American Cinematographer - April 2009 - 79

Timothy Vincent, another colorist at LaserPacific, has been using Lustre systems for over two years, after working on Pogle and da Vinci. As a veteran of those hardware-based systems, Vincent found that the unlimited shapes available in Lustre make it easier to hide windows. “That’s a great thing to gain, because you can do things without leaving a heavy colorist footprint on the image. The way you can blend the light looks more naturalistic; it doesn’t look like light was fixed or added. Even if I use only one window at a time, it can at least be the exact, perfect-shaped window. These are precision tools.” Many of the key improvements in Lustre 2009 have less to do with new tools than with making the overall work process run more smoothly. Project management is more streamlined and intuitive, with colorists able to use point-and-click menus to define their projects, create templates and set their particular user preferences, including adjusting the sensitivity of their control panel. Previous versions of Lustre had a timeline, but this update introduces new ways for colorists to prioritize and sort clips on that timeline. For each clip, it’s now possible to try out and save a variety of looks, with all the variations for each clip stacked on top of each other in the timeline; the colorist can then choose which of those variations should be used for playback and output, making it easy to experiment with different approaches for each clip. Also, the order of clips on the timeline can be rearranged in multiple ways. A project can be played in sequence order (known as A-mode in Lustre), or it can be sorted so that common shots are grouped together (Cmode), which can make them faster to grade. This sorting can be done to an entire timeline or to a small range of selected shots. Colorist Bobby Maruvada recently used Lustre to grade an Indian feature called Villu, and he worked with cinematographer Ravi Varman to finish eight 20-minute reels and five music videos in approximately two weeks. How will you create, plan and communicate your vision? FrameForge 3D Studio is the must-have previsualization software for today’s top filmmakers. Its optically-correct storyboards will save time and money throughout the production process. Start calling the shots with FrameForge3D.com FrameForge 3D Studio today. Available at TheASC.com Store PDW700 79

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American Cinematographer - April 2009

Table of Contents for the Digital Edition of American Cinematographer - April 2009

American Cinematographer - April 2009
Contents
Editor's Note
Short Takes: Patiences
Production Slate
Watchmakers
Sum of All Fears
An Epic Endeavor
Sundance 2009: 5 That Thrived
Post Focus: Autodesk Updates Lastre
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - American Cinematographer - April 2009
American Cinematographer - April 2009 - Cover2
American Cinematographer - April 2009 - 1
American Cinematographer - April 2009 - 2
American Cinematographer - April 2009 - Contents
American Cinematographer - April 2009 - 4
American Cinematographer - April 2009 - 5
American Cinematographer - April 2009 - 6
American Cinematographer - April 2009 - 7
American Cinematographer - April 2009 - Editor's Note
American Cinematographer - April 2009 - 9
American Cinematographer - April 2009 - Short Takes: Patiences
American Cinematographer - April 2009 - 11
American Cinematographer - April 2009 - 12
American Cinematographer - April 2009 - 13
American Cinematographer - April 2009 - 14
American Cinematographer - April 2009 - 15
American Cinematographer - April 2009 - Production Slate
American Cinematographer - April 2009 - 17
American Cinematographer - April 2009 - 18
American Cinematographer - April 2009 - 19
American Cinematographer - April 2009 - 20
American Cinematographer - April 2009 - 21
American Cinematographer - April 2009 - 22
American Cinematographer - April 2009 - 23
American Cinematographer - April 2009 - 24
American Cinematographer - April 2009 - 25
American Cinematographer - April 2009 - 26
American Cinematographer - April 2009 - 27
American Cinematographer - April 2009 - Watchmakers
American Cinematographer - April 2009 - 29
American Cinematographer - April 2009 - 30
American Cinematographer - April 2009 - 31
American Cinematographer - April 2009 - 32
American Cinematographer - April 2009 - 33
American Cinematographer - April 2009 - 34
American Cinematographer - April 2009 - 35
American Cinematographer - April 2009 - 36
American Cinematographer - April 2009 - 37
American Cinematographer - April 2009 - 38
American Cinematographer - April 2009 - 39
American Cinematographer - April 2009 - 40
American Cinematographer - April 2009 - 41
American Cinematographer - April 2009 - 42
American Cinematographer - April 2009 - 43
American Cinematographer - April 2009 - Sum of All Fears
American Cinematographer - April 2009 - 45
American Cinematographer - April 2009 - 46
American Cinematographer - April 2009 - 47
American Cinematographer - April 2009 - 48
American Cinematographer - April 2009 - 49
American Cinematographer - April 2009 - 50
American Cinematographer - April 2009 - 51
American Cinematographer - April 2009 - 52
American Cinematographer - April 2009 - 53
American Cinematographer - April 2009 - An Epic Endeavor
American Cinematographer - April 2009 - 55
American Cinematographer - April 2009 - 56
American Cinematographer - April 2009 - 57
American Cinematographer - April 2009 - 58
American Cinematographer - April 2009 - 59
American Cinematographer - April 2009 - 60
American Cinematographer - April 2009 - 61
American Cinematographer - April 2009 - Sundance 2009: 5 That Thrived
American Cinematographer - April 2009 - 63
American Cinematographer - April 2009 - 64
American Cinematographer - April 2009 - 65
American Cinematographer - April 2009 - 66
American Cinematographer - April 2009 - 67
American Cinematographer - April 2009 - 68
American Cinematographer - April 2009 - 69
American Cinematographer - April 2009 - 70
American Cinematographer - April 2009 - 71
American Cinematographer - April 2009 - 72
American Cinematographer - April 2009 - 73
American Cinematographer - April 2009 - 74
American Cinematographer - April 2009 - 75
American Cinematographer - April 2009 - 76
American Cinematographer - April 2009 - 77
American Cinematographer - April 2009 - Post Focus: Autodesk Updates Lastre
American Cinematographer - April 2009 - 79
American Cinematographer - April 2009 - 80
American Cinematographer - April 2009 - 81
American Cinematographer - April 2009 - New Products & Services
American Cinematographer - April 2009 - 83
American Cinematographer - April 2009 - 84
American Cinematographer - April 2009 - 85
American Cinematographer - April 2009 - 86
American Cinematographer - April 2009 - 87
American Cinematographer - April 2009 - 88
American Cinematographer - April 2009 - 89
American Cinematographer - April 2009 - 90
American Cinematographer - April 2009 - 91
American Cinematographer - April 2009 - International Marketplace
American Cinematographer - April 2009 - 93
American Cinematographer - April 2009 - Ad Index
American Cinematographer - April 2009 - 95
American Cinematographer - April 2009 - ASC Membership Roster
American Cinematographer - April 2009 - 97
American Cinematographer - April 2009 - Clubhouse News
American Cinematographer - April 2009 - 99
American Cinematographer - April 2009 - ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - Cover3
American Cinematographer - April 2009 - Cover4
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