Recording - January 2018 - 44

Plug-In Outlet
focusing on drums. It lets you adjust
and tailor attack transients and sustain
of a source. You can do tricks like softening the initial hit of a drum and then
expanding or tightening up the drum's
boom and resonant tail.
At one time, transient shapers existed
primarily as specialty hardware units,
but in plug-in land there's now a growing list to choose from. What makes
Transgressor different from the herd
is its level of control. While most transient shaping devices are simple, with
two or three parameters, Transgressor
contains 20 knobs and buttons-and
that's before the dual EQ windows,
sidechain, and mix controls.
Transgressor works on mono instruments and drums, as well as stereo
sources like the drum bus, overheads,
or even a full mix. It is made up of three
main sections, starting with the Detector.
This first section is the key to proper use
of Transgressor; it's where you select
and then deeply focus in on the transient you wish to alter. It starts with a
sensitivity Threshold with a Hard/Soft
switch and a Retrigger (speed of
re-detection) control.
Once the transient has been detected,
you can fine-tune how it is triggered
with the built-in sidechain EQ or Transgressor's external sidechain input (if
your DAW supports it) so you can trigger
the transient with other sources. Boz

44

RECORDING January 2018

himself has prepared some great
videos on his website to explain the
detector setup and how to use the
external sidechain.
Once your transient is properly identified
and prepped, you can move into actual
shaping with the Transient and Sustain
sections. You can lessen or exaggerate
each with a simple Gain knob or section
bypass. The sustain section also offers
advanced controls for Hold and Release,
similar to that of a gate.
The icing on the cake? Both the transient and sustain sections have their
own independent 3-band EQs, to really
fine-tune the new altered attacks and
sustain. Each offers selectable shelf,
bell, or cut filters on the high and low
bands and bell, bandpass, and slant
(pivot-style) EQ for the mids. They can
further cut or highlight the click, slap,
boom, and/or decay of the instrument
to perfectly fit your mix and retain a
natural realistic feel. Finally there's a
control to blend in the original signal
if desired.
Transgressor does take a bit of initial
patience dialing in the Detector just
right-see Boz's abovementioned tutorial video. Beyond this, Transgressor
works similar to most other transient
shapers. It can stay simple if you wish,
but it's really the fine tuning, accuracy
and further EQ tone shaping that helps
Transgressor shine. You can tighten runaway



http://www.adkmic.com

Table of Contents for the Digital Edition of Recording - January 2018

Contents
Recording - January 2018 - Intro
Recording - January 2018 - Cover1
Recording - January 2018 - Cover2
Recording - January 2018 - 1
Recording - January 2018 - 2
Recording - January 2018 - 3
Recording - January 2018 - 4
Recording - January 2018 - 5
Recording - January 2018 - 6
Recording - January 2018 - 7
Recording - January 2018 - Contents
Recording - January 2018 - 9
Recording - January 2018 - 10
Recording - January 2018 - 11
Recording - January 2018 - 12
Recording - January 2018 - 13
Recording - January 2018 - 14
Recording - January 2018 - 15
Recording - January 2018 - 16
Recording - January 2018 - 17
Recording - January 2018 - 18
Recording - January 2018 - 19
Recording - January 2018 - 20
Recording - January 2018 - 21
Recording - January 2018 - 22
Recording - January 2018 - 23
Recording - January 2018 - 24
Recording - January 2018 - 25
Recording - January 2018 - 26
Recording - January 2018 - 27
Recording - January 2018 - 28
Recording - January 2018 - 29
Recording - January 2018 - 30
Recording - January 2018 - 31
Recording - January 2018 - 32
Recording - January 2018 - 33
Recording - January 2018 - 34
Recording - January 2018 - 35
Recording - January 2018 - 36
Recording - January 2018 - 37
Recording - January 2018 - 38
Recording - January 2018 - 39
Recording - January 2018 - 40
Recording - January 2018 - 41
Recording - January 2018 - 42
Recording - January 2018 - 43
Recording - January 2018 - 44
Recording - January 2018 - 45
Recording - January 2018 - 46
Recording - January 2018 - 47
Recording - January 2018 - 48
Recording - January 2018 - 49
Recording - January 2018 - 50
Recording - January 2018 - 51
Recording - January 2018 - 52
Recording - January 2018 - 53
Recording - January 2018 - 54
Recording - January 2018 - 55
Recording - January 2018 - 56
Recording - January 2018 - 57
Recording - January 2018 - 58
Recording - January 2018 - 59
Recording - January 2018 - 60
Recording - January 2018 - 61
Recording - January 2018 - 62
Recording - January 2018 - 63
Recording - January 2018 - 64
Recording - January 2018 - 65
Recording - January 2018 - 66
Recording - January 2018 - 67
Recording - January 2018 - 68
Recording - January 2018 - 69
Recording - January 2018 - 70
Recording - January 2018 - 71
Recording - January 2018 - 72
Recording - January 2018 - Cover3
Recording - January 2018 - Cover4
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