Recording - January 2018 - 27
small placement changes can make a big
difference! I recently had a drummer in the
studio, a fine player whose one shortcoming
was breathing like a linebacker when he
played-louder than the hi-hat! I couldn't
stuff a rag in his mouth, so I played with mic
positioning until I found a small tweak to the
overheads (with accompanying adjustments
to other mics) that saved the day.
I overdub a lot of hand percussion
(tambourine, shakers, triangle, bongos,
congas). I like to close-mic the instrument
and add a room microphone to get the
ambience that you don't usually get out of
an IR reverb. Try moving the room microphone to an indirect position, like pointing
away from the instrument or at the wall. It
might work for you. When tracking congas, bongos, or timbales, I like to mic the
top and bottom of the drum. Make sure
to check polarity, but the sound is superb.
Editing
We all know you can "fix" any audio
when working on a project, and I've
had many clients that want to "fix"
everything... but editing is no replacement for excellent playing. Before you
1
start editing, listen to the recorded track
without looking at the grid. I think
you'll find that many imperfections go
unnoticed when you don't compare
tracks to the grid!
If I do have to edit a drum track, I
always approach editing from a drummer's
point of view. Most drummers naturally
push ahead of the click during fills or
into a big downbeat. Let that happen!
Don't move everything to the grid; you
might edit the soul out of the track.
All these suggestions certainly will
help your recording, but it all comes
2
3
down to how the drummer hits the
drums. If five different drummers sit
down and play the same perfectly
tuned kit, the drums will sound different
with each player. Nothing can beat a
well-tuned, well-miked drum kit... and
did I mention practice? Practice!
Pat Bautz (bautz@recordingmag.
com) is a session drummer and engineer; he offers a remote playing/
recording service for songs that need
professional drum tracks. Learn more at
realdrumstudio.com.
http://www.realdrumstudio.com
http://dpamicrophones.com
Table of Contents for the Digital Edition of Recording - January 2018
Contents
Recording - January 2018 - Intro
Recording - January 2018 - Cover1
Recording - January 2018 - Cover2
Recording - January 2018 - 1
Recording - January 2018 - 2
Recording - January 2018 - 3
Recording - January 2018 - 4
Recording - January 2018 - 5
Recording - January 2018 - 6
Recording - January 2018 - 7
Recording - January 2018 - Contents
Recording - January 2018 - 9
Recording - January 2018 - 10
Recording - January 2018 - 11
Recording - January 2018 - 12
Recording - January 2018 - 13
Recording - January 2018 - 14
Recording - January 2018 - 15
Recording - January 2018 - 16
Recording - January 2018 - 17
Recording - January 2018 - 18
Recording - January 2018 - 19
Recording - January 2018 - 20
Recording - January 2018 - 21
Recording - January 2018 - 22
Recording - January 2018 - 23
Recording - January 2018 - 24
Recording - January 2018 - 25
Recording - January 2018 - 26
Recording - January 2018 - 27
Recording - January 2018 - 28
Recording - January 2018 - 29
Recording - January 2018 - 30
Recording - January 2018 - 31
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Recording - January 2018 - 33
Recording - January 2018 - 34
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Recording - January 2018 - 37
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Recording - January 2018 - Cover3
Recording - January 2018 - Cover4
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