Recording - November 2016 - 47

Listening
I was informed by Fluid Audio that the
speakers were pre-tested before being
sent to me, so I skipped a burn-in period
and went straight to... well... straight to
being blown away. Remember what I
said about a well-made coaxial monitor
being a thing of beauty? Yeah, that.
The FX8 produces plenty of power and
gets plenty loud for a small-to-medium
room without any obvious strain. They
were happy when tested at 95 dB SPL
(for under a minute-I'm crazy, not stupid), but I did most of my tests at around
75 dB SPL, which they loved. The lows
are rich, powerful, tightly detailed, and
effortless; acoustic bass, bass synthesizers, and low notes on a grand piano
were glorious. 35 Hz is about a C#
below the low E on a bass guitar; there
will be some rolloff on the bottom A of a
piano or the low B of a 5-string bass, but
not all that much, and the rest of the frequency range is represented beautifully.
The FX8's crossover is set at 2.4 kHz
and carefully tuned for phase coherence.
In my listening tests, I discerned no drastic bumps or dips in the crossover
region; the tonal response of the FX8
was quite smooth. The mids were very
well-defined and clear with appropriate
balance, and the highs were nicely
extended without being harsh or spitty.

Soundstaging on the FX8 is simply
huge! There is fantastic stereo separation
and a strong phantom center, even with
the speakers placed as much as 5' apart.
And the sweet spot is, as hoped, huge-
as much as three feet on either side of the
optimum listener placement. More to the

point, because a coaxial speaker's off-axis
response is consistent both vertically and
horizontally, there aren't any horrible shifts
in tonality or imaging if someone in the
sweet spot sits down or stands up to walk
around. If your listening area isn't ideally
situated for several people at once trying
to hear conventional monitors, the FX8
will pay for itself in no time.
All in all
Fluid Audio continues to innovate;
the brand-new FPX7 ($549.99 each,
review forthcoming) combines a coaxial design with a folded-ribbon AMT
tweeter for greater and more transparent treble extension. But that speaker
hits a higher budget level than the FX8,
which represents a near-unparalleled
value at $500 per pair. This is one of
those speakers that falls under the classification of "sounds way better than its
price would have you think."
Kevin Zuccaro has stated that his
goal with the FX8 is to bring the benefits of coaxial monitoring to a whole
new audience. With a speaker of this
quality at this price, we feel he has
succeeded admirably.
Price: $249.99 each
More from: Fluid Audio,
www.fluidaudio.net



http://www.fluidaudio.net http://www.prismsound.com/m2m2016 http://www.prismsound.com

Table of Contents for the Digital Edition of Recording - November 2016

Contents
Recording - November 2016 - Intro
Recording - November 2016 - Cover1
Recording - November 2016 - Cover2
Recording - November 2016 - 1
Recording - November 2016 - 2
Recording - November 2016 - 3
Recording - November 2016 - 4
Recording - November 2016 - 5
Recording - November 2016 - Contents
Recording - November 2016 - 7
Recording - November 2016 - 8
Recording - November 2016 - 9
Recording - November 2016 - 10
Recording - November 2016 - 11
Recording - November 2016 - 12
Recording - November 2016 - 13
Recording - November 2016 - 14
Recording - November 2016 - 15
Recording - November 2016 - 16
Recording - November 2016 - 17
Recording - November 2016 - 18
Recording - November 2016 - 19
Recording - November 2016 - 20
Recording - November 2016 - 21
Recording - November 2016 - 22
Recording - November 2016 - 23
Recording - November 2016 - 24
Recording - November 2016 - 25
Recording - November 2016 - 26
Recording - November 2016 - 27
Recording - November 2016 - 28
Recording - November 2016 - 29
Recording - November 2016 - 30
Recording - November 2016 - 31
Recording - November 2016 - 32
Recording - November 2016 - 33
Recording - November 2016 - 34
Recording - November 2016 - 35
Recording - November 2016 - 36
Recording - November 2016 - 37
Recording - November 2016 - 38
Recording - November 2016 - 39
Recording - November 2016 - 40
Recording - November 2016 - 41
Recording - November 2016 - 42
Recording - November 2016 - 43
Recording - November 2016 - 44
Recording - November 2016 - 45
Recording - November 2016 - 46
Recording - November 2016 - 47
Recording - November 2016 - 48
Recording - November 2016 - 49
Recording - November 2016 - 50
Recording - November 2016 - 51
Recording - November 2016 - 52
Recording - November 2016 - 53
Recording - November 2016 - 54
Recording - November 2016 - 55
Recording - November 2016 - 56
Recording - November 2016 - 57
Recording - November 2016 - 58
Recording - November 2016 - 59
Recording - November 2016 - 60
Recording - November 2016 - 61
Recording - November 2016 - 62
Recording - November 2016 - 63
Recording - November 2016 - 64
Recording - November 2016 - 65
Recording - November 2016 - 66
Recording - November 2016 - 67
Recording - November 2016 - 68
Recording - November 2016 - 69
Recording - November 2016 - 70
Recording - November 2016 - 71
Recording - November 2016 - 72
Recording - November 2016 - Cover3
Recording - November 2016 - Cover4
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