American Cinematographer - March 2009 - 70
New Products & Services a single industry-standard DVI-I duallink cable, the RIP and RIB together allow remote access to all of the Red One’s immediate I/Os — including start/stop — at distances of up to 50'. The combined system’s built-in video distribution amplifier can also send up to five preview outputs. For more information, visit www.aslgear.com. Telemetrics Unveils Compact Pan/Tilt Head Telemetrics’ line of servo-based Pan/Tilt units now includes the compact PT-CP-S4 Pan/Tilt Head, offering side camera mounting, a DC-DC converter to power accessories over long cable runs, a newly designed cable-management system, serial data control with multiprocessor architecture and more. “The new PT-CP-S4 has been designed for user versatility and performance,” says Anthony Cuomo, Telemetrics’ vice president and general manager. “It’s the perfect tool for accommodating a variety of cameras and studio setups without compromise.” The PT-CP-S4 can be configured with the camera — either upright or inverted — mounted on the side or on the top. The DC-DC converter at the base of the head converts 48-volt power to the appropriate voltage levels for the P+S Technik Updates Weisscam Building on the success of the Weisscam HS-1, P+S Technik and cinematographer Stefan Weiss have introduced the Weisscam HS-2 digital highspeed camera. In contrast to the HS-1, the HS-2 boasts integrated functions and components, making an additional computer unnecessary for operation. The HS-2’s 35mm sensor features a global shutter to allow capturing at high speeds. The camera’s DigiMag DM-2 offers up to 2TB of storage, and an on-board monitor enables real-time preview. Additionally, as a two-stream camera with dual-link HDSDI output, the HS-2 can support a raw workflow, and an external de-bayer box allows real-time de-bayering of raw data into standard definition. The entire system can also be completely controlled by a small and lightweight control device. Other features of the HS-2 include 1,500 fps recording at 2K resolution, 2,000 fps recording at 1080p, 600 ASA sensitivity, 9 stops of latitude, PL lens mount and an optional optical viewfinder. The camera can record in YCC 4:2:2, RGB 4:4:4 or raw uncompressed. ZGC is handling North and South 70 March 2009 American distribution of the Weisscam HS-2. For more information, visit www.pstechnik.com, www.weisscam.com or www.zgc.com. Air Sea Land Gear, Inc., Breaks Out Red Panel Supporting the Red One digital camera, Air Sea Land Gear, Inc. has introduced the Remote Interface Panel. Providing quick and easy access to the Red One’s I/O interface, the RIP converts all audio, video, time code, genlock and monitor connectors into full-size industry-standard connectors. The RIP can also be used in stand-alone mode or in conjunction with Air Sea Land Gear’s optional RIB (Remote Interface Box) break-out box. With the use of
http://www.aslgear.com
http://www.pstechnik.com
http://www.weisscam.com
http://www.zgc.com
American Cinematographer - March 2009
Table of Contents for the Digital Edition of American Cinematographer - March 2009
American Cinematographer - March 2009
Contents
Editor’s Note
Letters
Short Takes: Clap Your Brains Off
Production Slate: Gomorrah
Production Slate: Tokyo Sonata
Cutting-Edge Camerawork
A Life Full of Miracles
A Very Active Member
Post Focus: Alien Trespass
Filmmaker’s Forum: Peter Sova, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Peter Wunstorf
American Cinematographer - March 2009 - American Cinematographer - March 2009
American Cinematographer - March 2009 - Cover2
American Cinematographer - March 2009 - 1
American Cinematographer - March 2009 - 2
American Cinematographer - March 2009 - Contents
American Cinematographer - March 2009 - 4
American Cinematographer - March 2009 - 5
American Cinematographer - March 2009 - 6
American Cinematographer - March 2009 - 7
American Cinematographer - March 2009 - Editor’s Note
American Cinematographer - March 2009 - 9
American Cinematographer - March 2009 - Letters
American Cinematographer - March 2009 - 11
American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off
American Cinematographer - March 2009 - 13
American Cinematographer - March 2009 - 14
American Cinematographer - March 2009 - 15
American Cinematographer - March 2009 - 16
American Cinematographer - March 2009 - 17
American Cinematographer - March 2009 - Production Slate: Tokyo Sonata
American Cinematographer - March 2009 - 19
American Cinematographer - March 2009 - 20
American Cinematographer - March 2009 - 21
American Cinematographer - March 2009 - 22
American Cinematographer - March 2009 - 23
American Cinematographer - March 2009 - 24
American Cinematographer - March 2009 - 25
American Cinematographer - March 2009 - 26
American Cinematographer - March 2009 - 27
American Cinematographer - March 2009 - 28
American Cinematographer - March 2009 - 29
American Cinematographer - March 2009 - Cutting-Edge Camerawork
American Cinematographer - March 2009 - 31
American Cinematographer - March 2009 - 32
American Cinematographer - March 2009 - 33
American Cinematographer - March 2009 - 34
American Cinematographer - March 2009 - 35
American Cinematographer - March 2009 - 36
American Cinematographer - March 2009 - 37
American Cinematographer - March 2009 - 38
American Cinematographer - March 2009 - 39
American Cinematographer - March 2009 - 40
American Cinematographer - March 2009 - 41
American Cinematographer - March 2009 - 42
American Cinematographer - March 2009 - 43
American Cinematographer - March 2009 - 44
American Cinematographer - March 2009 - 45
American Cinematographer - March 2009 - A Life Full of Miracles
American Cinematographer - March 2009 - 47
American Cinematographer - March 2009 - 48
American Cinematographer - March 2009 - 49
American Cinematographer - March 2009 - 50
American Cinematographer - March 2009 - 51
American Cinematographer - March 2009 - 52
American Cinematographer - March 2009 - 53
American Cinematographer - March 2009 - 54
American Cinematographer - March 2009 - 55
American Cinematographer - March 2009 - A Very Active Member
American Cinematographer - March 2009 - 57
American Cinematographer - March 2009 - 58
American Cinematographer - March 2009 - 59
American Cinematographer - March 2009 - 60
American Cinematographer - March 2009 - 61
American Cinematographer - March 2009 - 62
American Cinematographer - March 2009 - 63
American Cinematographer - March 2009 - Post Focus: Alien Trespass
American Cinematographer - March 2009 - 65
American Cinematographer - March 2009 - 66
American Cinematographer - March 2009 - 67
American Cinematographer - March 2009 - Filmmaker’s Forum: Peter Sova, ASC
American Cinematographer - March 2009 - 69
American Cinematographer - March 2009 - 70
American Cinematographer - March 2009 - 71
American Cinematographer - March 2009 - New Products & Services
American Cinematographer - March 2009 - 73
American Cinematographer - March 2009 - 74
American Cinematographer - March 2009 - 75
American Cinematographer - March 2009 - 76
American Cinematographer - March 2009 - 77
American Cinematographer - March 2009 - 78
American Cinematographer - March 2009 - 79
American Cinematographer - March 2009 - International Marketplace
American Cinematographer - March 2009 - Classified Ads
American Cinematographer - March 2009 - Ad Index
American Cinematographer - March 2009 - Clubhouse News
American Cinematographer - March 2009 - ASC Close-Up: Peter Wunstorf
American Cinematographer - March 2009 - Cover3
American Cinematographer - March 2009 - Cover4
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