Recording - February 2018 - 18
RECORDING
VOCALS:
Right...From
theStart
up so it points up from below, because
the piano player is often looking down
at the keys. If it's a guitar player who
sings, I do the same; in particular, to increase the separation between acoustic
guitar and vocal, I point the vocal mic up
and the guitar mic down, 180 degrees
away from each other, because that is
how you'll get the most rejection and
separation between vocal and guitar.
A shockmount and a pop filter are
pretty much a must, especially the latter.
You can easily roll off the low-end rumble, but sometimes the amount of rolloff
needed to get rid of plosives (the popping P's) is actually so much that you'll
adversely affect the vocal itself. Unless
you automate the plosives out, you can
make your life a lot easier by using a
good pop filter. The fabric mesh ones are
the cheapest, but the metal grille ones
are actually much more effective and
only cost a little more. JZ Microphones
makes an amazing double-meshed metal pop filter that has wavy curves in it,
and that's the best one I've found and
I use that all the time. JZ's BH-1S mic
actually comes with a shock mount with
built in pop-filter, but I usually use that in
addition to the double-mesh filter.
Headphone mix
The next most important thing is giving
the vocalist a good headphone mix. If you
work in a studio that has a cue system
where the singer can tweak their own mix,
get a basic mix ready for them before they
get there. If you don't have a personal mix
system, get your headphone mix ready in
the control room beforehand. Make sure
there's plenty of vocals and whatever
instrument will be the best reference for
pitch (depending on material).
This is where you want to also add
some reverb to the vocal mix, because
pretty much 9 out of 10 vocalists will
ask you for some. It makes them feel
less exposed and more in the mix.
Do remember that reverb in the headphones will sound a lot bigger than it
does on the control room speakers, so
start low. What I usually do is insert Avid's
D-Verb plug-in onto the vocal track and
set the dry/wet Mix slider to 10%. If
they ask for more, I'll go to 15%, but
I rarely push it to 20% unless it's that
kind of watery eerie type of vocal. Too
much reverb will make it harder for the
singer to sing on pitch, so it needs to be
helpful but not a hindrance.
By the way, I use the D-Verb plug-in
just for the tracking process, not the mix,
and the reason I put it directly on the
vocal track is because that way it goes
to the control room and the vocal mix
without having to worry about buses,
sends, and reverb returns. And it's only
for monitoring, it doesn't get recorded.
It's quick and easy, and I can remove all
the plug-ins before starting a mix.
http://facebook.com/ribbonmics
http://ribbonmics.com
Table of Contents for the Digital Edition of Recording - February 2018
Contents
Recording - February 2018 - Intro
Recording - February 2018 - Cover1
Recording - February 2018 - Cover2
Recording - February 2018 - 1
Recording - February 2018 - 2
Recording - February 2018 - 3
Recording - February 2018 - 4
Recording - February 2018 - 5
Recording - February 2018 - 6
Recording - February 2018 - 7
Recording - February 2018 - Contents
Recording - February 2018 - 9
Recording - February 2018 - 10
Recording - February 2018 - 11
Recording - February 2018 - 12
Recording - February 2018 - 13
Recording - February 2018 - 14
Recording - February 2018 - 15
Recording - February 2018 - 16
Recording - February 2018 - 17
Recording - February 2018 - 18
Recording - February 2018 - 19
Recording - February 2018 - 20
Recording - February 2018 - 21
Recording - February 2018 - 22
Recording - February 2018 - 23
Recording - February 2018 - 24
Recording - February 2018 - 25
Recording - February 2018 - 26
Recording - February 2018 - 27
Recording - February 2018 - 28
Recording - February 2018 - 29
Recording - February 2018 - 30
Recording - February 2018 - 31
Recording - February 2018 - 32
Recording - February 2018 - 33
Recording - February 2018 - 34
Recording - February 2018 - 35
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Recording - February 2018 - 80
Recording - February 2018 - Cover3
Recording - February 2018 - Cover4
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