American Cinematographer - May 2009 - 32

Wolverine’s Hour Wolverine and Sabretooth’s shared history includes military service during World War II. practical lighting and an acrylic water tank. The filmmakers used a 30' Technocrane to capture shots transitioning from level to level. “I had a real challenge with the tank because we wanted a lot of light in there,” recalls McAlpine. “Tungsten lighting from the outside would have distorted or even cracked the acrylic, and there wasn’t enough room inside the tank to safely install practical underwater lights. About three weeks before we were to shoot the 32 May 2009 scene, I was introduced to these new LED lights that are packed in strips; it’s almost like they were designed just for that tank! They ran nice and cool, and we could attach them directly to the acrylic on the outside, creating the high-tech look we wanted. It worked out remarkably well.” Mathis adds, “The LEDs were daylight-balanced and gave off a striking, cool glow that contrasted with the warm tungsten lights on the rest of the set. We also placed Source Four Lekos at regular intervals to play as worklights; people would go in and out of the hard toplight on metal walkways. We rounded out the lighting with space lights and lots of practicals built into the set.” Wolverine ultimately escapes from the “Weapon X” program on a motorcycle, and he is pursued by several Humvees and a helicopter. Confident in his indestructibility, he hurls himself at the chopper and brings it crashing to the ground. The resulting explosion was captured on location in Paradise, New Zealand, by seven cameras, including Arri 435s in crash housings. “A piece of debris from the helicopter explosion landed right on top of one of the crash housings, and it cracked the magazine wide open,” recalls Belling. “We managed to get the negative out and were able to salvage the footage. Amazingly, it didn’t actually damage the camera. Those 435s are tough little guys!” The film’s finale involves a battle between Wolverine and the all-powerful Deadpool. The scene takes place atop a cooling tower at Pennsylvania’s Three Mile Island.

American Cinematographer - May 2009

Table of Contents for the Digital Edition of American Cinematographer - May 2009

American Cinematographer - May 2009
Contents
Editor's Note
Short Takes: ASC Heritage Award Winners
Production Slate: Grey Gardens and Adoration
Wolverine's Hour
On the Record
Reforming a Ladies' Man
A Friend in Need
Technical Knockouts
Cinematography's Summit
Post Focus: The Red Machine and My Suicide
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: John Lindley
American Cinematographer - May 2009 - American Cinematographer - May 2009
American Cinematographer - May 2009 - Cover2
American Cinematographer - May 2009 - 1
American Cinematographer - May 2009 - 2
American Cinematographer - May 2009 - 3
American Cinematographer - May 2009 - Contents
American Cinematographer - May 2009 - 5
American Cinematographer - May 2009 - 6
American Cinematographer - May 2009 - 7
American Cinematographer - May 2009 - Editor's Note
American Cinematographer - May 2009 - 9
American Cinematographer - May 2009 - Short Takes: ASC Heritage Award Winners
American Cinematographer - May 2009 - 11
American Cinematographer - May 2009 - 12
American Cinematographer - May 2009 - 13
American Cinematographer - May 2009 - 14
American Cinematographer - May 2009 - 15
American Cinematographer - May 2009 - Production Slate: Grey Gardens and Adoration
American Cinematographer - May 2009 - 17
American Cinematographer - May 2009 - 18
American Cinematographer - May 2009 - 19
American Cinematographer - May 2009 - 20
American Cinematographer - May 2009 - 21
American Cinematographer - May 2009 - 22
American Cinematographer - May 2009 - 23
American Cinematographer - May 2009 - Wolverine's Hour
American Cinematographer - May 2009 - 25
American Cinematographer - May 2009 - 26
American Cinematographer - May 2009 - BC1
American Cinematographer - May 2009 - BC2
American Cinematographer - May 2009 - 27
American Cinematographer - May 2009 - 28
American Cinematographer - May 2009 - 29
American Cinematographer - May 2009 - 30
American Cinematographer - May 2009 - 31
American Cinematographer - May 2009 - 32
American Cinematographer - May 2009 - 33
American Cinematographer - May 2009 - 34
American Cinematographer - May 2009 - 35
American Cinematographer - May 2009 - On the Record
American Cinematographer - May 2009 - 37
American Cinematographer - May 2009 - 38
American Cinematographer - May 2009 - 39
American Cinematographer - May 2009 - 40
American Cinematographer - May 2009 - 41
American Cinematographer - May 2009 - 42
American Cinematographer - May 2009 - 43
American Cinematographer - May 2009 - 44
American Cinematographer - May 2009 - 45
American Cinematographer - May 2009 - 46
American Cinematographer - May 2009 - 47
American Cinematographer - May 2009 - A Friend in Need
American Cinematographer - May 2009 - 49
American Cinematographer - May 2009 - 50
American Cinematographer - May 2009 - 51
American Cinematographer - May 2009 - 52
American Cinematographer - May 2009 - 53
American Cinematographer - May 2009 - 54
American Cinematographer - May 2009 - 55
American Cinematographer - May 2009 - 56
American Cinematographer - May 2009 - 57
American Cinematographer - May 2009 - 58
American Cinematographer - May 2009 - 59
American Cinematographer - May 2009 - 60
American Cinematographer - May 2009 - 61
American Cinematographer - May 2009 - Technical Knockouts
American Cinematographer - May 2009 - 63
American Cinematographer - May 2009 - 64
American Cinematographer - May 2009 - Cinematography's Summit
American Cinematographer - May 2009 - 66
American Cinematographer - May 2009 - 67
American Cinematographer - May 2009 - 68
American Cinematographer - May 2009 - 69
American Cinematographer - May 2009 - 70
American Cinematographer - May 2009 - 71
American Cinematographer - May 2009 - 72
American Cinematographer - May 2009 - 73
American Cinematographer - May 2009 - Post Focus: The Red Machine and My Suicide
American Cinematographer - May 2009 - 75
American Cinematographer - May 2009 - 76
American Cinematographer - May 2009 - 77
American Cinematographer - May 2009 - New Products & Services
American Cinematographer - May 2009 - 79
American Cinematographer - May 2009 - 80
American Cinematographer - May 2009 - 81
American Cinematographer - May 2009 - International Marketplace
American Cinematographer - May 2009 - Classified Ads
American Cinematographer - May 2009 - Ad Index
American Cinematographer - May 2009 - 85
American Cinematographer - May 2009 - Clubhouse News
American Cinematographer - May 2009 - 87
American Cinematographer - May 2009 - ASC Close-Up: John Lindley
American Cinematographer - May 2009 - Cover3
American Cinematographer - May 2009 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com