Recording - December 2016 - 27
playing technique that might not pop
into your head immediately. You can
easily duplicate this recording using a
spiccato patch and be off to the races
composing your own variations. It would
be great if Spitfire Audio supplied notation of these passages and how the
effects are achieved.
This leads to my only mild frustration
with this library: not with the sounds or
how to play them, but with how to learn
to use them best. Spitfire Audio is in the
process of converting its help documentation from an interactive online system
to PDF manuals, and at the time of this
review, the only available documentation is a generalized online help guide
that doesn't touch on the specifics of
Igneous Electric Cello. Fortunately, a lot
of this information is available on
Spitfire's YouTube channel, in the form of
a video walkthrough tutorial and an
interview with Peter Gregson, found at
is.gd/SpitfireIgneousWalkthrough and
is.gd/SpitfireGregsonInterview.
Spitfire Audio has done an excellent
job with this library, and a quick browse
through the company's website, specifically the Producer Portfolio that contains
this library, will reveal a lot more in the
way of powerful tools for arrangers who
want to get into the modern era with traditional instruments.-GE
TASCAM iXR
$159.99; www.tascam.com
TASCAM has helped to define the state of affordable recording since the release
of the first Portastudio 4-track cassette recorder decades ago. These days, TASCAM
has gone all in on mobile audio, and its newest interface addresses that. The iXR is
touted as an interface that will go anywhere and work on anything with no adaptors
or unusual cables required, and sound great doing it.
The iXR is a full-featured audio/MIDI interface that's happy not only on Mac (10.8.4+)
and Windows (7 SP1+) computers, but also on iOS devices. It's MFi-compliant, which
means it can hook up directly to an iOS box with no USB Connection Kit. It provides
stereo input and output plus MIDI, all in a compact flat case that's sturdy and sleek.
The two input channels have front-panel combination XLR/TRS jacks for mic, linelevel, or Hi-Z instrument signals (there's an impedance selector button for each one),
plus signal-present and peak LEDs. The front-panel pots, for input gains, zero-latency
monitor mix, line output, and headphone volume (with a minijack), are protected from
damage by extended chassis endcaps. The rear panel has a switch for 48V phantom
power, 1/4" TRS line outputs, MIDI I/O, and two USB ports: one A and one B.
http://www.tascam.com
http://www.is.gd/SpitfireIgneousWalkthrough
http://www.is.gd/SpitfireGregsonInterview
http://hafler.com
Table of Contents for the Digital Edition of Recording - December 2016
Contents
Recording - December 2016 - Intro
Recording - December 2016 - Cover1
Recording - December 2016 - Cover2
Recording - December 2016 - 1
Recording - December 2016 - 2
Recording - December 2016 - 3
Recording - December 2016 - 4
Recording - December 2016 - 5
Recording - December 2016 - Contents
Recording - December 2016 - 7
Recording - December 2016 - 8
Recording - December 2016 - 9
Recording - December 2016 - 10
Recording - December 2016 - 11
Recording - December 2016 - 12
Recording - December 2016 - 13
Recording - December 2016 - 14
Recording - December 2016 - 15
Recording - December 2016 - 16
Recording - December 2016 - 17
Recording - December 2016 - 18
Recording - December 2016 - 19
Recording - December 2016 - 20
Recording - December 2016 - 21
Recording - December 2016 - 22
Recording - December 2016 - 23
Recording - December 2016 - 24
Recording - December 2016 - 25
Recording - December 2016 - 26
Recording - December 2016 - 27
Recording - December 2016 - 28
Recording - December 2016 - 29
Recording - December 2016 - 30
Recording - December 2016 - 31
Recording - December 2016 - 32
Recording - December 2016 - 33
Recording - December 2016 - 34
Recording - December 2016 - 35
Recording - December 2016 - 36
Recording - December 2016 - 37
Recording - December 2016 - 38
Recording - December 2016 - 39
Recording - December 2016 - 40
Recording - December 2016 - 41
Recording - December 2016 - 42
Recording - December 2016 - 43
Recording - December 2016 - 44
Recording - December 2016 - 45
Recording - December 2016 - 46
Recording - December 2016 - 47
Recording - December 2016 - 48
Recording - December 2016 - 49
Recording - December 2016 - 50
Recording - December 2016 - 51
Recording - December 2016 - 52
Recording - December 2016 - 53
Recording - December 2016 - 54
Recording - December 2016 - 55
Recording - December 2016 - 56
Recording - December 2016 - 57
Recording - December 2016 - 58
Recording - December 2016 - 59
Recording - December 2016 - 60
Recording - December 2016 - 61
Recording - December 2016 - 62
Recording - December 2016 - 63
Recording - December 2016 - 64
Recording - December 2016 - 65
Recording - December 2016 - 66
Recording - December 2016 - 67
Recording - December 2016 - 68
Recording - December 2016 - 69
Recording - December 2016 - 70
Recording - December 2016 - 71
Recording - December 2016 - 72
Recording - December 2016 - Cover3
Recording - December 2016 - Cover4
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