InBroadcast - InReview 2022 - 46

46
www.inbroadcast.com | Vol: 12 - Issue 12 | InReview 2022
InForm
Closed Captioning for IP Production:
Intuitive Workflows Have Arrived
T
he transition to IP workflows
is paying off
for broadcasters.
Evolving from hardware-driven SDI
workflows to software-controlled IP
video production has
streamlined
operations, as they save time and
reduce costs.
While the benefits of IP production
represent a clear choice, changing
over to this workflow also presents
new puzzles to solve. Procedures
that
had been well
in the SDI world must
established
often be
revisited to ensure the same reliable
operation now that
tools
have
shifted to software and the cloud.
Live captioning is
captions
a prime
example of the questions that come
with successfully managing this
changeover. Closed
are
essential
to meeting accessibility
requirements for Deaf and hard of
hearing audiences and can't be an
afterthought. However, broadcasters
often feel concerned that
they're
entering unfamiliar territory when
it
comes to adding high quality
captions to their content.
Understanding the Move to IP
Demystifying captioning signal
paths for the IP paradigm is key to
achieving broadcasters' updated
benchmarks. Leveraging wellexecuted
software and cloud-based
content production help them meet
important goals, including:
* taking advantage of the
scalability, cost savings,
flexibility, and APIs in the cloud
* making remote production
workflows standard operating
procedure
* moving seamlessly to
4K resolution
objectives
Attaining these technical
keeping
is
broadcasters
central
to
competitive in an
increasingly crowded marketplace,
where they must
caption more
content than ever while expanding
into over-the-top (OTT) streaming.
They also want to enable captioning
through APIs and the cloud, without
needing to add more on-premises
infrastructure or human resources.
Simultaneously, broadcasters
looking to the latest
are
captioning
innovations to reduce costs.
Streaming Platforms
Adopt Live Captioning
In the second
but
streaming-native platforms
scenario are
that
have long been captioning in
post
are now also adding
live programs like sports to their
offerings. Although captioning is
familiar to them, delving into
Wanted by Broadcasters:
Captioning Continuity
In today's
creators
must
The questions they typically have
IP production
landscape, two common scenarios
have emerged
where content
make
changes
to accommodate new closed
captioning workflows.
The first is broadcasters who are
currently in the process of moving
away from the linear TV world and
traditional
SDI production, and
into an IP-based model. Their new
IP workflow may be specifically
for their traditional
channel, or
it may be for a new non-linear
streaming OTT channel that extends
their brand. In these cases, the
engineering team is
things
the
they
already
examining
do
to
produce their existing " over the air "
broadcasts, with an emphasis on
processes that remain essential like
captioning.
is how to migrate these activities
to a software/cloud/API-friendly
environment for all the advantages
they bring. As noted above, the
benefits
they'll
realize include a
highly automated workflow requiring
a smaller staff, which can be easily
deployed
remotely. Continuity
in
captioning quality and ease of use
is key to this group, who place a
high priority on a familiar-feeling
experience within their new IPpowered
workflow.
For this user group, a solution such
iCap Alta encoder
as
Ai-Media's
is ideal. As a fully virtualized, APIpowered
pure
software system,
iCap Alta provides a resilient
workflow for live multilingual
captions across both compressed
and uncompressed IP video. With
its software-driven, IP-native design
it
helps
broadcasters
seamlessly
transition from hardware-driven SDI
workflows to software-controlled IP
video environments, while saving
time and reducing costs.
iCap Alta is
configured
IP
for
processing either MPEG Transport
Streams, SMPTE 2110 or CDI
uncompressed
video. It also
supports SRT protocol, which helps
enhance security, resiliency
and
video quality when streaming over
unpredictable networks like public
WiFi.
In
tandem with these advanced
virtualization features, broadcasters
can depend on iCap Alta for
continuity
between their legacy
distribution and new platforms.
All the captioning features
they
expect from SDI are there, and live
captions can be simulcast through
iCap Alta and a hardware broadcast
encoder. As a result, broadcast
engineering teams get access to the
latest technology without needing to
relearn their live captioning process.
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InBroadcast - InReview 2022

Table of Contents for the Digital Edition of InBroadcast - InReview 2022

InBroadcast - InReview 2022 - Intro
InBroadcast - InReview 2022 - Cover1
InBroadcast - InReview 2022 - Cover2
InBroadcast - InReview 2022 - 3
InBroadcast - InReview 2022 - 4
InBroadcast - InReview 2022 - 5
InBroadcast - InReview 2022 - 6
InBroadcast - InReview 2022 - 7
InBroadcast - InReview 2022 - 8
InBroadcast - InReview 2022 - 9
InBroadcast - InReview 2022 - 10
InBroadcast - InReview 2022 - 11
InBroadcast - InReview 2022 - 12
InBroadcast - InReview 2022 - 13
InBroadcast - InReview 2022 - 14
InBroadcast - InReview 2022 - 15
InBroadcast - InReview 2022 - 16
InBroadcast - InReview 2022 - 17
InBroadcast - InReview 2022 - 18
InBroadcast - InReview 2022 - 19
InBroadcast - InReview 2022 - 20
InBroadcast - InReview 2022 - 21
InBroadcast - InReview 2022 - 22
InBroadcast - InReview 2022 - 23
InBroadcast - InReview 2022 - 24
InBroadcast - InReview 2022 - 25
InBroadcast - InReview 2022 - 26
InBroadcast - InReview 2022 - 27
InBroadcast - InReview 2022 - 28
InBroadcast - InReview 2022 - 29
InBroadcast - InReview 2022 - 30
InBroadcast - InReview 2022 - 31
InBroadcast - InReview 2022 - 32
InBroadcast - InReview 2022 - 33
InBroadcast - InReview 2022 - 34
InBroadcast - InReview 2022 - 35
InBroadcast - InReview 2022 - 36
InBroadcast - InReview 2022 - 37
InBroadcast - InReview 2022 - 38
InBroadcast - InReview 2022 - 39
InBroadcast - InReview 2022 - 40
InBroadcast - InReview 2022 - 41
InBroadcast - InReview 2022 - 42
InBroadcast - InReview 2022 - 43
InBroadcast - InReview 2022 - 44
InBroadcast - InReview 2022 - 45
InBroadcast - InReview 2022 - 46
InBroadcast - InReview 2022 - 47
InBroadcast - InReview 2022 - 48
InBroadcast - InReview 2022 - 49
InBroadcast - InReview 2022 - 50
InBroadcast - InReview 2022 - 51
InBroadcast - InReview 2022 - 52
InBroadcast - InReview 2022 - 53
InBroadcast - InReview 2022 - 54
InBroadcast - InReview 2022 - 55
InBroadcast - InReview 2022 - 56
InBroadcast - InReview 2022 - 57
InBroadcast - InReview 2022 - 58
InBroadcast - InReview 2022 - 59
InBroadcast - InReview 2022 - 60
InBroadcast - InReview 2022 - Cover3
InBroadcast - InReview 2022 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
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