Recording - February 2017 - 26
Slate Digital VMS
be my choice on electric guitar. Using it
on every instrument in a mix is a tad too
forward/mid-focused, in my opinion.
Now we come to my favorite model in
the collection, the FG-251. This is the mic
that, for lack of a better descriptive, sounds
most like a record. Everything in the mix
just falls in place with a nice depth. I could
see it being a touch bright in its natural
state, but it EQs quite well, especially with
the Slate FG-N (1073 EQ).
Want to draw your own conclusions?
I didn't mix 19 songs just to listen to
them on my own! The web link https://
is.gd/RECSlateVMSTestSong will take
you (after a couple of clicks) to an
archive of all 19 versions, carefully labeled. Have fun!
Concerns and conclusions
Two things to be aware of: off-axis rejection and proximity effect. No software can
model these perfectly, because both are subject to the real-world physics of the ML-1 mic
capsule. Slate claims to account for off-axis
and proximity behavior in its models; in fact,
Steven told us that the band-limited sound of
a mic's off-axis behavior is easier to model
accurately than on-axis! Certainly there were
no audible issues in my test session.
This is one of those reviews where it
was easy to go in skeptical, especially
after playing with many of the high-end
mics in this issue. But the scope of this
product is impressive. This is definitely
a case of the whole being better than
the sum of its parts, and it fits in perfectly
with the entire Slate paradigm.
One area where I think the VMS excels is in a situation like my day job as
a tech director where I am constantly
recording and mixing services, demos,
backing tracks, and voiceovers. In this
case I can have one mic set up at all
times with the ability to adapt to any
source and situation, both in tracking
and mixing.
Also, to reference our January 2017
interview with Sylvia Massy, the VMS is
a fantastic learning tool, allowing young
engineers to be come familiar with
different mic styles, tonalities and how
they fit in a mix. Sure, everyone would
love to own and learn on the real thing,
but the possibilities are similar to how
using Universal Audio's original LA-2A
and 1176LN plug-ins really taught me
how to use compression.
What do Steven and Fabrice have
up their virtual sleeves next? Will
there be a small-diaphragm mic and
collection? Solid-State (or would that
be Solid-Slate)? While we wait for
the answers, the Virtual Microphone
System gives us a lot of great sounds,
well-designed and flexible, at a comparatively modest price.
Price: $999
More from: Slate Digital,
www.slatedigital.com
http://www.is.gd/RECSlateVMSTestSong
http://www.is.gd/RECSlateVMSTestSong
http://www.slatedigital.com
http://www.gracedesign.com
Table of Contents for the Digital Edition of Recording - February 2017
Contents
Recording - February 2017 - Intro
Recording - February 2017 - Cover1
Recording - February 2017 - Cover2
Recording - February 2017 - 1
Recording - February 2017 - 2
Recording - February 2017 - 3
Recording - February 2017 - 4
Recording - February 2017 - 5
Recording - February 2017 - Contents
Recording - February 2017 - 7
Recording - February 2017 - 8
Recording - February 2017 - 9
Recording - February 2017 - 10
Recording - February 2017 - 11
Recording - February 2017 - 12
Recording - February 2017 - 13
Recording - February 2017 - 14
Recording - February 2017 - 15
Recording - February 2017 - 16
Recording - February 2017 - 17
Recording - February 2017 - 18
Recording - February 2017 - 19
Recording - February 2017 - 20
Recording - February 2017 - 21
Recording - February 2017 - 22
Recording - February 2017 - 23
Recording - February 2017 - 24
Recording - February 2017 - 25
Recording - February 2017 - 26
Recording - February 2017 - 27
Recording - February 2017 - 28
Recording - February 2017 - 29
Recording - February 2017 - 30
Recording - February 2017 - 31
Recording - February 2017 - 32
Recording - February 2017 - 33
Recording - February 2017 - 34
Recording - February 2017 - 35
Recording - February 2017 - 36
Recording - February 2017 - 37
Recording - February 2017 - 38
Recording - February 2017 - 39
Recording - February 2017 - 40
Recording - February 2017 - 41
Recording - February 2017 - 42
Recording - February 2017 - 43
Recording - February 2017 - 44
Recording - February 2017 - 45
Recording - February 2017 - 46
Recording - February 2017 - 47
Recording - February 2017 - 48
Recording - February 2017 - 49
Recording - February 2017 - 50
Recording - February 2017 - 51
Recording - February 2017 - 52
Recording - February 2017 - 53
Recording - February 2017 - 54
Recording - February 2017 - 55
Recording - February 2017 - 56
Recording - February 2017 - 57
Recording - February 2017 - 58
Recording - February 2017 - 59
Recording - February 2017 - 60
Recording - February 2017 - 61
Recording - February 2017 - 62
Recording - February 2017 - 63
Recording - February 2017 - 64
Recording - February 2017 - 65
Recording - February 2017 - 66
Recording - February 2017 - 67
Recording - February 2017 - 68
Recording - February 2017 - 69
Recording - February 2017 - 70
Recording - February 2017 - 71
Recording - February 2017 - 72
Recording - February 2017 - 73
Recording - February 2017 - 74
Recording - February 2017 - 75
Recording - February 2017 - 76
Recording - February 2017 - 77
Recording - February 2017 - 78
Recording - February 2017 - 79
Recording - February 2017 - 80
Recording - February 2017 - Cover3
Recording - February 2017 - Cover4
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