In Broadcast - December 2014 - 72
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 38 - DECEMBER 2014
N E W S
InFORM
PROVYS Scores In Romania
By Martin Junek
Commercial Director, PROVYS
D
72
olce Sport, the sports channel
network of Telekom Romania
which runs five sports channels
24/7, has recently been involved
in a different kind of tournament
- a competition to fi nd a media
management system for its
new operations headquarters in
Bucharest.
The winners were a number of top
names in the broadcasting industry
all pulling together as Studiotech
Poland. Famous names on the team
included Ross with their studio
equipment such as production
switchers, robotic camera systems,
etc.; Aveco who supplied their
playout automation and ingest
stations; and finally, keeping goal,
PROVYS with their advanced
Broadcast Management System.
The PROVYS contribution
to the game consisted of the
following advantages:
* PROVYS on-line interface with
playout automation giving the
operators the chance to make
last minute changes in the
programme;
* Easy
promotion
and
advertisement booking directly
into the schedule;
* Content control in all media
servers, including production,
archive and playout, providing
PROVYS operators with up-tothe-minute content information,
and with the facility to move, copy
and/or erase the content;
* Based on the created programme
schedule, PROVYS creates the
ingest task lists for the ingest
stations be they live or off-line;
* A u t o m a t i c s o u rc i n g a n d
processing of the as-run log;
* Using PROVYS, a small team of
only six operators manage and
control all traffic aspects of the
broadcast network.
Broadcast content includes large
amounts of live feeds supplemented
by its own production in the form
of sports news and analysis.
Broadcasting of live feeds of various
sports events with commentary
in the Romanian language is the
Dolce Sport runs five sports channels 24/7
absolute priority of Dolce Sport's
operations. Sports channels
represent a considerable challenge
for planning systems compared to
common commercial TVs airing live
events only occasionally.
PROVYS innovative solutions
allow sports TV planners to be
more precise, effective and exercise
more control over broadcasting
itself. PROVYS Broadcast Planning
facilitates the preparation of
transmission plans months before
the exact information about sports
events is available. Each league in
each sport is created as a series with
generic episodes (e.g. matches) that
can be inserted into the long-term
plan directly from the programme list
using a simple drag and drop feature.
Later the details of these "generic
episodes" are automatically filled
in upon the arrival of more specific
information to the programme list.
The implementation schedule
was extremely tight and could
not have been completed on time
without the excellent cooperation of
the engineers at Dolce Sport who
refereed the installation game with
great skill and expertise.
Telekom Romania and its ultimate
parent Deutsche Telekom can be
sure that the marathon of long term
development and their TV network
expansion will be a walk in the park
with PROVYS.
InFOCUS
Zylight F8 LED Delivers On Oregon Trail Production
K
en Willinger, SOC, has been
a cinematographer for more
than 30 years. After starting his
career in news and documentaries,
the Boston-based shooter now
concentrates on corporate,
commercial and narrative fi lms.
One of his latest productions,
Brothers on the Trail, took him to
the Wyoming wilderness.
The four-day shoot in early
October was based around Register
Cliff in Wyoming, a key navigational
landmark during the 1800s for
emigrants heading west that is
now on the US National Register
of Historic Places.
Shooting on location, as opposed
to a soundstage, was considered
essential to the project. "The director
really wanted to capture the reality
of where this story takes place,"
Willinger explained. "The images
were stunning, and there was no
way to replicate that in the studio."
An internal production for Scottish
Rite Freemasonry, the short film
takes place on the Oregon Trail
in the mid-1800s. The western
emphasises the importance of
keeping a pledge by sharing the
story about two travellers who
meet and make a promise to
each other. It is the fifth short in
a series that Willinger has shot
for the Freemasons with his RED
EPIC DRAGON. The 5K footage
will be down-converted to HD for
the final cut.
Willinger was pleased to find a
daylight-balanced Zylight F8 LED
Fresnel as part of the grip and
electric package for the shoot.
He had seen the F8 at the 2014
NAB Show, but this was his first
opportunity to use one.
Reluctant to adopt LED because
he felt the early instruments were
harsh and had colour issues, he
says: "It took a while for me to trust
the LED look. Now, I'm happy to
use it and I'm really glad we had
the Zylight on the set."
A full complement of large, very
high-powered lighting instruments
were on hand for primary lighting
duties - but Willinger said the more
portable F8 was very valuable as an
edge light and as a fill for moonlight
during evening campfire shots.
Available in daylight (5600K) or
tungsten (3200K), the F8 has a
high CRI and maintains single
shadow traditional Fresnel beam
shaping through an eight-inch
SCHOTT glass lens.
With a patented focusing system
for spot and flood operations,
the fully dimmable F8 offers
an adjustable beam spread
(16-70 degrees).
Its LED engine with quantum dot
technology draws only 100 watts,
but has close to the light output of
a traditional 1000-watt Fresnel.
Cinematographer Ken Willinger, SOC (left) on the Wyoming shoot
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In Broadcast - December 2014
Table of Contents for the Digital Edition of In Broadcast - December 2014
In Broadcast - December 2014 - Intro
In Broadcast - December 2014 - Cover1
In Broadcast - December 2014 - Cover2
In Broadcast - December 2014 - 3
In Broadcast - December 2014 - 4
In Broadcast - December 2014 - 5
In Broadcast - December 2014 - 6
In Broadcast - December 2014 - 7
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In Broadcast - December 2014 - S1
In Broadcast - December 2014 - S2
In Broadcast - December 2014 - S3
In Broadcast - December 2014 - S4
In Broadcast - December 2014 - S5
In Broadcast - December 2014 - S6
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