American Cinematographer - January 2018 - 101

Left and below:
Technical
designer
François David
created HD
projection maps
such as these in
order to
determine the
placement of
the installation's
37 projectors.
Bottom left:
This physical
model - which
incorporates a
not-quite-toscale Lego
figurine -
further assisted
the project's
planning.

expanded-cinema installations such as In
the Labyrinth, directed by Colin Low, Hugh
O'Connor and Roman Kroitor - the latter
of whom would go on to co-found MultiScreen Corp., which later became Imax
Corp. - and photographed by an international contingent of cinematographers that
included the late Walter Lassally, BSC. In the
August '67 issue of AC, which was entirely
dedicated to the cinema of Expo 67, editor
Herb A. Lightman described In the Labyrinth
as a monolithic maze of synchronized large-

format projections and stereoscopic sound
that retells the story of Theseus slaying the
Minotaur as a story of humankind being
reborn.
Lanoie-Brien was also inspired by the
Circle-Vision 360˚ film Canada 67 at the
expo's Telephone Pavilion. This nine-screen
proto-VR film surrounded the audience with
scenarios such as the Calgary Stampede,
the Changing of the Guard ceremony in
Ottawa, Quebec's Winter Carnival, a hockey
game in Montreal, and a plane ride through
www.ascmag.com

the pinnacles of the Rocky Mountains. The
film was photographed in 35mm by cinematographer Fritz Spiess, CSC - who
employed a custom nine-camera rig
invented by Ub Iwerks, ASC, famous for his
pioneering work with Walt Disney Productions.
"When I read about all of these
multiscreen films, I knew I had to propose
something in harmony with them," says
Lanoie-Brien. "Something that answered
the question, 'What was Expo 67?'" She
January 2018

101


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Table of Contents for the Digital Edition of American Cinematographer - January 2018

Contents
American Cinematographer - January 2018 - Intro
American Cinematographer - January 2018 - Cover1
American Cinematographer - January 2018 - Cover2
American Cinematographer - January 2018 - 1
American Cinematographer - January 2018 - 2
American Cinematographer - January 2018 - Contents
American Cinematographer - January 2018 - 4
American Cinematographer - January 2018 - 5
American Cinematographer - January 2018 - 6
American Cinematographer - January 2018 - 7
American Cinematographer - January 2018 - 8
American Cinematographer - January 2018 - 9
American Cinematographer - January 2018 - 10
American Cinematographer - January 2018 - 11
American Cinematographer - January 2018 - 12
American Cinematographer - January 2018 - 13
American Cinematographer - January 2018 - 14
American Cinematographer - January 2018 - 15
American Cinematographer - January 2018 - 16
American Cinematographer - January 2018 - 17
American Cinematographer - January 2018 - 18
American Cinematographer - January 2018 - 19
American Cinematographer - January 2018 - 20
American Cinematographer - January 2018 - 21
American Cinematographer - January 2018 - 22
American Cinematographer - January 2018 - 23
American Cinematographer - January 2018 - 24
American Cinematographer - January 2018 - 25
American Cinematographer - January 2018 - 26
American Cinematographer - January 2018 - 27
American Cinematographer - January 2018 - 28
American Cinematographer - January 2018 - 29
American Cinematographer - January 2018 - 30
American Cinematographer - January 2018 - 31
American Cinematographer - January 2018 - 32
American Cinematographer - January 2018 - 33
American Cinematographer - January 2018 - 34
American Cinematographer - January 2018 - 35
American Cinematographer - January 2018 - 36
American Cinematographer - January 2018 - 37
American Cinematographer - January 2018 - 38
American Cinematographer - January 2018 - 39
American Cinematographer - January 2018 - 40
American Cinematographer - January 2018 - 41
American Cinematographer - January 2018 - 42
American Cinematographer - January 2018 - 43
American Cinematographer - January 2018 - 44
American Cinematographer - January 2018 - 45
American Cinematographer - January 2018 - 46
American Cinematographer - January 2018 - 47
American Cinematographer - January 2018 - 48
American Cinematographer - January 2018 - 49
American Cinematographer - January 2018 - 50
American Cinematographer - January 2018 - 51
American Cinematographer - January 2018 - 52
American Cinematographer - January 2018 - 53
American Cinematographer - January 2018 - 54
American Cinematographer - January 2018 - 55
American Cinematographer - January 2018 - 56
American Cinematographer - January 2018 - 57
American Cinematographer - January 2018 - 58
American Cinematographer - January 2018 - 59
American Cinematographer - January 2018 - 60
American Cinematographer - January 2018 - 61
American Cinematographer - January 2018 - 62
American Cinematographer - January 2018 - 63
American Cinematographer - January 2018 - 64
American Cinematographer - January 2018 - 65
American Cinematographer - January 2018 - 66
American Cinematographer - January 2018 - 67
American Cinematographer - January 2018 - 68
American Cinematographer - January 2018 - 69
American Cinematographer - January 2018 - 70
American Cinematographer - January 2018 - 70a
American Cinematographer - January 2018 - 70b
American Cinematographer - January 2018 - 71
American Cinematographer - January 2018 - 72
American Cinematographer - January 2018 - 73
American Cinematographer - January 2018 - 74
American Cinematographer - January 2018 - 75
American Cinematographer - January 2018 - 76
American Cinematographer - January 2018 - 77
American Cinematographer - January 2018 - 78
American Cinematographer - January 2018 - 79
American Cinematographer - January 2018 - 80
American Cinematographer - January 2018 - 81
American Cinematographer - January 2018 - 82
American Cinematographer - January 2018 - 83
American Cinematographer - January 2018 - 84
American Cinematographer - January 2018 - 85
American Cinematographer - January 2018 - 86
American Cinematographer - January 2018 - 87
American Cinematographer - January 2018 - 88
American Cinematographer - January 2018 - 89
American Cinematographer - January 2018 - 90
American Cinematographer - January 2018 - 91
American Cinematographer - January 2018 - 92
American Cinematographer - January 2018 - 93
American Cinematographer - January 2018 - 94
American Cinematographer - January 2018 - 95
American Cinematographer - January 2018 - 96
American Cinematographer - January 2018 - 97
American Cinematographer - January 2018 - 98
American Cinematographer - January 2018 - 99
American Cinematographer - January 2018 - 100
American Cinematographer - January 2018 - 101
American Cinematographer - January 2018 - 102
American Cinematographer - January 2018 - 103
American Cinematographer - January 2018 - 104
American Cinematographer - January 2018 - 105
American Cinematographer - January 2018 - 106
American Cinematographer - January 2018 - 107
American Cinematographer - January 2018 - 108
American Cinematographer - January 2018 - 109
American Cinematographer - January 2018 - 110
American Cinematographer - January 2018 - 111
American Cinematographer - January 2018 - 112
American Cinematographer - January 2018 - 113
American Cinematographer - January 2018 - 114
American Cinematographer - January 2018 - 115
American Cinematographer - January 2018 - 116
American Cinematographer - January 2018 - 117
American Cinematographer - January 2018 - 118
American Cinematographer - January 2018 - 119
American Cinematographer - January 2018 - 120
American Cinematographer - January 2018 - Cover3
American Cinematographer - January 2018 - Cover4
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