Recording - March 2018 - 8
TalkBack
The SONAR situation
Dear Editors: I feel a terrible sense of betrayal after being
a loyal Cakewalk user since its inception (on a 5.25" floppy)
and advocating for it at every opportunity to fellow musicians,
producers and students. For those of us who developed a
career and a business where SONAR was front and center,
this dependence on the Cakewalk product line is particularly
painful now that Gibson has stopped development.
However, for practical reasons, not the least of which is 30
years' worth of material in various Cakewalk formats, I plan
for now to stick with SONAR-or whichever part of it remains
usable. Hopefully, some brave soul will provide help for those
of us who stay with SONAR. Ideally, some independent
software company would buy the SONAR source code, and
continue development and sales from where it was left off.
In the meantime, I wonder if Recording Magazine-one of
my favorite publications and the one I trust on all things
audio-could have a piece on alternatives to SONAR. While
most of us are familiar with the other DAWs available for PC
users, the missing piece is moving from SONAR to whichever
alternative DAW we might choose. Is there a huge learning
curve? Are there known PC issues? Are there known
hardware issues? etc.
I, and I'm sure others like me (as I see in Facebook groups),
would be grateful for such a piece. Thank you.
Rami Goren
Hi, Rami. Thanks for writing and for the kind words about
Recording. I was one of many people shocked by Gibson's
announcement that it was ceasing development of Cakewalk
products, including SONAR, effective immediately. For those
readers who might not have read the press release, I will
quote the first paragraph verbatim from the Gibson Brands
website, dated November 17, 2017:
"Gibson Brands announced today that it is ceasing active
development and production of Cakewalk branded products.
The decision was made to better align with the company's
acquisition strategy that is heavily focused on growth in
the global consumer electronics audio business under the
Philips brand."
A followup announcement was made by the CTO of
Cakewalk, Noel Borthwick, which expressed sadness over
the announcement, and concluded with this paragraph,
again quoted verbatim from cakewalk.com:
NOTE TO FAITHFUL WRITERS:
When sending your letters by email,
please remember to include your
name and where you hail from.
"So what does this mean for you, our loyal customers
who've been with us all these years? Cakewalk's servers will
continue to operate, you will still have access to all of your online assets, and your software will continue to work normally.
A dedicated team has been established during this transition
period to continue to serve the Cakewalk community. Monthly
updates to SONAR from Cakewalk will however cease during
this time. We will continue to post notifications to keep you
informed with any relevant developments. A sincere thank you
to everyone in the Cakewalk community."
I am reminded of an editorial I wrote some years ago, to
the effect that software doesn't automatically stop working
just because it's out of date (unless that obsolescence is built
in, which it isn't for Cakewalk products). For example, there
are still a fair number of studios running very old versions of
Pro Tools so as to remain compatible with outdated but still
usable DSP hardware.
This knowledge, combined with Mr. Borthwick's reassurances
that assets will remain available at least in the short term,
will hopefully reassure SONAR users that they're not instantly
and irrevocably up the metaphorical creek. Mr. Borthwick has
been notably supportive of the community on the website's
Cakewalk User Forum where, as of this writing, many users
are carrying on making music on SONAR and sharing tips
and help despite the DAW's uncertain future. If you're not on
that forum yet, I recommend you join; they're good people
who are bereft as you are, and they love to help one another.
That being said, I'm afraid that I can't publish an article like
the one you've asked for. Every user gets something different
out of the work experience with every DAW, and no two transition processes will be alike. One user may adore a DAW's
layout and workflow while another user will find it arcane and
offputting. Even if we could somehow create a chart of every
feature and subsystem to show what SONAR users can expect
from other DAWs, we couldn't possibly quantify the impact of
the transition in any meaningful way.
Further, since hardware configurations can differ radically,
any one computer or computer/interface combination might be
fine with certain DAWs and not play well with others, and there's
no way for us to lay that information out in a reliable manner.
I wish there was some way to ease the transition and offer
concrete help to worried SONAR users "from above," but
your best resource is the user community itself. This former
Opcode Vision user wishes you, and the entire SONAR family,
the very best.-MM
Write to us at: Talkback, Recording Magazine, 5408 Idylwild Trail, Boulder, CO 80301
Orat:
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Or save stamps and send email to talkback@recordingmag.com
8
RECORDING March 2018
http://www.cakewalk.com
Table of Contents for the Digital Edition of Recording - March 2018
Contents
Recording - March 2018 - Intro
Recording - March 2018 - Cover1
Recording - March 2018 - Cover2
Recording - March 2018 - 1
Recording - March 2018 - 2
Recording - March 2018 - 3
Recording - March 2018 - 4
Recording - March 2018 - 5
Recording - March 2018 - Contents
Recording - March 2018 - 7
Recording - March 2018 - 8
Recording - March 2018 - 9
Recording - March 2018 - 10
Recording - March 2018 - 11
Recording - March 2018 - 12
Recording - March 2018 - 13
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Recording - March 2018 - 15
Recording - March 2018 - 16
Recording - March 2018 - 17
Recording - March 2018 - 18
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Recording - March 2018 - Cover3
Recording - March 2018 - Cover4
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