Recording - February 2017 - 39

R e de m p t ion

S o ng s

TAKING RECORDINGS TO CHURCH-AGAIN

go to the clicks at the count-in of the new files and align
them to the original, trimming off excess time at the file's
beginning as necessary. Once a take pair was aligned, it
was dragged up onto the master vocal track in the timeline
and assigned its own 'take layer' by selecting Layers > Add
Layer. Once all of the takes were lined up and in place, the
best sections of each one could then be selectively 'painted'
into a vocal composite to taste.
After loading in and editing together the vocals for the
first song, I felt like the sound wasn't quite as in-your-face
as I had felt it was at the church; the vocal seemed to
be struggling to break through the arrangements. Although
I had endeavored to keep the vocal chain as unfettered as
possible to this point, I decided to try and run the vocal
through yet another preamp stage, the one on my Universal
Audio 6176. As this is my go-to unit for most vocals, it
seemed like a natural fit. Plus, I would be able to add some
genuine 1176-style compression and even sweeten things
up with onboard EQ.
After quite a bit of tweaking, I arrived at a fairly aggressive
sound by using the "All-Buttons-In" setting on the compressor
with a fast attack and a medium release time, adding a touch
of 'air' via a 3 dB high-shelf boost at 10 kHz, and imparting
some thickness to the vocal with a low shelf boost of 6 dB at
200 Hz. I left the room mic track untouched, so that that the
dynamics would remain intact. As a result, whenever David
gets loud in the room, that sense of excitement is amplified,
because his main vocal is being attenuated while the church's
ambience is allowed to bloom.
I re-ran the vocal takes and loved the sound of them, then
continued on through the rest of the songs in the project. This
took a lot of time, of course, especially when compared to the
drag-and-drop method, but producer and artist both agree
that the end result was definitely worth the extra planning and
effort... both sonically and spiritually.
Sven-Erik Seaholm (seaholm@recordingmag.com) is an
award-winning independent record producer, mastering
engineer, singer and songwriter from San Diego, CA.
RECORDING FEBRUARY 2017

39



http://www.astonmics.com

Table of Contents for the Digital Edition of Recording - February 2017

Contents
Recording - February 2017 - Intro
Recording - February 2017 - Cover1
Recording - February 2017 - Cover2
Recording - February 2017 - 1
Recording - February 2017 - 2
Recording - February 2017 - 3
Recording - February 2017 - 4
Recording - February 2017 - 5
Recording - February 2017 - Contents
Recording - February 2017 - 7
Recording - February 2017 - 8
Recording - February 2017 - 9
Recording - February 2017 - 10
Recording - February 2017 - 11
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Recording - February 2017 - 13
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Recording - February 2017 - Cover3
Recording - February 2017 - Cover4
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