In Broadcast - November 2015 - 32


32

www.inbroadcast.com | Vol: 5 - Issue 11 | November 2015

InStudio

Innovative Chroma-Q
& Fiilex Ranges
The Chroma-Q and Fiilex product ranges are both available exclusively in the
UK through A.C. Entertainment Technologies Ltd...
Chroma-Q LED Lighting Range
With Previews at both the IBC and
PLASA 2015 tradeshows, exclusive
UK dealer, A.C. Entertainment
Technologies Ltd (AC-ET), have shown
a new innovation in LED top sources
with a preview of the soon-to-launch
Space Force fixture from Chroma-Q.
The Space Force is designed to
operate in a similar environment to
the traditional 6kw space light, when
utilising as they most often do, a silk
and black skirt.
Output from the Space Force is
entirely comparable to the traditional
space light, when deployed in this
manner, with the additional benefit of
being colour tunable between 2800K
and 6100K.
The key elements of traditional space
light performance relate to the volume
of light produced, and the evenness of
light falling on the floor beneath it.
Space Force produces output which
if uncontrolled provides for a beam
angle of 170 degrees. Designed to be
hung in grids at 10 foot centres, the
fixture creates very even illumination
across the floor, without significantly
increased stop where the output
overlaps.
A number of additional benefits can
also be factored in, when comparing
the Space Force to not only the
traditional fixture, but also other LED
space lights which now exist.
Space Force draws a modest 600

Top Left:
Fiilex Q500-AC Unit;
Top Right: Fiilex P100;
Bottom Left: P360EX;
Bottom Right: P180E

watts, and as a result
produces significantly less
heat.
What makes this more
impressive is that the unit
is entirely passively cooled
without fans, giving it silent
operation and a lower
propensity to ingest dust
stirred by active cooling
systems.
The price paid for passive
cooling on LED fixtures is
often a significant weight
gain, increased by the Left: Studio One
100 Variable/Bi-Colour White LED PAR;
required
heat
sinking. Top Right: Space Force LED Space Light;
Remarkably the Space Force Bottom Right: Studio Force Phosphor
LED Softlight.
also scores on this point,
weighing in at a diminutive 9.1kg.
instance of soft sources, the larger it
Completing the list of impressive is, the more flattering it can appear
functionality is full DMX, with RDM on the subject - the Chroma-Q Space
and optional wireless connectivity, Force can therefore produce great
reducing the infrastructure required to results with subjects.
deploy it.
Other products in the Chroma-Q LED
Whilst conceived and designed as a lighting range specifically designed
space light, the new fixture is equally for Film, TV, Studio and Broadcast
at home in a yoke and mounted on applications include the Studio One
a stand. A number of accessories 100 homogenous output, tunable
complement its use in this way, white LED fixture, which provides
including a SnapGrid, to further model above PAR performance from a white
and control output.
source, and the award-winning Studio
What makes the fixture all the more Force Phosphor LED fixture, which
impressive therefore is that it can be provides a beautifully soft, even
used as not only a top source, but also light source. As well as this remote
as a more general soft source that can phosphor version, the Chroma-Q LED
be mounted in any orientation.
range also includes single LED variants
It's commonly accepted that in the of Studio Force models in various
lengths.
Fiilex LED Lighting Range
Fiilex are as yet a relatively unknown
(in the UK at least), range of colour
tunable hard sources, which utilise
more than just two colours of LED to
produce output between 3000K and
5600K.
The LED chip incorporates
a range of colours to
produce a spectrum which
has significantly less peaks
and troughs in its resulting
spectral curve.
Immediately the output, which
is a much closer emulation

of a traditional tungsten source,
reduces the likelihood of variation
with natural light at a range of colour
temperatures.
Packaged as small Fresnel type
fixtures, they can be powered from
a battery, accepting an input voltage
range from 12-24 Volts DC (via D-Tap).
Output depending on the lensing
option selected is approximately
equivalent to a 350 Watt traditional
source.
The range of accessories available is
also impressive, including two options
for softening the output, an acrylic
diffuser and a more traditional fabricbased soft box.
Barn doors are also available and
can be used with two additional
lensing options, one of which is full
blown 5-inch glass Fresnel, which
provides huge illuminance at a point
considering the lamp's power draw,
with some spot flood capability.
There is also a DMX capability that
facilitates control of fixtures from a
lighting desk.
To complete the fixture line-up as
a fully portable option, a range of
hard case based kits are available,
which group the fixtures into various
configurations, including stands etc.
The kits provide an easy option for
most users, although building up a
bespoke kit is still possible to suit
personal taste.


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Table of Contents for the Digital Edition of In Broadcast - November 2015

In This Issue
In Broadcast - November 2015 - Intro
In Broadcast - November 2015 - Cover1
In Broadcast - November 2015 - Cover2
In Broadcast - November 2015 - In This Issue
In Broadcast - November 2015 - 4
In Broadcast - November 2015 - 5
In Broadcast - November 2015 - 6
In Broadcast - November 2015 - 7
In Broadcast - November 2015 - 8
In Broadcast - November 2015 - 9
In Broadcast - November 2015 - 10
In Broadcast - November 2015 - 11
In Broadcast - November 2015 - 12
In Broadcast - November 2015 - 13
In Broadcast - November 2015 - 14
In Broadcast - November 2015 - 15
In Broadcast - November 2015 - 16
In Broadcast - November 2015 - 17
In Broadcast - November 2015 - 18
In Broadcast - November 2015 - 19
In Broadcast - November 2015 - 20
In Broadcast - November 2015 - 21
In Broadcast - November 2015 - 22
In Broadcast - November 2015 - 23
In Broadcast - November 2015 - 24
In Broadcast - November 2015 - 25
In Broadcast - November 2015 - 26
In Broadcast - November 2015 - 27
In Broadcast - November 2015 - 28
In Broadcast - November 2015 - 29
In Broadcast - November 2015 - 30
In Broadcast - November 2015 - 31
In Broadcast - November 2015 - 32
In Broadcast - November 2015 - 33
In Broadcast - November 2015 - 34
In Broadcast - November 2015 - 35
In Broadcast - November 2015 - 36
In Broadcast - November 2015 - 37
In Broadcast - November 2015 - 38
In Broadcast - November 2015 - 39
In Broadcast - November 2015 - 40
In Broadcast - November 2015 - 41
In Broadcast - November 2015 - 42
In Broadcast - November 2015 - 43
In Broadcast - November 2015 - 44
In Broadcast - November 2015 - 45
In Broadcast - November 2015 - 46
In Broadcast - November 2015 - 47
In Broadcast - November 2015 - 48
In Broadcast - November 2015 - 49
In Broadcast - November 2015 - 50
In Broadcast - November 2015 - 51
In Broadcast - November 2015 - 52
In Broadcast - November 2015 - 53
In Broadcast - November 2015 - 54
In Broadcast - November 2015 - 55
In Broadcast - November 2015 - 56
In Broadcast - November 2015 - 57
In Broadcast - November 2015 - 58
In Broadcast - November 2015 - 59
In Broadcast - November 2015 - 60
In Broadcast - November 2015 - 61
In Broadcast - November 2015 - 62
In Broadcast - November 2015 - 63
In Broadcast - November 2015 - 64
In Broadcast - November 2015 - 65
In Broadcast - November 2015 - 66
In Broadcast - November 2015 - 67
In Broadcast - November 2015 - 68
In Broadcast - November 2015 - 69
In Broadcast - November 2015 - 70
In Broadcast - November 2015 - 71
In Broadcast - November 2015 - 72
In Broadcast - November 2015 - 73
In Broadcast - November 2015 - 74
In Broadcast - November 2015 - 75
In Broadcast - November 2015 - 76
In Broadcast - November 2015 - 77
In Broadcast - November 2015 - 78
In Broadcast - November 2015 - 79
In Broadcast - November 2015 - 80
In Broadcast - November 2015 - Cover4
In Broadcast - November 2015 - S1
In Broadcast - November 2015 - S2
In Broadcast - November 2015 - S3
In Broadcast - November 2015 - S4
In Broadcast - November 2015 - S5
In Broadcast - November 2015 - S6
In Broadcast - November 2015 - S7
In Broadcast - November 2015 - S8
In Broadcast - November 2015 - S9
In Broadcast - November 2015 - S10
In Broadcast - November 2015 - S11
In Broadcast - November 2015 - S12
In Broadcast - November 2015 - S13
In Broadcast - November 2015 - S14
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