American Cinematographer - September 2009 - 62

An Appetite for Crime François wanted to move the camera in circles, [but we were limited] by the size of the room, which was small and had low ceilings. We had to light from the side and [couldn’t completely circle the actors]. Strangely enough, there was a problem at the lab and we had to reshoot the scene. When Jean-François and I talked about it, we realized that neither of us was happy with what we had shot previously — this is Jacques and Jeanne’s first robbery and it needed to have more excitement.” A larger location was found for the reshoot, with higher ceilings that permitted Gantz to craft pools of light from above. Once Mesrine and Jeanne storm into the room, the camera never stops moving and neither do the thieves, who continually swing their guns around to cover the room, turning in tight circles while the Steadicam swirls around them in the opposite direction. “We had a great Steadicam operator named Eric Catelan,” declares Gantz. “He was also the A-camera operator.” Mesrine is incarcerated four times during the course of the two films. The second prison is in Canada — the exterior was a facade erected outside Paris, and the interiors were built in a warehouse — and when Mesrine arrives, he is stripped, thrown into solitary confinement and beaten by guards. As he cowers, traumatized, in a corner of the cell, the camera starts on his face and pulls all the way back to the very high ceiling, spinning as it widens out. At the very end of the shot, Mesrine’s body makes a slight, almost involuntary jerking motion. “That’s one of my favorite shots in the film,” acknowledges Gantz. “We did it with a crane arm and a Z-Head three-axis head. I operated because in France they rarely use a geared head. If you notice the slight movement Vincent makes at the end of the shot, it looks bizarre. That’s because the camera actually started at ceiling level and spun into him; we reversed it in post. It looks far more intense that way.” One of the film’s more harrow- Top: Mesrine’s right-hand man, Jean-Paul Mercier (Roy Dupuis), awaits a rendezvous in a forest outside Paris. An 18K was deployed to light the background, while a Kino Flo unit provided sidelight for the foreground. Middle: Mesrine employs the element of surprise after hiding in the trunk of a car. Bottom: Gantz (far left) discusses a setup with director JeanFrançois Richet (center) and 1st AC Olivier Fortin in a forest outside Montreal. 62 September 2009

American Cinematographer - September 2009

Table of Contents for the Digital Edition of American Cinematographer - September 2009

American Cinematographer - September 2009
Contents
Editor’s Note
President’s Desk
Short Takes: Love Hate
Production Slate: North Face / District 9
Anarchy in the BRD
A Nazi’s Worst Nightmare
An Appetite for Crime
Testing Digital Cameras: Part 2
Post Focus: The Red Shoes / Mr. Hulot’s Holiday
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Alexander Gruszynski
American Cinematographer - September 2009 - Intro
American Cinematographer - September 2009 - American Cinematographer - September 2009
American Cinematographer - September 2009 - Cover2
American Cinematographer - September 2009 - 1
American Cinematographer - September 2009 - 2
American Cinematographer - September 2009 - Contents
American Cinematographer - September 2009 - 4
American Cinematographer - September 2009 - 5
American Cinematographer - September 2009 - 6
American Cinematographer - September 2009 - 7
American Cinematographer - September 2009 - Editor’s Note
American Cinematographer - September 2009 - 9
American Cinematographer - September 2009 - President’s Desk
American Cinematographer - September 2009 - 11
American Cinematographer - September 2009 - 12
American Cinematographer - September 2009 - 13
American Cinematographer - September 2009 - Short Takes: Love Hate
American Cinematographer - September 2009 - 15
American Cinematographer - September 2009 - 16
American Cinematographer - September 2009 - 17
American Cinematographer - September 2009 - 18
American Cinematographer - September 2009 - 19
American Cinematographer - September 2009 - Production Slate: North Face / District 9
American Cinematographer - September 2009 - 21
American Cinematographer - September 2009 - 22
American Cinematographer - September 2009 - 23
American Cinematographer - September 2009 - 24
American Cinematographer - September 2009 - 25
American Cinematographer - September 2009 - 26
American Cinematographer - September 2009 - 27
American Cinematographer - September 2009 - 28
American Cinematographer - September 2009 - 29
American Cinematographer - September 2009 - 30
American Cinematographer - September 2009 - 31
American Cinematographer - September 2009 - Anarchy in the BRD
American Cinematographer - September 2009 - 33
American Cinematographer - September 2009 - 34
American Cinematographer - September 2009 - 35
American Cinematographer - September 2009 - 36
American Cinematographer - September 2009 - 37
American Cinematographer - September 2009 - 38
American Cinematographer - September 2009 - 39
American Cinematographer - September 2009 - 40
American Cinematographer - September 2009 - 41
American Cinematographer - September 2009 - 42
American Cinematographer - September 2009 - 43
American Cinematographer - September 2009 - A Nazi’s Worst Nightmare
American Cinematographer - September 2009 - 45
American Cinematographer - September 2009 - 46
American Cinematographer - September 2009 - 47
American Cinematographer - September 2009 - 48
American Cinematographer - September 2009 - 49
American Cinematographer - September 2009 - 50
American Cinematographer - September 2009 - 51
American Cinematographer - September 2009 - 52
American Cinematographer - September 2009 - 53
American Cinematographer - September 2009 - 54
American Cinematographer - September 2009 - 55
American Cinematographer - September 2009 - 56
American Cinematographer - September 2009 - 57
American Cinematographer - September 2009 - An Appetite for Crime
American Cinematographer - September 2009 - 59
American Cinematographer - September 2009 - 60
American Cinematographer - September 2009 - 61
American Cinematographer - September 2009 - 62
American Cinematographer - September 2009 - 63
American Cinematographer - September 2009 - 64
American Cinematographer - September 2009 - 65
American Cinematographer - September 2009 - 66
American Cinematographer - September 2009 - 67
American Cinematographer - September 2009 - 68
American Cinematographer - September 2009 - 69
American Cinematographer - September 2009 - Testing Digital Cameras: Part 2
American Cinematographer - September 2009 - 71
American Cinematographer - September 2009 - 72
American Cinematographer - September 2009 - 73
American Cinematographer - September 2009 - 74
American Cinematographer - September 2009 - 75
American Cinematographer - September 2009 - 76
American Cinematographer - September 2009 - 77
American Cinematographer - September 2009 - Post Focus: The Red Shoes / Mr. Hulot’s Holiday
American Cinematographer - September 2009 - 79
American Cinematographer - September 2009 - 80
American Cinematographer - September 2009 - 81
American Cinematographer - September 2009 - 82
American Cinematographer - September 2009 - 83
American Cinematographer - September 2009 - 84
American Cinematographer - September 2009 - 85
American Cinematographer - September 2009 - New Products & Services
American Cinematographer - September 2009 - 87
American Cinematographer - September 2009 - 88
American Cinematographer - September 2009 - 89
American Cinematographer - September 2009 - 90
American Cinematographer - September 2009 - 91
American Cinematographer - September 2009 - 92
American Cinematographer - September 2009 - 93
American Cinematographer - September 2009 - 94
American Cinematographer - September 2009 - 95
American Cinematographer - September 2009 - International Marketplace
American Cinematographer - September 2009 - 97
American Cinematographer - September 2009 - Ad Index
American Cinematographer - September 2009 - 99
American Cinematographer - September 2009 - ASC Membership Roster
American Cinematographer - September 2009 - 101
American Cinematographer - September 2009 - Clubhouse News
American Cinematographer - September 2009 - 103
American Cinematographer - September 2009 - ASC Close-Up: Alexander Gruszynski
American Cinematographer - September 2009 - Cover3
American Cinematographer - September 2009 - Cover4
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