InReview 2019 - 37
37
www.inbroadcast.com | InReview 2019
Reconstructing 'Ford v Ferrari'
Motor Race Icons
cont'd...
apparitions. The digital assets needed
that same look to blend seamlessly. It
took quite a lot of effort to get it right."
"Our
Lighting
Lead,
Mathew
Mackereth, developed a system to
create our base light rigs using the
longitude and latitude of the shoot
location and extracted timecode from
the plates. This gave our lighters a
solid foundation to build on, allowing
them to focus on the creative lighting
required to achieve the finished shots."
explains Vice.
Time Matched Backgrounds
RSP provided similar background
elements for another sequence in
the film set at the Willow Springs
racetrack in the Mojave Desert where
Shelby and Miles tested their new
racing vehicle. In that instance, the live
action portions of the scene were shot
on the actual Willow Springs track.
Nonetheless, much of the background
had to be altered or replaced to
remove
modern
features
and
compensate for aspects of the track
that had changed in the intervening
decades.
"Our role was to place crowds in
the grandstand and fill out the pit
area with crew and period vehicles,"
notes Greig. "That was accomplished
primarily with 2½-D matte painting
projections. The projections had to
be adjusted across the sequence as
it encompasses several hours, from
midday when the sun was high in the
sky through late afternoon."
RSP completed both sequences
in less than three months. VFX
producer Alexandra Daunt Watney
says achieving the quick turnaround
required careful planning. "Our VFX
Supervisor and I developed a plan
before the production elements
arrived," she recalls. "We wanted to
ensure we had the physical and human
resources in place. We also identified
the most challenging shots so the team
could get working on them early and
allocated the remainder of the work
into sensible packages."
The meticulous planning not only
kept the team on track, it enabled us
to deliver convincing results. "Our
Digital background footage replaces backdrop for in-car action material
various departments worked in tight
collaboration to keep progress uniform
across the entire sequence," says
Sarnes. "That allowed us to maintain
maximum flexibility and incorporate
creative input from James Mangold
and his team right up to the point
of delivery. The result is a racing
sequence that is historically accurate
and thrilling to watch."
Ford v Ferrari co-stars: Jon Bernthal;
Caitriona Balfe; Tracy Letts; Josh
Lucas; Noah Jupe; Remo Girone; and
Ray McKinnon.
Ford v Ferrari was written by Jez &
John-Henry Butterworth and Jason
Keller. It was produced by Peter
Chernin p.g.a., Jeno Topping p.g.a. and
James Mangold, p.g.a.
www.rsp.com.au
http://www.inbroadcast.com
http://www.rsp.com.au
http://www.broadcast-solutions.de
InReview 2019
Table of Contents for the Digital Edition of InReview 2019
InReview 2019 - Intro
InReview 2019 - Cover1
InReview 2019 - Cover2
InReview 2019 - 3
InReview 2019 - 4
InReview 2019 - 5
InReview 2019 - 6
InReview 2019 - 7
InReview 2019 - 8
InReview 2019 - 9
InReview 2019 - 10
InReview 2019 - 11
InReview 2019 - 12
InReview 2019 - 13
InReview 2019 - 14
InReview 2019 - 15
InReview 2019 - 16
InReview 2019 - 17
InReview 2019 - 18
InReview 2019 - 19
InReview 2019 - 20
InReview 2019 - 21
InReview 2019 - 22
InReview 2019 - 23
InReview 2019 - 24
InReview 2019 - 25
InReview 2019 - 26
InReview 2019 - 27
InReview 2019 - 28
InReview 2019 - 29
InReview 2019 - 30
InReview 2019 - 31
InReview 2019 - 32
InReview 2019 - 33
InReview 2019 - 34
InReview 2019 - 35
InReview 2019 - 36
InReview 2019 - 37
InReview 2019 - 38
InReview 2019 - 39
InReview 2019 - 40
InReview 2019 - 41
InReview 2019 - 42
InReview 2019 - 43
InReview 2019 - 44
InReview 2019 - 45
InReview 2019 - 46
InReview 2019 - 47
InReview 2019 - 48
InReview 2019 - Cover3
InReview 2019 - Cover4
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