American Cinematographer - June 2008 - 54

APrince in Peril Studios after Lindenlaub pointed out that the structure would be impossible to light in a soundstage. In one night sequence, the Narnians storm the castle. In order to determine which lamps they would need, Lindenlaub and his crew examined a 3-D computer model of the set that had been built with previz software. “We could move characters, lights and camera angles wherever we wanted,” says Cermak. “The model let us see which light positions and intensities would work best.” Lindenlaub and his crew decided the main moonlight sources would be 18 24K Dinos, which were mounted in groups of six on three construction cranes that towered almost 300' above the set. Supplementing these were four cherry pickers positioned lower, each supporting three 9K Maxi-Brutes. The Dinos and MaxiBrutes were gelled with ½ CTB and 251 White Diffusion. Many addi- The noble lion Aslan unleashes his regal roar. didn’t want to use too much ND filtration on the lens. He notes, “I was very worried about using 50D because I didn’t have much experience with it, but it cuts very well with the other Vision2 stocks. I thought it would help show the contrast between London and Narnia; I shot the 1944 London Underground station on Kodak’s [Vision2 Expression 500T] 5229 to soften the colors and get more grain. Then, when the kids suddenly materialize in a cove on a beach in Narnia, we transition to 50D — bright sun, totally blue sky, and white, puffy clouds. I wanted the audience to feel the kids’ joy as they run out of the cove and down to the water.” The film’s biggest set, King Miraz’s castle, was constructed on the backlot of Prague’s Barrandov www.panther.tv Twister Dolly Twist closer to the action The New Doorway Twister Dolly twists in all directions by selecting each of the three steering modes: Front, Rear, and Round a Round. These novel steering options supply precise movements around the subject. The combination of pneumatic tire and track wheels allow for camera movements on track or on ground without the need for time consuming conversion and provides whole new possibilities in versatility. Upper level platforms offer an enlarged workspace and convenient footrest for the cameraman while shooting. See you at: -> Broadcast Asia, #8K2-01 PANTHER GmbH Raiffeisenallee 3 | 82041 Oberhaching–Munich | Germany T +49.89.613 900–01 | F +49.89.61 31 00 0 contact@panther.tv | www.panther.tv 54 Panther Dollies & Cranes, LLC 7358 Radford Ave. | North Hollywood, CA 91605 | USA T +1.818.764 1234 | F +1.818.764 1144 contact@panther.us | www.panther.us

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American Cinematographer - June 2008

Table of Contents for the Digital Edition of American Cinematographer - June 2008

American Cinematographer - June 2008
Contents
Editor's Note
Short Takes: "100 Days, " Sharon Jones and the Dap-Kings
Production Slate: Mongol
Production Slate: Greensburg
Vintage Indy
A Prince in Peril
Women's World
90 Years of Precision
Post Focus: A 3-D Imax Work Flow for Wild Ocean
Post Focus: 3cP Incorporates ASC CDL on State of Play
Filmmakers' Forum: John Baily, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
In Memoriam: Gayne Rescher, ASC
Clubhouse News
ASC Close-Up: Rob McLachlan
American Cinematographer - June 2008 - American Cinematographer - June 2008
American Cinematographer - June 2008 - Cover2
American Cinematographer - June 2008 - 1
American Cinematographer - June 2008 - 2
American Cinematographer - June 2008 - Contents
American Cinematographer - June 2008 - 4
American Cinematographer - June 2008 - 5
American Cinematographer - June 2008 - 6
American Cinematographer - June 2008 - 7
American Cinematographer - June 2008 - Editor's Note
American Cinematographer - June 2008 - 9
American Cinematographer - June 2008 - Short Takes: "100 Days, " Sharon Jones and the Dap-Kings
American Cinematographer - June 2008 - 11
American Cinematographer - June 2008 - 12
American Cinematographer - June 2008 - 13
American Cinematographer - June 2008 - 14
American Cinematographer - June 2008 - 15
American Cinematographer - June 2008 - Production Slate: Greensburg
American Cinematographer - June 2008 - 17
American Cinematographer - June 2008 - 18
American Cinematographer - June 2008 - 19
American Cinematographer - June 2008 - 20
American Cinematographer - June 2008 - 21
American Cinematographer - June 2008 - 22
American Cinematographer - June 2008 - 23
American Cinematographer - June 2008 - 24
American Cinematographer - June 2008 - 25
American Cinematographer - June 2008 - 26
American Cinematographer - June 2008 - 27
American Cinematographer - June 2008 - Vintage Indy
American Cinematographer - June 2008 - 29
American Cinematographer - June 2008 - 30
American Cinematographer - June 2008 - 31
American Cinematographer - June 2008 - 32
American Cinematographer - June 2008 - 33
American Cinematographer - June 2008 - 34
American Cinematographer - June 2008 - 35
American Cinematographer - June 2008 - 36
American Cinematographer - June 2008 - 37
American Cinematographer - June 2008 - A Prince in Peril
American Cinematographer - June 2008 - 39
American Cinematographer - June 2008 - 40
American Cinematographer - June 2008 - 41
American Cinematographer - June 2008 - 42
American Cinematographer - June 2008 - 43
American Cinematographer - June 2008 - 44
American Cinematographer - June 2008 - 45
American Cinematographer - June 2008 - 46
American Cinematographer - June 2008 - 47
American Cinematographer - June 2008 - 48
American Cinematographer - June 2008 - 49
American Cinematographer - June 2008 - 50
American Cinematographer - June 2008 - 51
American Cinematographer - June 2008 - 52
American Cinematographer - June 2008 - 53
American Cinematographer - June 2008 - 54
American Cinematographer - June 2008 - 55
American Cinematographer - June 2008 - Women's World
American Cinematographer - June 2008 - 57
American Cinematographer - June 2008 - 58
American Cinematographer - June 2008 - 59
American Cinematographer - June 2008 - 60
American Cinematographer - June 2008 - 61
American Cinematographer - June 2008 - 62
American Cinematographer - June 2008 - 63
American Cinematographer - June 2008 - 64
American Cinematographer - June 2008 - 65
American Cinematographer - June 2008 - 66
American Cinematographer - June 2008 - 67
American Cinematographer - June 2008 - 90 Years of Precision
American Cinematographer - June 2008 - 69
American Cinematographer - June 2008 - 70
American Cinematographer - June 2008 - 71
American Cinematographer - June 2008 - 72
American Cinematographer - June 2008 - 73
American Cinematographer - June 2008 - 74
American Cinematographer - June 2008 - 75
American Cinematographer - June 2008 - 76
American Cinematographer - June 2008 - 77
American Cinematographer - June 2008 - 78
American Cinematographer - June 2008 - 79
American Cinematographer - June 2008 - 80
American Cinematographer - June 2008 - 81
American Cinematographer - June 2008 - Post Focus: 3cP Incorporates ASC CDL on State of Play
American Cinematographer - June 2008 - 83
American Cinematographer - June 2008 - 84
American Cinematographer - June 2008 - 85
American Cinematographer - June 2008 - 86
American Cinematographer - June 2008 - 87
American Cinematographer - June 2008 - 88
American Cinematographer - June 2008 - 89
American Cinematographer - June 2008 - 90
American Cinematographer - June 2008 - 91
American Cinematographer - June 2008 - Filmmakers' Forum: John Baily, ASC
American Cinematographer - June 2008 - 93
American Cinematographer - June 2008 - 94
American Cinematographer - June 2008 - 95
American Cinematographer - June 2008 - 96
American Cinematographer - June 2008 - 97
American Cinematographer - June 2008 - New Products & Services
American Cinematographer - June 2008 - 99
American Cinematographer - June 2008 - 100
American Cinematographer - June 2008 - 101
American Cinematographer - June 2008 - 102
American Cinematographer - June 2008 - 103
American Cinematographer - June 2008 - 104
American Cinematographer - June 2008 - 105
American Cinematographer - June 2008 - 106
American Cinematographer - June 2008 - 107
American Cinematographer - June 2008 - 108
American Cinematographer - June 2008 - 109
American Cinematographer - June 2008 - International Marketplace
American Cinematographer - June 2008 - 111
American Cinematographer - June 2008 - Ad Index
American Cinematographer - June 2008 - 113
American Cinematographer - June 2008 - ASC Membership Roster
American Cinematographer - June 2008 - 115
American Cinematographer - June 2008 - In Memoriam: Gayne Rescher, ASC
American Cinematographer - June 2008 - 117
American Cinematographer - June 2008 - Clubhouse News
American Cinematographer - June 2008 - 119
American Cinematographer - June 2008 - ASC Close-Up: Rob McLachlan
American Cinematographer - June 2008 - Cover3
American Cinematographer - June 2008 - Cover4
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