well
together to form the foundation of a quality mic locker for a minimal investment.
Conclusions
I admit, at first I was a bit skeptical
because of the novelty and gimmicky
look of the Neat mics' overt bee theme. I
understand, though, that in a market
where there are dozens upon dozens of
low-cost import mics competing for attention, if a company wants to stand out by
making its mic a quirky conversation
piece, so be it.
It especially works in this case,
because both Bees deliver the goods to
back it up. These mics are built tough,
their accessories are high-quality purpose-built components of the mic rather
than generic add-ons, and the sound
really delivers.
If it sounds like I am gushing a bit... I
am! I put up the King Bee in tests along
with an AKG C314, a Shure KSM44,
and a few others (see Fade In for a picture), and while it offered its own sound,
it hung with all of them in sound quality
at a really competitive price. To be fair,
Neat's principal players have been at this
awhile and done this before, but that
doesn't change the fact that like the
Worker Bee before it, the King Bee is a
honey of a mic. (Sorry.)
Price: $349
More from:
Neat Microphones,
www.neatmic.com
RECORDING February 2016
57
http://www.clearsonic.com
http://www.neatmic.com
Table of Contents for the Digital Edition of Recording - February 2016
Contents
Recording - February 2016 - Cover1
Recording - February 2016 - Cover2
Recording - February 2016 - 1
Recording - February 2016 - 2
Recording - February 2016 - 3
Recording - February 2016 - 4
Recording - February 2016 - 5
Recording - February 2016 - 6
Recording - February 2016 - 7
Recording - February 2016 - 8
Recording - February 2016 - 9
Recording - February 2016 - Contents
Recording - February 2016 - 11
Recording - February 2016 - 12
Recording - February 2016 - 13
Recording - February 2016 - 14
Recording - February 2016 - 15
Recording - February 2016 - 16
Recording - February 2016 - 17
Recording - February 2016 - 18
Recording - February 2016 - 19
Recording - February 2016 - 20
Recording - February 2016 - 21
Recording - February 2016 - 22
Recording - February 2016 - 23
Recording - February 2016 - 24
Recording - February 2016 - 25
Recording - February 2016 - 26
Recording - February 2016 - 27
Recording - February 2016 - 28
Recording - February 2016 - 29
Recording - February 2016 - 30
Recording - February 2016 - 31
Recording - February 2016 - 32
Recording - February 2016 - 33
Recording - February 2016 - 34
Recording - February 2016 - 35
Recording - February 2016 - 36
Recording - February 2016 - 37
Recording - February 2016 - 38
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Recording - February 2016 - 40
Recording - February 2016 - 41
Recording - February 2016 - 42
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Recording - February 2016 - 45
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Recording - February 2016 - 47
Recording - February 2016 - 48
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Recording - February 2016 - 60
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Recording - February 2016 - 65
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Recording - February 2016 - 70
Recording - February 2016 - 71
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Recording - February 2016 - 73
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Recording - February 2016 - 78
Recording - February 2016 - 79
Recording - February 2016 - 80
Recording - February 2016 - Cover3
Recording - February 2016 - Cover4
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