Recording - October 2016 - 63

silent-it contains room tone, mostly faint
sounds from the building's air handling
system. (This is the basis of John Cage's
famous piece "4:33," featuring a pianist
sitting in a silent concert hall-by the
end of it, your ears adjust, and you realize that the "silence" isn't really silent.)
If you simply insert 333 ms of digital
silence at the head of a track, it's possible that the level of signal produced by
the room tone at the transition point will
1

be something other that zero, which can
generate a quiet click as the player
makes the jump.
I do an end-run around this, and a lot
of other recordists do too. First, I measure out 333 ms before First Audio, and
delete everything that comes before.
Now the track begins with 333 ms of
room tone-my pad.
Next, I highlight the first 220 ms of
this pad, and use the DAW to mute it. I

highlight the area directly to the right of
the muted section, and do a fade-in with
the DAW. Figure 1 shows the result-I've
cranked the level a bit to make the room
tone visible. From left to right, you can
see the muted section, the fade-up (highlighted), a bit of room tone, and the
actual First Audio.
A couple of tips: I've found that a fadeup duration of 78 ms gives me a nice
smooth transition from (real) silence to
room tone. This works when the room
tone is pseudo-silence; sometimes, however, the room tone is meant to be audible, as in a concert recording when
we're meant to hear audience noise. For
those instances, I've found that, after the
220 ms of muted silence, a 33 ms fadeup time is better; this lets the room tone
"establish" in the listener's mind before
the actual music begins.
If the "top" sequence I've just
described is intended for the Gatekeeper
that listens to individual tracks (or plays
them on the radio), the "tail" sequence
that follows is for the Fan who listens to
the CD all the way through. What
comes at the end of a track determines



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Table of Contents for the Digital Edition of Recording - October 2016

Contents
Recording - October 2016 - Intro
Recording - October 2016 - Cover1
Recording - October 2016 - Cover2
Recording - October 2016 - 1
Recording - October 2016 - 2
Recording - October 2016 - 3
Recording - October 2016 - 4
Recording - October 2016 - 5
Recording - October 2016 - Contents
Recording - October 2016 - 7
Recording - October 2016 - 8
Recording - October 2016 - 9
Recording - October 2016 - 10
Recording - October 2016 - 11
Recording - October 2016 - 12
Recording - October 2016 - 13
Recording - October 2016 - 14
Recording - October 2016 - 15
Recording - October 2016 - 16
Recording - October 2016 - 17
Recording - October 2016 - 18
Recording - October 2016 - 19
Recording - October 2016 - 20
Recording - October 2016 - 21
Recording - October 2016 - 22
Recording - October 2016 - 23
Recording - October 2016 - 24
Recording - October 2016 - 25
Recording - October 2016 - 26
Recording - October 2016 - 27
Recording - October 2016 - 28
Recording - October 2016 - 29
Recording - October 2016 - 30
Recording - October 2016 - 31
Recording - October 2016 - 32
Recording - October 2016 - 33
Recording - October 2016 - 34
Recording - October 2016 - 35
Recording - October 2016 - 36
Recording - October 2016 - 37
Recording - October 2016 - 38
Recording - October 2016 - 39
Recording - October 2016 - 40
Recording - October 2016 - 41
Recording - October 2016 - 42
Recording - October 2016 - 43
Recording - October 2016 - 44
Recording - October 2016 - 45
Recording - October 2016 - 46
Recording - October 2016 - 47
Recording - October 2016 - 48
Recording - October 2016 - 49
Recording - October 2016 - 50
Recording - October 2016 - 51
Recording - October 2016 - 52
Recording - October 2016 - 53
Recording - October 2016 - 54
Recording - October 2016 - 55
Recording - October 2016 - 56
Recording - October 2016 - 57
Recording - October 2016 - 58
Recording - October 2016 - 59
Recording - October 2016 - 60
Recording - October 2016 - 61
Recording - October 2016 - 62
Recording - October 2016 - 63
Recording - October 2016 - 64
Recording - October 2016 - 65
Recording - October 2016 - 66
Recording - October 2016 - 67
Recording - October 2016 - 68
Recording - October 2016 - 69
Recording - October 2016 - 70
Recording - October 2016 - 71
Recording - October 2016 - 72
Recording - October 2016 - 73
Recording - October 2016 - 74
Recording - October 2016 - 75
Recording - October 2016 - 76
Recording - October 2016 - 77
Recording - October 2016 - 78
Recording - October 2016 - 79
Recording - October 2016 - 80
Recording - October 2016 - Cover3
Recording - October 2016 - Cover4
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