American Cinematographer - November 2015 - 37

dailies were transferred on a Spirit, and
the negative selects were rescanned at
4K on an Arriscan. The DI was graded
by colorist Greg Fisher, who worked in
4K using Blackmagic Design's DaVinci
Resolve.
AC's interview with van
Hoytema was complemented by discussions with Fisher and Panavision's Dan
Sasaki. A special thanks goes to gaffer
David Smith for taking time to detail
the lighting setups, and to Heather
Callow for coordinating visits to the set
and DI suite.
American
Cinematographer:
What indications did director Sam
Mendes give you about the visual style
and look of Spectre?
Hoyte van Hoytema, FSF,
NSC: Sam wanted the different
[points] on Bond's journey to have a
distinctive feel. They all had to carry a
specific mood, suitable to the location
and, of course, the story. The visual
language of the film wasn't something
that had a certain mandate or rulebook
attached to it from the start, but was
something that evolved as we moved
forward. It was a very organic process of
eliminating what felt wrong, and adding
what felt appropriate.
How did you decide to shoot
film negative?
Van Hoytema: I suggested film
from the start, but I think that Sam had
been living with the same thought. I
had the feeling that Sam really had a
great interest in finding a medium that
his cinematographer was comfortable
with, and I have always felt his respect
regarding the choice.
Why did you choose to shoot
anamorphic?
Van Hoytema:
Shooting
anamorphic for a project like this is a
no-brainer. However, we also played
around with the thought of shooting
Imax, and I did extensive testing. But it
became impossible for us to pursue
Imax on this kind of scale - we shot
almost a million feet, and our second
unit sometimes used more than seven
camera bodies simultaneously - so we

Top: Panalux
FloBanks
illuminate the
Translight that
surrounds the
Austrian-spa set
built at
Pinewood
Studios (see
sidebar, p. 38).
Middle and
bottom: Mr.
Hinx (Dave
Bautista)
pursues Bond
through the
streets of Rome.

www.theasc.com

November 2015

37



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Table of Contents for the Digital Edition of American Cinematographer - November 2015

Contents
American Cinematographer - November 2015 - Cover1
American Cinematographer - November 2015 - Cover2
American Cinematographer - November 2015 - 1
American Cinematographer - November 2015 - 2
American Cinematographer - November 2015 - Contents
American Cinematographer - November 2015 - 4
American Cinematographer - November 2015 - 5
American Cinematographer - November 2015 - 6
American Cinematographer - November 2015 - 7
American Cinematographer - November 2015 - 8
American Cinematographer - November 2015 - 9
American Cinematographer - November 2015 - 10
American Cinematographer - November 2015 - 11
American Cinematographer - November 2015 - 12
American Cinematographer - November 2015 - 13
American Cinematographer - November 2015 - 14
American Cinematographer - November 2015 - 15
American Cinematographer - November 2015 - 16
American Cinematographer - November 2015 - 17
American Cinematographer - November 2015 - 18
American Cinematographer - November 2015 - 19
American Cinematographer - November 2015 - 20
American Cinematographer - November 2015 - 21
American Cinematographer - November 2015 - 22
American Cinematographer - November 2015 - 23
American Cinematographer - November 2015 - 24
American Cinematographer - November 2015 - 25
American Cinematographer - November 2015 - 26
American Cinematographer - November 2015 - 27
American Cinematographer - November 2015 - 28
American Cinematographer - November 2015 - 29
American Cinematographer - November 2015 - 30
American Cinematographer - November 2015 - 31
American Cinematographer - November 2015 - 32
American Cinematographer - November 2015 - 33
American Cinematographer - November 2015 - 34
American Cinematographer - November 2015 - 35
American Cinematographer - November 2015 - 36
American Cinematographer - November 2015 - 37
American Cinematographer - November 2015 - 38
American Cinematographer - November 2015 - 39
American Cinematographer - November 2015 - 40
American Cinematographer - November 2015 - 41
American Cinematographer - November 2015 - 42
American Cinematographer - November 2015 - 43
American Cinematographer - November 2015 - 44
American Cinematographer - November 2015 - 45
American Cinematographer - November 2015 - 46
American Cinematographer - November 2015 - 47
American Cinematographer - November 2015 - 48
American Cinematographer - November 2015 - 49
American Cinematographer - November 2015 - 50
American Cinematographer - November 2015 - 51
American Cinematographer - November 2015 - 52
American Cinematographer - November 2015 - 53
American Cinematographer - November 2015 - 54
American Cinematographer - November 2015 - 55
American Cinematographer - November 2015 - 56
American Cinematographer - November 2015 - 57
American Cinematographer - November 2015 - 58
American Cinematographer - November 2015 - 59
American Cinematographer - November 2015 - 60
American Cinematographer - November 2015 - 61
American Cinematographer - November 2015 - 62
American Cinematographer - November 2015 - 63
American Cinematographer - November 2015 - 64
American Cinematographer - November 2015 - 65
American Cinematographer - November 2015 - 66
American Cinematographer - November 2015 - 67
American Cinematographer - November 2015 - 68
American Cinematographer - November 2015 - 69
American Cinematographer - November 2015 - 70
American Cinematographer - November 2015 - 71
American Cinematographer - November 2015 - 72
American Cinematographer - November 2015 - 73
American Cinematographer - November 2015 - 74
American Cinematographer - November 2015 - 75
American Cinematographer - November 2015 - 76
American Cinematographer - November 2015 - 77
American Cinematographer - November 2015 - 78
American Cinematographer - November 2015 - 79
American Cinematographer - November 2015 - 80
American Cinematographer - November 2015 - 81
American Cinematographer - November 2015 - 82
American Cinematographer - November 2015 - 83
American Cinematographer - November 2015 - 84
American Cinematographer - November 2015 - 85
American Cinematographer - November 2015 - 86
American Cinematographer - November 2015 - 87
American Cinematographer - November 2015 - 88
American Cinematographer - November 2015 - 89
American Cinematographer - November 2015 - 90
American Cinematographer - November 2015 - 91
American Cinematographer - November 2015 - 92
American Cinematographer - November 2015 - 93
American Cinematographer - November 2015 - 94
American Cinematographer - November 2015 - 95
American Cinematographer - November 2015 - 96
American Cinematographer - November 2015 - Cover3
American Cinematographer - November 2015 - Cover4
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