Recording - December 2020 - 32

REVIEW

PreSonus ioStation24c:
2x2 USB-C audio
interface and
production controller
When a two-channel audio interface and a
single fader control surface love each other very much...
REVIEW BY DAVID BLASCOE

P

reSonus is well known for its expansive line of audio interfaces
as well as its popular FaderPort range of USB controllers. Now
PreSonus answers the question, "Why not both?" By popular
request, PreSonus has combined the functionality and convenience of
the single-fader FaderPort with a great sounding two-channel audio
interface! I present to you the new PreSonus ioStation24c audio
interface and production controller. Let's check it out...

First Impressions 

Out of the box, the color scheme is
inverted from that of the FaderPort. The
slightly curved faceplate is grey, with the
fader and knobs framed in black. While
built entirely of plastic, everything is well
made and solid. Four wide rubber feet
on the bottom provide stability and grip
well on any desktop surface. All of the
silver knobs have a nice weight and resistance, as do the plastic buttons that
have a very beefy feel to them, requiring
just a little bit of extra effort to push. It
may sound silly, but even just pressing
"Stop" or "Play" felt like I was somehow
accomplishing something more. All this
to say, it feels entirely professional and
is quite satisfying to interact with.

Motorhead

One of the stars of this show is the
touch-sensitive, 100mm motorized fader.
Lifted directly from the FaderPort, this tactile feature is a joy to use in this day and
age of mouse clicks and typing on a computer keyboard. When selecting or cycling
through channels in your DAW, the fader
automatically zips up and down to reflect
32 RECORDING December 2020

the corresponding virtual channel fader.
This weighted fader makes automating
volume and other parameters easy and,
again, satisfying. There's something to be
said about having a mechanized tool on
your desktop that physically responds to
what you're doing in the digital realm.

Time To Record!

As mentioned earlier, the ioStation24c is also a two-channel USB-C
interface that can record up to 24-bit/
192 kHz audio. It comes with a pair of
PreSonus XMAX Class A mic preamps
and a 115dB dynamic range. The back
panel features two XLR-TRS combo inputs for microphones, instruments, or
any line level devices you have. There
are two balanced 1/4" outs for your studio monitors, a rear-located 1/4" headphone out, and a 1/4" footswitch input
as well as the USB-C port, power socket,
and switch. Power is supplied with an
external wall-wart block.
Input and monitor controls are on the
right. There's an input control for each
channel along with line input and 48v
phantom power buttons. Below are the

main and headphone level knobs along
with a simple mix control to blend between
the DAW playback signal and your direct
inputs for zero-latency monitoring. This is
rounded out by a mute button which mutes
the mains and is very convenient when recording in the same room as your monitors. Each of these controls is refreshingly
simple to use compared to many other interfaces, which often require menu diving
on a small screen to perform simple tasks
such as mixing between your DAW and
input signals or muting your speakers.
I tracked everything from synths to
bass guitars to vocals with the ioStation24c and have zero complaints. The
resulting recordings sounded clean, quiet and professional. 

Studio Assistant

PreSonus touts the ioStation24c as a studio assistant that keeps you in the creative
zone without ever getting in the way, and
that was certainly the experience I had with
it, particularly with its out-of-the-box airtight
integration with PreSonus Studio One recording software (reviewed last month).
Beyond Studio One, the buttons on the
faceplate integrate well with any DAW,
including my DAW of choice Ableton Live
(see below). You have your usual transport
control suspects, such as Stop, Play/Pause,
and Record, along with channel strip controls like Mute and Solo. There are controls
for read/write automation, session navigation and more. In the center of the action is
another feature taken from the FaderPort-



Recording - December 2020

Table of Contents for the Digital Edition of Recording - December 2020

No label
Fade In
Echo Fix EF-X2 Tape Echo
RECORDING Magazine Holiday Buyer's Guide
TELEFUNKEN Elektroakustik Alchemy Series TF11 FET
PreSonus ioStation 24c: 2x2 USB-C audio interface and production controller
Strymon NightSky Time-Warped Reverberator
Dirty Knobs, Scratchy Pots, and Dance Party Boogie-Woogie: Recording Wreckless Abandon.
Reviewed and Revisited: iZotope RX 8 Advanced Audio Restoration Suite
Warm Audio WA-87 R2 FET Condenser Microphone
Avid Pro Tools | Carbon Interface
Inside the Box with Joe Albano: Choosing an Interface
Advanced Audio CM47 LE
Bettermaker Mastering Limiter
TechZone Audio Products Stellar X2/X2 Vintage LDC Microphones
Readers' Tracks
Inside the Studio with Mark Hornsby: People Hear What They See
Plugin Outlet: BABY Audio Super VHS 1980s Lo-Fi Plugin
Recording - December 2020 - No label
Recording - December 2020 - Cover1
Recording - December 2020 - Cover2
Recording - December 2020 - 1
Recording - December 2020 - 2
Recording - December 2020 - 3
Recording - December 2020 - Fade In
Recording - December 2020 - 5
Recording - December 2020 - 6
Recording - December 2020 - 7
Recording - December 2020 - Echo Fix EF-X2 Tape Echo
Recording - December 2020 - 9
Recording - December 2020 - 10
Recording - December 2020 - 11
Recording - December 2020 - RECORDING Magazine Holiday Buyer's Guide
Recording - December 2020 - 13
Recording - December 2020 - 14
Recording - December 2020 - 15
Recording - December 2020 - 16
Recording - December 2020 - 17
Recording - December 2020 - 18
Recording - December 2020 - 19
Recording - December 2020 - 20
Recording - December 2020 - 21
Recording - December 2020 - 22
Recording - December 2020 - 23
Recording - December 2020 - 24
Recording - December 2020 - 25
Recording - December 2020 - 26
Recording - December 2020 - 27
Recording - December 2020 - 28
Recording - December 2020 - 29
Recording - December 2020 - TELEFUNKEN Elektroakustik Alchemy Series TF11 FET
Recording - December 2020 - 31
Recording - December 2020 - PreSonus ioStation 24c: 2x2 USB-C audio interface and production controller
Recording - December 2020 - 33
Recording - December 2020 - Strymon NightSky Time-Warped Reverberator
Recording - December 2020 - 35
Recording - December 2020 - Dirty Knobs, Scratchy Pots, and Dance Party Boogie-Woogie: Recording Wreckless Abandon.
Recording - December 2020 - 37
Recording - December 2020 - 38
Recording - December 2020 - 39
Recording - December 2020 - 40
Recording - December 2020 - 41
Recording - December 2020 - 42
Recording - December 2020 - 43
Recording - December 2020 - 44
Recording - December 2020 - 45
Recording - December 2020 - 46
Recording - December 2020 - 47
Recording - December 2020 - Reviewed and Revisited: iZotope RX 8 Advanced Audio Restoration Suite
Recording - December 2020 - 49
Recording - December 2020 - Warm Audio WA-87 R2 FET Condenser Microphone
Recording - December 2020 - 51
Recording - December 2020 - Avid Pro Tools | Carbon Interface
Recording - December 2020 - 53
Recording - December 2020 - Inside the Box with Joe Albano: Choosing an Interface
Recording - December 2020 - 55
Recording - December 2020 - Advanced Audio CM47 LE
Recording - December 2020 - 57
Recording - December 2020 - Bettermaker Mastering Limiter
Recording - December 2020 - 59
Recording - December 2020 - TechZone Audio Products Stellar X2/X2 Vintage LDC Microphones
Recording - December 2020 - 61
Recording - December 2020 - Readers' Tracks
Recording - December 2020 - 63
Recording - December 2020 - 64
Recording - December 2020 - 65
Recording - December 2020 - 66
Recording - December 2020 - 67
Recording - December 2020 - 68
Recording - December 2020 - 69
Recording - December 2020 - Inside the Studio with Mark Hornsby: People Hear What They See
Recording - December 2020 - 71
Recording - December 2020 - Plugin Outlet: BABY Audio Super VHS 1980s Lo-Fi Plugin
Recording - December 2020 - Cover3
Recording - December 2020 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202409
https://www.nxtbook.com/musicmaker/musicmaker/recording_202408
https://www.nxtbook.com/musicmaker/musicmaker/recording_202407
https://www.nxtbook.com/musicmaker/musicmaker/recording_202406
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com