American Cinematographer - September 2007 - 76
underline the connections between the individual screens,” says Wilson. “As technology advances, I hope to be able to use larger formats. I have experimented with a 103-inch screen that brings out another dimension in the works.” The portrait he’s referring to is a stunning 25'-long image of actress Winona Ryder wearing a headdress of flowers and standing behind a large earthen mound against a background of royal blue. Another portrait, in the 65" size, shows Princess Caroline of Monaco in a pose that reveals only her hands clasped behind her back and her eyelashes as she blinks. “I had several images in mind when I came up with the concept for that,” says Wilson. “One was John Singer Sargent’s famous Portrait of Madame X, his striking portrait of a socialite in very reduced tones. In my mind, this merged with the famous scene from Hitchcock’s Rear Window in which Grace Kelly tries to give James Stewart a vital clue by pointing to [Thorwald’s wife’s] wedding ring on her finger. And, of course, the portrait is made more poignant by the fact that I show Princess Caroline in her mother’s role.” The lighting equipment varied from portrait to portrait. The Hayek portraits were lit with an old 2K Conelight with no gel — “It took a long time to get it in the right position,” says Schönebaum — and a 2K Junior as backlight. The Princess Caroline sequence required a dozen lighting cues that were recorded on a lighting board. Seven Source Four Lekos gelled with Lee 174 were used as keylights, one 2K Junior provided a back- and sidelight, and some tungsten cyclights dressed with a variety of blue gels added highlights to the back wall. An image of Sumo wrestler Byamba Ulambayar doing splits against a hot pink background was lit from the front with two 2K Juniors gelled with Lee 763 and 206 and attached to dimmers. These were augmented by a sidelight, a 5K Conelight gelled with Lee 206, and a backlight of four Source Fours softened with frosted and purple
76
Artist Robert Wilson (left) poses with Greg Moyer, general manager of Voom HD Networks.
gels and targeted at the curtain behind Ulambayar. Wilson’s portraits were presented in Los Angeles and New York galleries throughout last winter and spring, and many will be broadcast on Voom’s various channels as interstitials. Greg Moyer, general manager of Voom HD Networks, explains, “The portraits are art, not commissioned work intended for advertising purposes. We don’t have our plans completely gelled, but we will air a making-of documentary, and we’ll present the portraits as interstitials or as short programming. You’ll most likely see several portraits referenced in a single spot.” I
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American Cinematographer - September 2007
Table of Contents for the Digital Edition of American Cinematographer - September 2007
American Cinematographer - September 2007
Contents
Editor’s Note
Global Village
DVD Playback
Production Slate
Bourne Again
Cultural Immersion
Baroque Visions
Once Upon a Time in Bucharest
Short Takes
Post Focus
Filmmakers’ Forum
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
Wrap Shot
American Cinematographer - September 2007 - American Cinematographer - September 2007
American Cinematographer - September 2007 - Cover2
American Cinematographer - September 2007 - 1
American Cinematographer - September 2007 - 2
American Cinematographer - September 2007 - Contents
American Cinematographer - September 2007 - 4
American Cinematographer - September 2007 - 5
American Cinematographer - September 2007 - 6
American Cinematographer - September 2007 - 7
American Cinematographer - September 2007 - Editor’s Note
American Cinematographer - September 2007 - 9
American Cinematographer - September 2007 - Global Village
American Cinematographer - September 2007 - 11
American Cinematographer - September 2007 - 12
American Cinematographer - September 2007 - 13
American Cinematographer - September 2007 - DVD Playback
American Cinematographer - September 2007 - 15
American Cinematographer - September 2007 - 16
American Cinematographer - September 2007 - 17
American Cinematographer - September 2007 - 18
American Cinematographer - September 2007 - 19
American Cinematographer - September 2007 - Production Slate
American Cinematographer - September 2007 - 21
American Cinematographer - September 2007 - 22
American Cinematographer - September 2007 - 23
American Cinematographer - September 2007 - 24
American Cinematographer - September 2007 - 25
American Cinematographer - September 2007 - 26
American Cinematographer - September 2007 - 27
American Cinematographer - September 2007 - 28
American Cinematographer - September 2007 - 29
American Cinematographer - September 2007 - 30
American Cinematographer - September 2007 - 31
American Cinematographer - September 2007 - Bourne Again
American Cinematographer - September 2007 - 33
American Cinematographer - September 2007 - 34
American Cinematographer - September 2007 - 35
American Cinematographer - September 2007 - 36
American Cinematographer - September 2007 - 37
American Cinematographer - September 2007 - 38
American Cinematographer - September 2007 - 39
American Cinematographer - September 2007 - 40
American Cinematographer - September 2007 - 41
American Cinematographer - September 2007 - 42
American Cinematographer - September 2007 - 43
American Cinematographer - September 2007 - Cultural Immersion
American Cinematographer - September 2007 - 45
American Cinematographer - September 2007 - 46
American Cinematographer - September 2007 - 47
American Cinematographer - September 2007 - 48
American Cinematographer - September 2007 - 49
American Cinematographer - September 2007 - 50
American Cinematographer - September 2007 - 51
American Cinematographer - September 2007 - 52
American Cinematographer - September 2007 - 53
American Cinematographer - September 2007 - Baroque Visions
American Cinematographer - September 2007 - 55
American Cinematographer - September 2007 - 56
American Cinematographer - September 2007 - 57
American Cinematographer - September 2007 - 58
American Cinematographer - September 2007 - 59
American Cinematographer - September 2007 - 60
American Cinematographer - September 2007 - 61
American Cinematographer - September 2007 - 62
American Cinematographer - September 2007 - 63
American Cinematographer - September 2007 - 64
American Cinematographer - September 2007 - 65
American Cinematographer - September 2007 - Once Upon a Time in Bucharest
American Cinematographer - September 2007 - 67
American Cinematographer - September 2007 - 68
American Cinematographer - September 2007 - 69
American Cinematographer - September 2007 - 70
American Cinematographer - September 2007 - 71
American Cinematographer - September 2007 - Short Takes
American Cinematographer - September 2007 - 73
American Cinematographer - September 2007 - 74
American Cinematographer - September 2007 - 75
American Cinematographer - September 2007 - 76
American Cinematographer - September 2007 - 77
American Cinematographer - September 2007 - Post Focus
American Cinematographer - September 2007 - 79
American Cinematographer - September 2007 - 80
American Cinematographer - September 2007 - 81
American Cinematographer - September 2007 - 82
American Cinematographer - September 2007 - 83
American Cinematographer - September 2007 - 84
American Cinematographer - September 2007 - 85
American Cinematographer - September 2007 - Filmmakers’ Forum
American Cinematographer - September 2007 - 87
American Cinematographer - September 2007 - 88
American Cinematographer - September 2007 - 89
American Cinematographer - September 2007 - New Products & Services
American Cinematographer - September 2007 - 91
American Cinematographer - September 2007 - 92
American Cinematographer - September 2007 - 93
American Cinematographer - September 2007 - 94
American Cinematographer - September 2007 - 95
American Cinematographer - September 2007 - 96
American Cinematographer - September 2007 - 97
American Cinematographer - September 2007 - 98
American Cinematographer - September 2007 - 99
American Cinematographer - September 2007 - 100
American Cinematographer - September 2007 - 101
American Cinematographer - September 2007 - Points East
American Cinematographer - September 2007 - 103
American Cinematographer - September 2007 - International Marketplace
American Cinematographer - September 2007 - Classified Ads
American Cinematographer - September 2007 - Ad Index
American Cinematographer - September 2007 - 107
American Cinematographer - September 2007 - ASC Membership Roster
American Cinematographer - September 2007 - 109
American Cinematographer - September 2007 - Clubhouse News
American Cinematographer - September 2007 - 111
American Cinematographer - September 2007 - Wrap Shot
American Cinematographer - September 2007 - Cover3
American Cinematographer - September 2007 - Cover4
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