Recording - July 2018 - 49
Run, Rainbow Machine, and Data Corrupter
to the oscillator. This then causes the
oscillator to lock onto the input signal
and generate a synthesized frequency."
It starts with a Master Oscillator,
with a selector for Unison or -1 or -2
Octaves from the root note. Next the
sound is effected by the Rate control
in the Frequency Modulator section. It
has a choice of Glide or Vibrato-think
sweeping phased sounds or fast highpitched bubbling vibrato notes. A last
section adds Subharmonic Intervals and
square-wave distortion. Then it all comes
together in the Voice Mixer, which has
mix controls for the Square wave distortion,
the Subharmonic and the Oscillator
sections, as well as a final overall level.
The above description does not do the
pedal justice; it needs to be heard (and better yet played!) to be understood. When
my guitarist friends used this pedal there
were only two reactions: either "What
the heck? When would I ever use this?"
or "Holy crap, this thing is sick, I need it!"
Once it's engaged, your guitar will in no
way shape or form sound like a guitar. It
is truly a synthetic sound that can be thick,
aggressive, and rumbling, or pseudosequencey and squawky like an experimental vintage synth. It can do strange
harmonized distorted Eastern-sounding
harmonics, or sludgy deep level lo-fi. I
have a friend in a metal band who loves
uses the Data Corrupter's square wave
distortion alone on his bass.
On synths, vocals, drum machine,
kick, and snare, this is an industrial
sound designer's dream toy. The one
thing the Data Corruptor does not do
is 'subtle'! In fact, the moment a sound
hits it, the unit leaps into action; I found
that adding an inline volume pedal to
function as a manual ADSR envelope
was a wise choice. I also liked fading it
in and out as a parallel effect on a send
and return for blending the sound in real
time. Of all four pedals, this is the one
I am still learning. It's like a great bold
cooking spice that can take a good dish
to great when used with the right mix
and levels, but mustn't be overused.
Like the other three, though, it's a
great addition to any guitar rig or studio
depending on your wants and needs.
After all, who doesn't need a little EarthQuaking in their music?
PRICES: Westwood $179,
Avalanche Run $299,
Rainbow Machine $229,
Data Corrupter $229
MORE FROM:
EarthQuaker Devices,
www.earthquakerdevices.com
http://www.earthquakerdevices.com
http://www.adkmic.com
Table of Contents for the Digital Edition of Recording - July 2018
Contents
Recording - July 2018 - Intro
Recording - July 2018 - Cover1
Recording - July 2018 - Cover2
Recording - July 2018 - 1
Recording - July 2018 - 2
Recording - July 2018 - 3
Recording - July 2018 - 4
Recording - July 2018 - 5
Recording - July 2018 - Contents
Recording - July 2018 - 7
Recording - July 2018 - 8
Recording - July 2018 - 9
Recording - July 2018 - 10
Recording - July 2018 - 11
Recording - July 2018 - 12
Recording - July 2018 - 13
Recording - July 2018 - 14
Recording - July 2018 - 15
Recording - July 2018 - 16
Recording - July 2018 - 17
Recording - July 2018 - 18
Recording - July 2018 - 19
Recording - July 2018 - 20
Recording - July 2018 - 21
Recording - July 2018 - 22
Recording - July 2018 - 23
Recording - July 2018 - 24
Recording - July 2018 - 25
Recording - July 2018 - 26
Recording - July 2018 - 27
Recording - July 2018 - 28
Recording - July 2018 - 29
Recording - July 2018 - 30
Recording - July 2018 - 31
Recording - July 2018 - 32
Recording - July 2018 - 33
Recording - July 2018 - 34
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Recording - July 2018 - Cover3
Recording - July 2018 - Cover4
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