Recording - April 2017 - 41
ELOP+ keeps the high end intact. Yes it's
ever so gently rounded, but still clean and
clear, almost deceivingly crisp. Many
opto units, like the LA-2A, round and
thicken the sound beautifully, which is
great on individual instruments, but I feel
they would be too rounded and rolled off
for general bus duties. (Feel free to give
me a pair of LA-2As if you feel differently!)
Joking aside, having the ELOP+ in limiter
mode is the first time I have enjoyed using a
stereo opto tube compressor on my drum
bus, especially with the sidechain filter
engaged. It's not what I would choose to
use to slam the drum bus, but it's perfect
when you want your drums controlled...
yet still sounding like your drums. Even
1-3 dB of reduction in compression mode
makes a big difference on drums, adding
life and energy more than squash.
On instruments like guitars and bass,
the ELOP+ lives in the same universe
as a vintage opto, but again it's not as
colored and thick. This makes it very
well suited for acoustic instruments like
acoustic guitars, and it was great on some
Celtic-folk fiddle I am currently mixing.
On vocals, this is a very smooth and
very transparent compressor that holds
the sound in place and only becomes
noticeable if you hit it too hard. Luckily it's
really easy to set, and I really like the 80
Hz sidechain on vocals. It's like the vocals
are not compressed, even though they
are. Due to its transparency, the ELOP+
also works great in conjunction with a
FET compressor for lead vocals and
voiceover work, with the FET grabbing
quick peaks and the ELOP smoothing out
the lot without excess coloration.
Conclusion
Bottom line, every studio needs a
good tube-based optocompressor, and
traditionally they are quite expensive, even
for just a mono unit. With the ELOP+,
you don't just get a good tube-based optical compressor/limiter. You get a box
that contains two great ones-handbuilt
in the USA with tons of American highend audiophile parts-for an incredible
price, not a whole lot more than what
two channels of bargain-basement tube
opto from a global source would cost
you. What are you waiting for?
PRICE: $2250
MORE FROM: Manley Labs,
www.manley.com
http://www.manley.com
http://www.roswellproaudio.com
Table of Contents for the Digital Edition of Recording - April 2017
Contents
Recording - April 2017 - Intro
Recording - April 2017 - Cover1
Recording - April 2017 - Cover2
Recording - April 2017 - 1
Recording - April 2017 - 2
Recording - April 2017 - 3
Recording - April 2017 - 4
Recording - April 2017 - 5
Recording - April 2017 - Contents
Recording - April 2017 - 7
Recording - April 2017 - 8
Recording - April 2017 - 9
Recording - April 2017 - 10
Recording - April 2017 - 11
Recording - April 2017 - 12
Recording - April 2017 - 13
Recording - April 2017 - 14
Recording - April 2017 - 15
Recording - April 2017 - 16
Recording - April 2017 - 17
Recording - April 2017 - 18
Recording - April 2017 - 19
Recording - April 2017 - 20
Recording - April 2017 - 21
Recording - April 2017 - 22
Recording - April 2017 - 23
Recording - April 2017 - 24
Recording - April 2017 - 25
Recording - April 2017 - 26
Recording - April 2017 - 27
Recording - April 2017 - 28
Recording - April 2017 - 29
Recording - April 2017 - 30
Recording - April 2017 - 31
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Recording - April 2017 - 33
Recording - April 2017 - 34
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Recording - April 2017 - Cover3
Recording - April 2017 - Cover4
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