Recording - February 2018 - 57
nuclear war. (Check out the picture on
the company website!)
What does this all mean? In practical
terms, as LEWITT puts it, the "fog" of any
electronic noise stays out of the signal
path at all times, for a path that is exceptionally pure from capsule to XLR out.
In use
I found the mic to be clean and clear
with a revealing top end, but it's not
voiced to be a clinical measurement-style
mic. It's not too crisp, has zero muddiness,
and is best described as detailed, full, and
musically honest. In the past, LEWITT mics
have been used by a few companies for
recording high-end sample libraries, and
this mic will easily continue that trend.
I used the LCT 540 SUBZERO with a
Millennia HV-3 mic preamp, also known
for its "straight wire with gain" cleanliness. What I liked about this setup was the
space and distance I could impart to my
recordings. Setting the mic back 3-4 feet
from a singer or instrument yields a great
sense of clean and detailed depth. This is
not just of benefit for high-end preamps; it
allows the user to pair the SUBZERO with
less fancy preamps and interfaces with
zero fear of added noise from the mic.
Also, due to its clean nature, the LCT
540 SUBZERO makes not only an incredibly detailed vocal mic, but also a
great closeup/intimate mic on the quietest of sources. I had fun getting detailed
sample recordings of a single quiet
rattlesnake rattle; it was actually primally
chilling, being heard that loud and clear!
Hush now
The LCT 540 SUBZERO is an easy
mic to warm up to. It's not an entry-level
mic, but it's also not a mic that breaks
the bank; it sits comfortably in a class
of daily-use, any-source microphones.
Alone or in pairs, it can easily hold a role
as a project studio's only microphone,
as well as finding lots of use on the pro
circuit as well. There really is something
special about a mic that can get this quiet
when the red light comes on.
PRICE: $699
MORE FROM: LEWITT,
www.lewitt-audio.com
RECORDING February 2018
57
http://www.stedmanusa.com
http://www.lewitt-audio.com
http://www.adesignsaudio.com
Table of Contents for the Digital Edition of Recording - February 2018
Contents
Recording - February 2018 - Intro
Recording - February 2018 - Cover1
Recording - February 2018 - Cover2
Recording - February 2018 - 1
Recording - February 2018 - 2
Recording - February 2018 - 3
Recording - February 2018 - 4
Recording - February 2018 - 5
Recording - February 2018 - 6
Recording - February 2018 - 7
Recording - February 2018 - Contents
Recording - February 2018 - 9
Recording - February 2018 - 10
Recording - February 2018 - 11
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Recording - February 2018 - Cover3
Recording - February 2018 - Cover4
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