Recording - August 2018 - 26

GIK Acoustics

Gotham N23
5" Quadratic
Diffuser

A beautiful solution to a
perplexing acoustics problem
REVIEW BY PAUL VNUK JR.

L

ongtime readers will know that I am one of those
annoying people, both on gear forums and in
print, who will always suggest spending money
on treating your room prior to spending money on
expensive gear. Yep, I'm that guy.
As a studio owner with a room full of gear and a more
than healthy complement of room treatment, I am constantly
reminded to keep preaching this to myself as well. I always
consider: is my control room-which started life as a dog
kennel and was then turned into office space before its current incarnation-treated properly?
Even though I've considered my room well-treated for over
a decade, I decided to answer that question decisively. I
used James Lindenschmidt's 2-part article on the use of
Room EQ Wizard and a measurement mic ("Beyond The
Clap Test," November 2017 and March 2018) to gather
data about my room and see for myself.
This led me back to the folks at GIK Acoustics, where
James works as one of their acousticians. I ended up
adjusting my speaker positioning, adding another GIK
Monster Bass Trap, installing two more Impression Series
Panels (reviewed November 2017) at my second reflection
points, and taking the old 242 Acoustic Panels that were in
their place and using them to create a second ceiling cloud
in the back of my room.
At this same time, the folks at GIK asked if I would consider
reviewing their new Gotham Diffusion panel. So armed with
a measurement mic in hand, and taking measurements
before and after installing four Gotham Diffusors in the rear
of the room, here is what I learned.

Holy diffusers, Batman!

With a name like the Gotham, there was no way I could
not use a Batman reference! Anyway: the Gotham N32 is a
26

RECORDING August 2018

17.5" x 17.5" x 5.5" all-wood diffusor made of medium density
fiber board and weighing 20 lb. Although many similar
diffusors on the market-often called skyline diffusors because
they look like a cityscape from above-look like random
patterned wood blocks glued on a base, the best ones are
not random at all. Ideally, each block adheres to a specific
mathematic measurement. In the case of the Gotham it uses
a 23-root quadratic sequence made to provide, according to
the GIK website: "true, even diffusion from 1250 Hz to 9500
Hz, with scattering effects down to 650 Hz."
I was a straight-C math student with an art degree, so let me
just say the Gotham diffusers are geometrically balanced and
look fantastic, alone or in groups. They are almost hypnotic-looking;
everyone who has seen them in my room notices them instantly and
comments on how cool they look! My wife, an interior decorator,
thinks they look like great sculptural wall art.

What does a diffuser (or diffusor) diffuse?

Most of the time when folks discuss room treatments, the conversation centers around absorption-usually bass traps, because
nobody can ever really have enough bass traps, right? Often most
of us suffer from rooms that are too live and reverberant and we
need to deaden them. But what about diffusion?
I asked noted acoustician (and another frequent Recording
contributor) Bruce Black what diffusers do and what I should
listen for. His answer was, "Diffusion is a time domain thing,
having to do with reflections, and how they interact and influence a room's sound. Diffusors are quite handy to break up
flutter echoes, enhance the sense of space ("air"), and help in
localization. How much you will hear depends on how much
diffusion you've installed, where you've installed it, and the
quality of the diffusor."
In simple terms, bass traps and acoustic panels absorb
sound waves while diffusors scatter sound waves. In other
words, they work hand in hand to balance out the sound of a
room: one by eating up unwanted frequencies and the other



Table of Contents for the Digital Edition of Recording - August 2018

REVIEWS
Ears On: Focal Clear Professional.
Reviewed & Revisited: Daking Mic Pre II.
GIK Acoustics Gotham Quadratic Diffuser.
ART RM5 Active Studio Monitor.
IK Multimedia iRig Keys I/O.
Yamaha EAD10.
Soundware Showcase: Spitfire Audio LABS.
Vanatoo Transparent Zero Monitors.
Ears On: beyerdynamic DT 770 STUDIO.
Roland Rubix24.
Kludge Audio 506 Equalizer and 510 Transwarmer.
Once Over—Reviews In Brief.
FEATURES
10 Tips For A Successful Live Recording.
Studio 101. Part 8: Mixing, Part 1—Signal Flow.
“Girl You Know It’s...” A Lot More Than You Realize!
Live Orchestra Recording.
REGULARS
Fade In.
Talkback.
Fast Forward
Readers' Tracks
Fade Out.
Advertiser Index.
Recording - August 2018 - 1
Recording - August 2018 - Cover1
Recording - August 2018 - Cover2
Recording - August 2018 - 1
Recording - August 2018 - 2
Recording - August 2018 - 3
Recording - August 2018 - Fade In.
Recording - August 2018 - 5
Recording - August 2018 - REGULARS
Recording - August 2018 - 7
Recording - August 2018 - Talkback.
Recording - August 2018 - 9
Recording - August 2018 - Fast Forward
Recording - August 2018 - 11
Recording - August 2018 - 12
Recording - August 2018 - 13
Recording - August 2018 - 14
Recording - August 2018 - 15
Recording - August 2018 - 16
Recording - August 2018 - 17
Recording - August 2018 - 18
Recording - August 2018 - 19
Recording - August 2018 - Ears On: Focal Clear Professional.
Recording - August 2018 - 21
Recording - August 2018 - 22
Recording - August 2018 - 23
Recording - August 2018 - Reviewed & Revisited: Daking Mic Pre II.
Recording - August 2018 - 25
Recording - August 2018 - GIK Acoustics Gotham Quadratic Diffuser.
Recording - August 2018 - 27
Recording - August 2018 - 28
Recording - August 2018 - 29
Recording - August 2018 - ART RM5 Active Studio Monitor.
Recording - August 2018 - 31
Recording - August 2018 - IK Multimedia iRig Keys I/O.
Recording - August 2018 - 33
Recording - August 2018 - Yamaha EAD10.
Recording - August 2018 - 35
Recording - August 2018 - Soundware Showcase: Spitfire Audio LABS.
Recording - August 2018 - 37
Recording - August 2018 - Studio 101. Part 8: Mixing, Part 1—Signal Flow.
Recording - August 2018 - 39
Recording - August 2018 - 40
Recording - August 2018 - 41
Recording - August 2018 - Vanatoo Transparent Zero Monitors.
Recording - August 2018 - 43
Recording - August 2018 - 44
Recording - August 2018 - 45
Recording - August 2018 - Ears On: beyerdynamic DT 770 STUDIO.
Recording - August 2018 - 47
Recording - August 2018 - Roland Rubix24.
Recording - August 2018 - 49
Recording - August 2018 - Kludge Audio 506 Equalizer and 510 Transwarmer.
Recording - August 2018 - 51
Recording - August 2018 - 52
Recording - August 2018 - 53
Recording - August 2018 - 54
Recording - August 2018 - 55
Recording - August 2018 - 56
Recording - August 2018 - 57
Recording - August 2018 - “Girl You Know It’s...” A Lot More Than You Realize!
Recording - August 2018 - 59
Recording - August 2018 - Once Over—Reviews In Brief.
Recording - August 2018 - 61
Recording - August 2018 - Live Orchestra Recording.
Recording - August 2018 - 63
Recording - August 2018 - 64
Recording - August 2018 - 65
Recording - August 2018 - Readers' Tracks
Recording - August 2018 - Advertiser Index.
Recording - August 2018 - 68
Recording - August 2018 - 69
Recording - August 2018 - 70
Recording - August 2018 - 71
Recording - August 2018 - Fade Out.
Recording - August 2018 - Cover3
Recording - August 2018 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com