Recording - November 2017 - 29
4
and can be a fantastic tool to help you
get the flattest possible response in your
studio.
NEXT TIME:
ROOM MEASUREMENT
pink noise is a great example, since
you can see how the placement of the
subwoofer is affecting the response
heard at the listening position. In
addition, moving the measurement
microphone even a few inches can
completely shift the RTA response that
you see, particularly at higher frequencies. This is useful to find a more
ideal listening position for the mixing
"sweet spot."
A similar test involves placement
of acoustic treatments like bass traps.
With the audio system playing fullrange pink noise, move the treatments
to different places you are considering
putting them, and see if the response
improves more with the panels at one
location or another.
If you've never experimented with
RTAs before to check out different placements in real time, it's quite edifying
Now that you have REW installed
and have used some of its basic tools
to help you evaluate your room,
we are ready to move on to full-on
room testing. This is where the
real power of REW comes in, and
you will be astonished at the level of
detail this sort of testing provides for
your room. We'll get into that next
time; see you then!
James Lindenschmidt (lindenschmidt@
recordingmag.com) records music,
designs studios and listening rooms,
and consults with clients to make
better audio. You can find out more at
www.craftedrecordings.com as well as
his Acoustics & Audiogeekery blog at
www.gikacoustics.com.
http://www.craftedrecordings.com
http://www.gikacoustics.com
http://www.gracedesign.com/
Table of Contents for the Digital Edition of Recording - November 2017
Contents
Recording - November 2017 - Intro
Recording - November 2017 - Cover1
Recording - November 2017 - Cover2
Recording - November 2017 - 1
Recording - November 2017 - 2
Recording - November 2017 - 3
Recording - November 2017 - 4
Recording - November 2017 - 5
Recording - November 2017 - Contents
Recording - November 2017 - 7
Recording - November 2017 - 8
Recording - November 2017 - 9
Recording - November 2017 - 10
Recording - November 2017 - 11
Recording - November 2017 - 12
Recording - November 2017 - 13
Recording - November 2017 - 14
Recording - November 2017 - 15
Recording - November 2017 - 16
Recording - November 2017 - 17
Recording - November 2017 - 18
Recording - November 2017 - 19
Recording - November 2017 - 20
Recording - November 2017 - 21
Recording - November 2017 - 22
Recording - November 2017 - 23
Recording - November 2017 - 24
Recording - November 2017 - 25
Recording - November 2017 - 26
Recording - November 2017 - 27
Recording - November 2017 - 28
Recording - November 2017 - 29
Recording - November 2017 - 30
Recording - November 2017 - 31
Recording - November 2017 - 32
Recording - November 2017 - 33
Recording - November 2017 - 34
Recording - November 2017 - 35
Recording - November 2017 - 36
Recording - November 2017 - 37
Recording - November 2017 - 38
Recording - November 2017 - 39
Recording - November 2017 - 40
Recording - November 2017 - 41
Recording - November 2017 - 42
Recording - November 2017 - 43
Recording - November 2017 - 44
Recording - November 2017 - 45
Recording - November 2017 - 46
Recording - November 2017 - 47
Recording - November 2017 - 48
Recording - November 2017 - 49
Recording - November 2017 - 50
Recording - November 2017 - 51
Recording - November 2017 - 52
Recording - November 2017 - 53
Recording - November 2017 - 54
Recording - November 2017 - 55
Recording - November 2017 - 56
Recording - November 2017 - 57
Recording - November 2017 - 58
Recording - November 2017 - 59
Recording - November 2017 - 60
Recording - November 2017 - 61
Recording - November 2017 - 62
Recording - November 2017 - 63
Recording - November 2017 - 64
Recording - November 2017 - 65
Recording - November 2017 - 66
Recording - November 2017 - 67
Recording - November 2017 - 68
Recording - November 2017 - 69
Recording - November 2017 - 70
Recording - November 2017 - 71
Recording - November 2017 - 72
Recording - November 2017 - Cover3
Recording - November 2017 - Cover4
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