Recording - April 2018 - 39

The first part of the Complete Studio Kit is a microphone
we know well from a review in May 2014-the NT1. This
is a large-diaphragm condenser mic with a cardioid polar
pattern, with -29 dB sensitivity, 128 dB dynamic range, and
132 dB maximum SPL. If you're doing the math, you get a
self-noise of 4 dB (4.5, actually)... and yes, this mic is that
quiet. There are very few other firms in the world turning out
microphones with electronics this vanishingly silent.
Sonically, the NT1 has a very smooth and flat response
with a very gentle lift in the high mids. It's not one of those
bright, brittle mics that are all too common when you haven't
a lot to spend; it sounds great on male and female voices
without any harshness, and ranges from fine to spectacular
on pretty much any source-I love it on electric guitar amps
and acoustic string instruments from guitar to dulcimer. It has
a tone that is wonderfully clear without being stark, pleasant
without being hugely vibey.
I'd consider the NT1 the sort of workhorse that every
beginner wants in their locker. It can start out as your only
mic, because its overall sonic signature "stacks" well-that
is, a bunch of instruments multitracked with just this mic won't
become overwhelming at any particular frequency once
they're mixed together. Even after you've added more mics
to your locker, you'll still find yourself coming back to it often
as a reliable high-quality choice.

The Complete Studio Kit tricks out the NT1 with an SMR
shockmount using the Rycote Lyre suspension system that won't
loosen up and require new bands after a few months or years.
The custom-fitted dual mesh pop screen works exceptionally
well at removing plosives, and is fixed in place at 2.5" from
the capsule, a very workable distance for vocals without a ton
of proximity effect. There's a high-quality XLR mic cable, a mic
bag, and the one new piece of gear that completes the Kit-the
AI-1 interface.
The AI-1 is dressed to impress-small but heavy, with a
machined metal body that feels expensive and offers exceptional
fit and finish all around. It's a 1-in/2-out interface, with a frontface Neutrik Combo XLR/TRS input, two pots for input gain and
output level, a 1/4" TRS headphone output, and twin 1/4" TRS
balanced line level outs on the back. It's bus-powered, and has
a USB-C connector and a C-to-A cable included.
Using the AI-1 is designed to be as simple as can be: plug
in your source, set gain and listening volume, and hit Record.



http://www.adkmic.com

Table of Contents for the Digital Edition of Recording - April 2018

Contents
Recording - April 2018 - Intro
Recording - April 2018 - Cover1
Recording - April 2018 - Cover2
Recording - April 2018 - 1
Recording - April 2018 - 2
Recording - April 2018 - 3
Recording - April 2018 - 4
Recording - April 2018 - 5
Recording - April 2018 - Contents
Recording - April 2018 - 7
Recording - April 2018 - 8
Recording - April 2018 - 9
Recording - April 2018 - 10
Recording - April 2018 - 11
Recording - April 2018 - 12
Recording - April 2018 - 13
Recording - April 2018 - 14
Recording - April 2018 - 15
Recording - April 2018 - 16
Recording - April 2018 - 17
Recording - April 2018 - 18
Recording - April 2018 - 19
Recording - April 2018 - 20
Recording - April 2018 - 21
Recording - April 2018 - 22
Recording - April 2018 - 23
Recording - April 2018 - 24
Recording - April 2018 - 25
Recording - April 2018 - 26
Recording - April 2018 - 27
Recording - April 2018 - 28
Recording - April 2018 - 29
Recording - April 2018 - 30
Recording - April 2018 - 31
Recording - April 2018 - 32
Recording - April 2018 - 33
Recording - April 2018 - 34
Recording - April 2018 - 35
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Recording - April 2018 - 40
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Recording - April 2018 - Cover3
Recording - April 2018 - Cover4
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