In Broadcast - January 2022 - 10

10
www.inbroadcast.com | Vol: 12 - Issue 1 | January 2022
InNews
Dr Mathias Erb
to Chair ARRI
Executive Board
GER: Dr. Matthias Erb, effective
January 1, 2022, has been appointed
Chairman of the Executive Board of
ARRI. The announcement was made
by the Supervisory Board of the global
film technology company. With this
addition, the Executive Board will
once again, as in 2019, consist of three
members.
In addition to his duties as Chairman
of the Executive Board, Dr. Matthias
Erb is responsible for the strategic
alignment of the business along
with the Finance, HR, Legal, and
Quality
Management departments.
Dr. Michael Neuhaeuser will continue
to focus on operations and technology.
Markus Zeiler will continue to oversee
business and sales.
Accidental Theatre Deploys
LiveU's Multi-Camera Solution
A
charitable organisation based
in
Belfast,
Northern
Ireland
and a non-traditional arts company
that provides a range of creative
opportunities and performance
space
to
performing
artists
across
the city and increasingly the country,
has turned to LiveU's multi-camera
solution to provide reliable, dynamic,
live streaming capabilities, extending
the reach of their performances via
their website.
The pandemic has seen Accidental
Theatre significantly expand its live
streaming capabilities, turning to
LiveU to do so. Lavery and his team
created a small control room and
editing space in the theatre and two
small studios in what were the bank
vaults. They also selected installed a
Blackmagic Atem production system
and moved from a two-camera setup
to a six-camera, including multiple PTZ
cameras.
The new configuration will ensure
that the members of the Executive
Board can focus even more intensively
on
their
respective
areas
while
facilitating the further development of
technologies and business models.
Chairman of the Supervisory Board
at ARRI, Prof. Dr. Hans-Joerg Bullinger,
explains: " ARRI has already taken
successful steps in the transformation
from the analog to the digital age
and has achieved record sales in 2021
despite the coronavirus pandemic.
However, virtualization in our target
markets will continue to advance and
bring about changes to which we must
adapt and, as market leaders, want to
help shape proactively. Therefore, we
will continue to work intensively on
the future alignment of the company.
On behalf of the Supervisory Board, I
wish Dr. Matthias Erb a good start and
great success with these complex and
diverse challenges. "
Dr. Matthias Erb, Chairman of the
Executive Board at ARRI, adds: " I am
very much looking forward to these
exciting tasks, which I will be able
to take on at this great company
and in one of the most interesting
industries. My goal is to position ARRI
for the future just as excellently as it
has been positioned for most of its
over 100-year history. "
LiveU's LU800 production-level field
unit is at the core of the live streaming
setup and is connected to three PTZ
cameras that can either be controlled
onsite or remotely from the control
room back at the Accidental Theatre
venue. On top of that they use an
audio interface that takes a mix out of
the desk - or they can build their own
mix - into an audio embedder into one
of the camera feeds that then comes
back to a LiveU server in the control
room where they do the final mix. They
have one or two operators onsite and
one or two in the control room. The
LiveU Solo is used to provide ultimate
redundancy for the final stream.
Lavery said, " The reliability of the
LiveU technology is a huge benefit.
That's the number one priority for us.
The LU800 has a fantastic balance
between quality and reliability and the
quality is way higher than even I was
expecting. The LU800 is absolutely
rock-solid so we can generate really
high-quality streams. We do think of
what we're doing as an entirely new
platform. It's not going to replace intheatre
performances, of course, but
it's going to make our work much more
accessible across the country. We see a
whole range of new possibilities. "
Malcolm Harland, Country Manager,
UK, LiveU, said, " This is a really
interesting use of our technology,
opening up new creative and revenue
possibilities
for performers
with
the
way
and
performance spaces. We're very
impressed
Richard
and his team have approached this
and developed their system. And, of
course, the fact that they can create
such exciting content so reliably really
says it all. "
TAG Rings in 2022 with Record-Setting 100,000+
Monitoring Points Deployed Worldwide
T
AG Video Systems has announced
that it has exceeded 100,000
monitoring points deployed globally.
Kevin Joyce, TAG's Zer0 Friction Officer,
revealed the milestone as he recapped
the Company's 2021 achievements
which also include the launch of its
Media Control System (MCS) developed
to help clients manage, analyze and
improve their media workflows.
" TAG has been marking milestones
in the industry since 2008 when we
introduced the world to the first IPbased,
all software monitoring and
multiviewer solution, a risky and bold
move at the time, " said Joyce. " Now
nearly fourteen years later, the market
has fully embraced IP, software-based
workflows which nicely positions
TAG to help our customers transition
to IP workflows, adjust to remote
operations, and expand their OTT
services as the industry quickly evolves
with the unexpected challenges
brought on by the continuing
pandemic. "
Joyce credits TAG's 100% increase in
points probed and monitored during
anticipate
and
innovate
2021 to the company's capacity to
work with all workflows, support
emerging protocols as fast as they hit
the market, and its ability to enable
customers to operate in the cloud. As
OTT grew exponentially, and with it a
proliferation of delivery formats, TAG
was at the forefront, innovating at
high speed and developing significant
support for cloud enabling remote
production tools required and
requested by customers, including
JPEG XS, NDI 5, Dolby ATMOS, SRT,
AWS Cloud
Digital
Interface
(CDI),
and Amazon EC2 M6i instances. Joyce
explained, " Because of the explosion
in streaming and adaption of cloud
technologies, every linear channel may
have up to 16 different flavors that
need to be monitored. Workflows must
be deployed in multiple zones around
to the
Company's
the globe with multiple bit rates for
different resolutions to accommodate
differing bandwidths. TAG's ability
to
quickly
gave us a wide footprint in all new
and emerging sources which allowed
streaming services to work reliably and
efficiently, a real necessity in today's
direct to consumer world. "
Adding
2021
success story is TAG's move to give
customers the tools they need to
improve operations through data
driven workflows via the Company's
newly launched Media Control System
(MCS). The MCS is a groundbreaking,
open-source paradigm that monitors,
aggregates, manages
and utilizes
data-driven viewer analytics to provide
users with the insight required to build
performant linear media systems. The
MCS is unique in its ability to provide
the tools users need for informed and
intelligent decision making resulting
in a precise and pristine viewer
experience that leads to an increase
in consumption, elevated customer
engagement, and heightened loyalty.
http://www.inbroadcast.com https://inbroadcast.com/news/accidental-theatre-deploys-liveus-multi-camera-solution-to-create-dynamic-live-streaming-content https://inbroadcast.com/news/dr-matthias-erb-appointed-chairman-of-the-arri-executive-board https://inbroadcast.com/news/accidental-theatre-deploys-liveus-multi-camera-solution-to-create-dynamic-live-streaming-content https://inbroadcast.com/news/dr-matthias-erb-appointed-chairman-of-the-arri-executive-board https://inbroadcast.com/news/tag-rings-in-2022-with-record-setting-100000-monitoring-points-deployed-worldwide https://inbroadcast.com/news/tag-rings-in-2022-with-record-setting-100000-monitoring-points-deployed-worldwide

In Broadcast - January 2022

Table of Contents for the Digital Edition of In Broadcast - January 2022

Contents
In Broadcast - January 2022 - Intro
In Broadcast - January 2022 - Cover1
In Broadcast - January 2022 - Cover2
In Broadcast - January 2022 - Contents
In Broadcast - January 2022 - 4
In Broadcast - January 2022 - 5
In Broadcast - January 2022 - 6
In Broadcast - January 2022 - 7
In Broadcast - January 2022 - 8
In Broadcast - January 2022 - 9
In Broadcast - January 2022 - 10
In Broadcast - January 2022 - 11
In Broadcast - January 2022 - 12
In Broadcast - January 2022 - 13
In Broadcast - January 2022 - 14
In Broadcast - January 2022 - 15
In Broadcast - January 2022 - 16
In Broadcast - January 2022 - 17
In Broadcast - January 2022 - 18
In Broadcast - January 2022 - 19
In Broadcast - January 2022 - 20
In Broadcast - January 2022 - 21
In Broadcast - January 2022 - 22
In Broadcast - January 2022 - 23
In Broadcast - January 2022 - 24
In Broadcast - January 2022 - 25
In Broadcast - January 2022 - 26
In Broadcast - January 2022 - 27
In Broadcast - January 2022 - 28
In Broadcast - January 2022 - 29
In Broadcast - January 2022 - 30
In Broadcast - January 2022 - 31
In Broadcast - January 2022 - 32
In Broadcast - January 2022 - 33
In Broadcast - January 2022 - 34
In Broadcast - January 2022 - 35
In Broadcast - January 2022 - 36
In Broadcast - January 2022 - 37
In Broadcast - January 2022 - 38
In Broadcast - January 2022 - 39
In Broadcast - January 2022 - 40
In Broadcast - January 2022 - 41
In Broadcast - January 2022 - 42
In Broadcast - January 2022 - 43
In Broadcast - January 2022 - 44
In Broadcast - January 2022 - 45
In Broadcast - January 2022 - 46
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In Broadcast - January 2022 - 49
In Broadcast - January 2022 - 50
In Broadcast - January 2022 - 51
In Broadcast - January 2022 - 52
In Broadcast - January 2022 - 53
In Broadcast - January 2022 - 54
In Broadcast - January 2022 - 55
In Broadcast - January 2022 - 56
In Broadcast - January 2022 - 57
In Broadcast - January 2022 - Cover3
In Broadcast - January 2022 - Cover4
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