Recording - August 2010 - 29
everything at unity and writing down exactly how much each track was boosted or dropped to get to unity, so the levels could be brought back up to where I had them. I also made note of all pans. I spent countless hours getting levels and pans right over the process of recording and it would really take days of tweaking to get them back to where I liked them in another studio, so writing everything down seemed the next-best option. I tried having one song mixed somewhere else. I gave the guy my rough mix as a guide, but it turned into a depressing disaster I walked away from. I then got a recommendation from Gino Vannelli, who is local, to get Nick Moon involved—I suggest you get in touch with him...
NickMoon,Mix Engineerfor Whatever
Jennifer Batten referred me to Nick Moon, the man she chose to have mix the album. I asked Nick to describe the tools and techniques he used to mix Whatever.—BK Nick Moon: The tracks were exported from Logic into Pro Tools|HD. It took one week of long days to mix. Jennifer did most of the basic levels including pan automation when she exported the files from Logic. Whatever is a really dynamic recording; lots of compression or mixing “in the box” was not an option. As I recall, very little of the tones were done in the computer: probably 99% of all the eq, compression, reverb, and delay were all analog, all done by hand. I work on an API Legacy, all-discrete console outfitted with Neve Flying Faders. The mix required every single fader on the 48-channel console. Her guitar tracks went thru eight Neve 1081s for eq and a pair of black-face 1176s for some parts, and some solos were sent through a Blue Stripe 1176. Most of the reverb I used was an actual plate reverb... not a patch. The delays were a combination of Lexicon PCM series and Roland Chorus Echo. The console, me, and the gear were just tone shapers. You can learn more about Jennifer Batten, hear samples of her music, and purchase her products at www.jenniferbatten.com or myspace.com/jenniferbatten. Nick Moon is at www.nickmoon.com. The Starr Labs Mini-Z is at www.starrlabs.com/products/ztars/ mini-z-series/mini-z Bruce Kaphan (kaphan@recordingmag.com) is a producer/engineer/musician/composer who currently lives in the San Francisco Bay Area. For a discography and more information on Bruce, visit www.brucekaphan.com.
RECORDING AUGUST 2010
29
http://www.ribbonmics.com
http://www.ribbonmics.com
http://www.jenniferbatten.com
http://www.myspace.com/jenniferbatten
http://www.nickmoon.com
http://www.strobosoft.com
http://www.starrlabs.com/products/ztars/mini-z-series/mini-z
http://www.starrlabs.com/products/ztars/mini-z-series/mini-z
http://www.strobosoft.com
http://www.brucekaphan.com
Recording - August 2010
Table of Contents for the Digital Edition of Recording - August 2010
Recording - August 2010
Fade In
Contents
Talkback
Fast Forward
PreSonus Studio One
Recording the Music for a Theatre Play
AEA A840 Active Ribbon Mic
Jennifer Batten
Reviewed and Revisited
Running Your Studio Under Linux
Recording’s Guitar Column
Steinberg CC121, MR816 X/MR816 CSX, and CI2
Glyph GT 062E
Recording’s Showcase of Sounds
Muse Research Receptor 2
It’s Your Music—Know Your Rights. Chapter 5: The Business End—Part 2
Plug-in Outlet
Readers’ Tapes
Advertiser Index
Fade Out
Recording - August 2010 - Recording - August 2010
Recording - August 2010 - Cover2
Recording - August 2010 - 1
Recording - August 2010 - Fade In
Recording - August 2010 - 3
Recording - August 2010 - Contents
Recording - August 2010 - 5
Recording - August 2010 - Talkback
Recording - August 2010 - 7
Recording - August 2010 - Fast Forward
Recording - August 2010 - 9
Recording - August 2010 - PreSonus Studio One
Recording - August 2010 - 11
Recording - August 2010 - 12
Recording - August 2010 - 13
Recording - August 2010 - 14
Recording - August 2010 - 15
Recording - August 2010 - Recording the Music for a Theatre Play
Recording - August 2010 - 17
Recording - August 2010 - 18
Recording - August 2010 - 19
Recording - August 2010 - 20
Recording - August 2010 - 21
Recording - August 2010 - AEA A840 Active Ribbon Mic
Recording - August 2010 - 23
Recording - August 2010 - 24
Recording - August 2010 - 25
Recording - August 2010 - Jennifer Batten
Recording - August 2010 - 27
Recording - August 2010 - 28
Recording - August 2010 - 29
Recording - August 2010 - Reviewed and Revisited
Recording - August 2010 - 31
Recording - August 2010 - Running Your Studio Under Linux
Recording - August 2010 - 33
Recording - August 2010 - Recording’s Guitar Column
Recording - August 2010 - 35
Recording - August 2010 - 36
Recording - August 2010 - 37
Recording - August 2010 - Steinberg CC121, MR816 X/MR816 CSX, and CI2
Recording - August 2010 - 39
Recording - August 2010 - 40
Recording - August 2010 - 41
Recording - August 2010 - 42
Recording - August 2010 - 43
Recording - August 2010 - 44
Recording - August 2010 - 45
Recording - August 2010 - Glyph GT 062E
Recording - August 2010 - 47
Recording - August 2010 - Recording’s Showcase of Sounds
Recording - August 2010 - 49
Recording - August 2010 - Muse Research Receptor 2
Recording - August 2010 - 51
Recording - August 2010 - It’s Your Music—Know Your Rights. Chapter 5: The Business End—Part 2
Recording - August 2010 - 53
Recording - August 2010 - Plug-in Outlet
Recording - August 2010 - 55
Recording - August 2010 - Readers’ Tapes
Recording - August 2010 - Advertiser Index
Recording - August 2010 - 58
Recording - August 2010 - 59
Recording - August 2010 - 60
Recording - August 2010 - 61
Recording - August 2010 - 62
Recording - August 2010 - 63
Recording - August 2010 - Fade Out
Recording - August 2010 - Cover3
Recording - August 2010 - Cover4
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