Recording - May 2016 - 55

Continued from page 52
John: That's not a lie. That's the entertainment
business.
I've got to tell you, Freundlich has the most amazing
ears. I used to be an engineer and producer, worked in
a very big studio, worked with a lot of big acts. I have
good ears...reasonably good ears. Anyway, the stuff
that leaves TAXI to go to Jeff, about 90% of the time I'll
get my ears on, because I want one more filter to
make sure that he's getting stuff that we think is
really, truly authentically vintage. Stuff gets by me all
the time, I send it to Jeff-that guy's amazing. We did
a panel two years ago and we played stuff. If I played
it for you two guys and said, "Is this authentic or a remake." We would all buy it as authentic, and Jeff
would instantly detect it. And when we played it in
the room compared to something of the same era in a

John Rudolph, Chairman of Elias Arts (left), spends some time chatting with this very attentive group of TAXI members after his
Keynote Interview ended.

"It's like there's a perception in this
community that if it was done a long
time ago that maybe it has a little bit
more value and they are interested in
using it. I don't really care if it was a
demo, I don't care if it was released or
not released. I just want to hear it."
-Jeff Freundlich
similar style that was authentic, it was so incredibly
obvious. So, as much as I like the fact that you are recommending people to do it, it won't get signed by...
[laughter]
Jeff: But, you know, I think the thing is, if you were
in a doo-wop group in the 1950s, you weren't in the
group if you couldn't sing. Like now we like autotune everything; everything is kind of like
fabricated. If you were singing doo-wop, you were
like really frickin good, you know, or you didn't
make the cut.
So it's great. There are some keyboard players in
this room that are just like what?! And it's like those
guys deserve to make money on their craft, and
they deserve to... And Peter Sivo, who is a brilliant
arranger-he's one of the members that Michael
was talking about-he's made tens of thousands of
dollars on this stuff. It's like, well, good for you. It's
like you put in the time to really learn your craft and
do it better than a lot of other people were doing it
at that time, and it's timeless and it still works now,
because the quality and the musicianship and the
craft was there.
Well, gentlemen, with that I've got to wrap this up.
Brian McNelis, John Rudolph, and Jeff Freundlich, you
guys were amazingly informative today. Thank you so,
so much for doing this, and I hope you'll come back
for another Rally. Thank you. [Applause]
55



http://www.kiqproductions.com

Table of Contents for the Digital Edition of Recording - May 2016

Contents
Recording - May 2016 - Cover1
Recording - May 2016 - Cover2
Recording - May 2016 - 1
Recording - May 2016 - 2
Recording - May 2016 - 3
Recording - May 2016 - 4
Recording - May 2016 - 5
Recording - May 2016 - Contents
Recording - May 2016 - 7
Recording - May 2016 - 8
Recording - May 2016 - 9
Recording - May 2016 - 10
Recording - May 2016 - 11
Recording - May 2016 - 12
Recording - May 2016 - 13
Recording - May 2016 - 14
Recording - May 2016 - 15
Recording - May 2016 - 16
Recording - May 2016 - 17
Recording - May 2016 - 18
Recording - May 2016 - 19
Recording - May 2016 - 20
Recording - May 2016 - 21
Recording - May 2016 - 22
Recording - May 2016 - 23
Recording - May 2016 - 24
Recording - May 2016 - 25
Recording - May 2016 - 26
Recording - May 2016 - 27
Recording - May 2016 - 28
Recording - May 2016 - 29
Recording - May 2016 - 30
Recording - May 2016 - 31
Recording - May 2016 - 32
Recording - May 2016 - 33
Recording - May 2016 - 34
Recording - May 2016 - 35
Recording - May 2016 - 36
Recording - May 2016 - 37
Recording - May 2016 - 38
Recording - May 2016 - 39
Recording - May 2016 - 40
Recording - May 2016 - 41
Recording - May 2016 - 42
Recording - May 2016 - 43
Recording - May 2016 - 44
Recording - May 2016 - 45
Recording - May 2016 - 46
Recording - May 2016 - 47
Recording - May 2016 - 48
Recording - May 2016 - 49
Recording - May 2016 - 50
Recording - May 2016 - 51
Recording - May 2016 - 52
Recording - May 2016 - 53
Recording - May 2016 - 54
Recording - May 2016 - 55
Recording - May 2016 - 56
Recording - May 2016 - 57
Recording - May 2016 - 58
Recording - May 2016 - 59
Recording - May 2016 - 60
Recording - May 2016 - 61
Recording - May 2016 - 62
Recording - May 2016 - 63
Recording - May 2016 - 64
Recording - May 2016 - 65
Recording - May 2016 - 66
Recording - May 2016 - 67
Recording - May 2016 - 68
Recording - May 2016 - 69
Recording - May 2016 - 70
Recording - May 2016 - 71
Recording - May 2016 - 72
Recording - May 2016 - Cover3
Recording - May 2016 - Cover4
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