In Broadcast - April 2020 - 36

36

www.inbroadcast.com | Vol: 10 - Issue 4 | April 2020

InStudio

SCISYS and CGI Combine to
Support Global Broadcasters
S

CISYS Media Solutions, formerly
Annova, and SCISYS Deutschland,
and now part of CGI, is focused on
combining its renowned strengths for
the media industry, highlighting its
trusted newsroom and radio expertise
with the power of global IT excellence
from CGI. In April 2020, SCISYS will
become fully integrated into CGI,
expanding to offer an even wider
portfolio of services across the end-toend delivery spectrum.
CGI's strategic objective in acquiring
SCISYS is to further grow its product

business, and to engage with the vast
media delivery sector. With the media
industry's overall shift to IP, generalpurpose IT solutions continue to see
an increased uptake in recent years,
which allows CGI to serve broadcasters
with a wider product and services
offering. In such a high growth
industry, SCISYS and CGI combine their
customer base, users will receive the
best of both, anywhere in the world
thanks to SCISYS's active 75,000 users
worldwide and CGI's 400+ locations
across 40 countries.
In April, SCISYS / CGI will also
strengthen its media leadership
team, appointing Michael Pfitzner
as Vice President for Newsroom
Solutions, and Michael Thielen as the
Michael Pfitzner as Vice President for Radio
Vice President for Solutions. Both formerly held
Newsroom Solutions
roles within SCISYS, and will
focus on strategic planning
to highlight the changes
to these delivery sectors,
especially as streamlined

and contributions across TV, radio
and online to achieve a more cohesive
end result, regardless of distance or
location.
Now more than ever, broadcasters
are under extreme pressures with
news developing by the hour, and
SCISYS / CGI provides solutions to
be more productive, dynamic and
efficient. As a well-established and
trusted brand with over 40 years of
experience in the IT segment, holding
established relationships with the
world's leading broadcasters, SCISYS
/ CGI has cemented its position to
facilitate workers across every layer of
the media delivery sphere, providing
solutions to any workflow need,
whether remotely or in a traditional
capacity.

and collaborative newsroom and radio
solutions are more important than
ever.
In light of recent shifts within the
industry due to the fluctuation of the
global economy and ongoing health
epidemic, focusing on telling the
story is key, and the ever growing
abundance of information available
around the clock, can make that
difficult. SCISYS / CGI recognises the
importance of staying connected,
especially when many organisations
have no choice but to adapt an even
more remote methodology, all whilst
remaining cost efficient and within
budget.
SCISYS / CGI's news and radio
production solutions support remote
working and enable journalists Michael Thielen as
to research, structure and plan the Vice President
for Radio Solutions
their deliveries in advance,
optimising a broadcaster's efforts
globally. The platforms help draw
on the importance of storytelling,
allowing journalists to share topics

Streamline Remote Working for Production
& Post-Production with Editmate PAM
B

e it for traditional broadcast,
social media, advertising or
streaming services, the demand for
video content has risen dramatically in
recent years.
For production and post-production
services, this growing demand
translates into more complex work,
whether editing material to match
various playout formats or effectively
managing vast amounts of content
and metadata. At the same time,
production facilities are increasingly
feeling cost pressure, which has led
to a requirement for greater flexibility
and an increase in remote working.
Legacy systems are often unable to
meet the demands of these changing
working conditions, which results in
inefficient workflows, unnecessary
expense and creative people having
to deal with more administrative
processes.
Production
Asset
Management
(PAM) systems such as EditMate for
Adobe Premiere Pro allow simplified
production processes throughout

the pipeline, and makes remote
collaborative workflows a reliable and
flexible option for media companies.
Integration, consolidation and
secure collaboration: Adobe Premiere
Pro is a popular tool for many
production environments. EditMate
integrates seamlessly with the system,
offering users a familiar working
environment, and eliminates the need
to switch between different software
packages.
EditMate is specially designed for
collaborative,
location-independent
workflows. All current projects and
media are made available to the user
and the entire team in a
single, searchable web
interface with no complex
folder structures. Project
team members can access
their
familiar
Adobe
Premiere Pro CC workspace
from any location, and
they can rely on the same
tools as their colleagues
on premise. Moreover, the

project or team leader always has
complete control over who on the
team can access and make changes
to which projects, ensuring maximum
security with minimum administrative
hassle.
Remote editing in full HD - onpremises, hybrid or in the cloud: The
combination of a streaming server,
SMPTE RRD25-based HD proxies and a
hybrid cloud architecture can support
journalists and editors in their daily
(remote) work. Working with proxies
reduces latencies that occur when
loading high-resolution files or when
the Internet connection is weak.

VPMS EditMate's streaming engine
and the full HD proxy format currently
allow editors to work with bandwidths
from 6-12 MBps. The solution is
cloud-ready and enables quick and
easy migration to a cloud-based
infrastructure directly from Adobe
Premiere Pro.
Remote production with flexible
infrastructure:
Remote
working
is intended to simplify work in
broadcasting
and
production
facilities. To this end, using a PAM
system like EditMate that can be
integrated seamlessly into the existing
infrastructure seems a natural choice
to enjoy all the advantages
of
a
powerful
and
scalable remote working
environment.
For more information or
to arrange a virtual demo
session, please contact:
arvato-systems.com/joineditmate
EditMate Production
Asset Management


http://www.inbroadcast.com https://www.cgi-group.co.uk/en-gb/communications https://www.cgi-group.co.uk/en-gb/communications https://www.cgi-group.co.uk/en-gb/communications https://www.cgi-group.co.uk/en-gb/communications https://www.cgi-group.co.uk/en-gb/communications https://www.arvato-systems.com/arvato-systems-en http://www.arvato-systems.com/join-editmate http://www.arvato-systems.com/join-editmate https://www.arvato-systems.com/arvato-systems-en

In Broadcast - April 2020

Table of Contents for the Digital Edition of In Broadcast - April 2020

Content
In Broadcast - April 2020 - Intro
In Broadcast - April 2020 - Cover1
In Broadcast - April 2020 - Cover2
In Broadcast - April 2020 - Content
In Broadcast - April 2020 - 4
In Broadcast - April 2020 - 5
In Broadcast - April 2020 - 6
In Broadcast - April 2020 - 7
In Broadcast - April 2020 - 8
In Broadcast - April 2020 - 9
In Broadcast - April 2020 - 10
In Broadcast - April 2020 - 11
In Broadcast - April 2020 - 12
In Broadcast - April 2020 - 13
In Broadcast - April 2020 - 14
In Broadcast - April 2020 - 15
In Broadcast - April 2020 - 16
In Broadcast - April 2020 - 17
In Broadcast - April 2020 - 18
In Broadcast - April 2020 - 19
In Broadcast - April 2020 - 20
In Broadcast - April 2020 - 21
In Broadcast - April 2020 - 22
In Broadcast - April 2020 - 23
In Broadcast - April 2020 - 24
In Broadcast - April 2020 - 25
In Broadcast - April 2020 - 26
In Broadcast - April 2020 - 27
In Broadcast - April 2020 - 28
In Broadcast - April 2020 - 29
In Broadcast - April 2020 - 30
In Broadcast - April 2020 - 31
In Broadcast - April 2020 - 32
In Broadcast - April 2020 - 33
In Broadcast - April 2020 - 34
In Broadcast - April 2020 - 35
In Broadcast - April 2020 - 36
In Broadcast - April 2020 - 37
In Broadcast - April 2020 - 38
In Broadcast - April 2020 - 39
In Broadcast - April 2020 - 40
In Broadcast - April 2020 - 41
In Broadcast - April 2020 - 42
In Broadcast - April 2020 - 43
In Broadcast - April 2020 - 44
In Broadcast - April 2020 - 45
In Broadcast - April 2020 - 46
In Broadcast - April 2020 - 47
In Broadcast - April 2020 - 48
In Broadcast - April 2020 - 49
In Broadcast - April 2020 - 50
In Broadcast - April 2020 - 51
In Broadcast - April 2020 - 52
In Broadcast - April 2020 - 53
In Broadcast - April 2020 - 54
In Broadcast - April 2020 - 55
In Broadcast - April 2020 - 56
In Broadcast - April 2020 - 57
In Broadcast - April 2020 - 58
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In Broadcast - April 2020 - 60
In Broadcast - April 2020 - 61
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In Broadcast - April 2020 - 63
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In Broadcast - April 2020 - 70
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http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201904
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
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