The End and the Beginning "There was actually a [note] in the script," Gaiman reports, "where I said [the Noah's Ark sequence] should be shot in such a way that implies that we have the budget to show anything we want to - we just don't want to." 48 Chapman/Leonard Hybrid III dolly on tracks. Off to the side are a couple of silk frames, a 12'x12' Ultrabounce, and an 18K HMI. "When you're looking directly at the sun and then the camera pulls back to the shadow side of the wall, there's about a 7-stop difference," Finney notes. "So you're going to have to pump some light back in, and part of that was [using the Ultrabounce, which does so] in a soft manner - and we added more to it with the 18K. In the middle of the day an 18K is not going to do a lot, but at that time of the evening it's going to help."https://lighttools.com/ https://www.digitalmovie.it/