American Cinematographer - July 2010 - 50
An Emotional
Rebirth
Cinematographer Yorick Le Saux creates artful images for the sensuous Italian melodrama I Am Love.
By Patricia Thomson •|•
I
50
t’s been years since Italy has produced a film about the life of the haute bourgeoisie as sumptuous, sensuous and grand as I Am Love (Io Sono l’Amore). References to Luchino Visconti’s films have peppered reviews, and director Luca Guadagnino acknowledges that he drew from that well, but, he insists, “I wanted to create my own prototype.” Helping Guadagnino realize that ambition was French cinematographer Yorick Le Saux, whose work on Erick Zonca’s Julia (2008) had caught his eye. I Am Love portrays two worlds, each beautiful and seductive in its own way. The story begins in the exquisitely
July 2010
appointed palazzo of the Recchi family, a modern-day dynasty in the textile industry. When paterfamilias Edoardo Recchi Sr. (Gabriele Ferzetti) announces his retirement and passes the torch to his son, Tancredi (Pippo Delbono), and grandson, Edoardo Jr. (Flavio Parenti), during a birthday dinner, the family’s comfortable patterns begin to unravel. The biggest upheaval involves Emma (Tilda Swinton), Tancredi’s Russian-born trophy wife, who falls in love with one of her son’s friends, a young chef named Antonio (Edoardo Gabbriellini). Edoardo and Antonio decide to partner on a restaurant near San Remo, and it is in this bucolic Riviera setting that Emma and Antonio first entwine. Developed by Guadagnino and Swinton over seven years, I Am Love was shot over 45 days mostly on practical locations in Milan, San Remo and the village of Castel Vittorio, near the French border. “From the beginning, we talked about the two worlds,” recalls Le Saux. “The world of the Recchis is strict, with more contrast, wide angles and a colder feel in the characters’ relationships. For the countryside, Luca wanted natural light, longer lenses, more close-ups and no depth-of-field, and we strove to be open to catching everything that happened on set.” The filmmakers’ visual touchstones included Gustav Courbet, Russian Constructivist Kazimir Malevich and
American Cinematographer
American Cinematographer - July 2010
Table of Contents for the Digital Edition of American Cinematographer - July 2010
The International Journal of Motion Imaging - July 2010 Vol. 91 No. 7
Features
Dream Thieves (Inception)
Elements of Power (The Last Airbender)
An Emotional Rebirth (I Am Love)
Crowning Achievements (The Tudors)
Departments
Editor’s Note
President’s Desk
Short Takes: “Telephone”
Production Slate: Lie to Me • The Killer Inside Me
Post Focus: Enhancing Frozen
Filmmakers’ Forum: Gale Tattersall
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoria: Karl Malkames, ASC • Vincent Martinelli, ASC
Clubhouse News
ASC Close-Up: Thomas A. Del Ruth
American Cinematographer - July 2010 - The International Journal of Motion Imaging - July 2010 Vol. 91 No. 7
American Cinematographer - July 2010 - Cover2
American Cinematographer - July 2010 - 1
American Cinematographer - July 2010 - 2
American Cinematographer - July 2010 - 3
American Cinematographer - July 2010 - 4
American Cinematographer - July 2010 - 5
American Cinematographer - July 2010 - 6
American Cinematographer - July 2010 - 7
American Cinematographer - July 2010 - Editor’s Note
American Cinematographer - July 2010 - 9
American Cinematographer - July 2010 - President’s Desk
American Cinematographer - July 2010 - 11
American Cinematographer - July 2010 - Short Takes: “Telephone”
American Cinematographer - July 2010 - 13
American Cinematographer - July 2010 - 14
American Cinematographer - July 2010 - 15
American Cinematographer - July 2010 - Production Slate: Lie to Me • The Killer Inside Me
American Cinematographer - July 2010 - 17
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American Cinematographer - July 2010 - 25
American Cinematographer - July 2010 - Dream Thieves (Inception)
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American Cinematographer - July 2010 - Elements of Power (The Last Airbender)
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American Cinematographer - July 2010 - An Emotional Rebirth (I Am Love)
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American Cinematographer - July 2010 - Crowning Achievements (The Tudors)
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American Cinematographer - July 2010 - Post Focus: Enhancing Frozen
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American Cinematographer - July 2010 - 71
American Cinematographer - July 2010 - Filmmakers’ Forum: Gale Tattersall
American Cinematographer - July 2010 - 73
American Cinematographer - July 2010 - New Products & Services
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American Cinematographer - July 2010 - International Marketplace
American Cinematographer - July 2010 - Classified Ads
American Cinematographer - July 2010 - Ad Index
American Cinematographer - July 2010 - 85
American Cinematographer - July 2010 - In Memoria: Karl Malkames, ASC • Vincent Martinelli, ASC
American Cinematographer - July 2010 - Clubhouse News
American Cinematographer - July 2010 - ASC Close-Up: Thomas A. Del Ruth
American Cinematographer - July 2010 - Cover3
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