Recording - December 2017 - 53

full pedal board right in front of you-
just click the dedicated footswitch with
the color ring that matches the LCD
display. Not having the individual labels
is only a small inconvenience.
The touch-sensitive footswitches are
hugely efficient for editing effects. This
was a key feature on the flagship Floor
model, and it's great to have on the LT. In
order to modify parameters for a given
pedal, simply touch the corresponding
footswitch without pressing it in, and all
of the parameters will be displayed on
the LCD screen. The six corresponding
knobs underneath the LCD screen will
then allow you to change the settings.
Touch-sensitive components are found on
a lot of high-end digital mixing consoles,
and they're very welcome on the Helix LT.

Building your own presets

I spent the majority of my time with
the Helix LT building my own preset

tones. Let's be honest, what guitar player
doesn't love tweaking every step of
their own signal chain? This process is
surprisingly intuitive, and uses creative
graphics and color coding to show
the signal flow, with a wide palette of
choices for each effect.
One of the go-to tones that I enjoyed creating was based on a VOX AC30 (Essex
A30), running clean. I got some nice grit
out of the amp by pushing the front end
with a couple of stacking gain stages. The
modeled amps in the Helix respond very
authentically with some gain stages pushing the front end. This makes it nice to not
rely on the amp gain to get your sound.
I started with an LA Studio Compressor,
leading into a Scream 808, and finished
with a stereo 122 Rotary to add some
Leslie vibe. I ran the Essex A30 with a
3.5 Drive setting, 6.1 Bass, 4.5 Treble,
and a 0 Presence setting. This gave me a
nice warm tone, with a great foundation

to stack pedals earlier in the chain in order
to push the front end for more grit.
Following the amp, I used an Allure Impulse
Response for the cab, specifically the
"Allure_64_USDeluxe_P12N". The final
step in my preset was a stereo room reverb.
The Allure IR does not come pre-loaded
on the Helix LT, but it is available as a
free download from the Line 6 website
at line6.com/allure. I highly recommend
that Helix users download and use the
Allure IR pack-these IRs all sound awesome. Dan Boul, known for his boutique
amplifier company 65amps, joined forces with the Line 6 team for the creation of
the Allure IRs. The 65amps Ventura has
been a workhorse tube amp for me this
past year, so needless to say, Boul knows
guitar tone. The Allure IR pack sounds
very authentic and feels organic to play
through. In addition to the Allure IRs, you
are able to import your own IRs to use on
the Helix LT.



http://line6.com/allure/ http://greatriverelectronics.com

Table of Contents for the Digital Edition of Recording - December 2017

Contents
Recording - December 2017 - Intro
Recording - December 2017 - Cover1
Recording - December 2017 - Cover2
Recording - December 2017 - 1
Recording - December 2017 - 2
Recording - December 2017 - 3
Recording - December 2017 - 4
Recording - December 2017 - 5
Recording - December 2017 - Contents
Recording - December 2017 - 7
Recording - December 2017 - 8
Recording - December 2017 - 9
Recording - December 2017 - 10
Recording - December 2017 - 11
Recording - December 2017 - 12
Recording - December 2017 - 13
Recording - December 2017 - 14
Recording - December 2017 - 15
Recording - December 2017 - 16
Recording - December 2017 - 17
Recording - December 2017 - 18
Recording - December 2017 - 19
Recording - December 2017 - 20
Recording - December 2017 - 21
Recording - December 2017 - 22
Recording - December 2017 - 23
Recording - December 2017 - 24
Recording - December 2017 - 25
Recording - December 2017 - 26
Recording - December 2017 - 27
Recording - December 2017 - 28
Recording - December 2017 - 29
Recording - December 2017 - 30
Recording - December 2017 - 31
Recording - December 2017 - 32
Recording - December 2017 - 33
Recording - December 2017 - 34
Recording - December 2017 - 35
Recording - December 2017 - 36
Recording - December 2017 - 37
Recording - December 2017 - 38
Recording - December 2017 - 39
Recording - December 2017 - 40
Recording - December 2017 - 41
Recording - December 2017 - 42
Recording - December 2017 - 43
Recording - December 2017 - 44
Recording - December 2017 - 45
Recording - December 2017 - 46
Recording - December 2017 - 47
Recording - December 2017 - 48
Recording - December 2017 - 49
Recording - December 2017 - 50
Recording - December 2017 - 51
Recording - December 2017 - 52
Recording - December 2017 - 53
Recording - December 2017 - 54
Recording - December 2017 - 55
Recording - December 2017 - 56
Recording - December 2017 - 57
Recording - December 2017 - 58
Recording - December 2017 - 59
Recording - December 2017 - 60
Recording - December 2017 - 61
Recording - December 2017 - 62
Recording - December 2017 - 63
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Recording - December 2017 - 65
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Recording - December 2017 - 68
Recording - December 2017 - 69
Recording - December 2017 - 70
Recording - December 2017 - 71
Recording - December 2017 - 72
Recording - December 2017 - Cover3
Recording - December 2017 - Cover4
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