American Cinematographer - August 2009 - 34

Fellow Foodies Above, left and right: A 50' Technocrane was used to capture an ambitious nightexterior shot that pushes in toward Powell’s apartment window until we see her typing at her desk; a later shot of Powell seen through the same window was filmed onstage, where mini cutouts were used to create reflections of the Manhattan skyline. Middle and bottom: Lights deployed on a rooftop helped the filmmakers capture a scene in which Powell serves up a feast for her friends. way to trick the eye into believing it’s a real location,” says Goldblatt. “We did a combination track and zoom into Amy, and the reflections give the shot a real sense of place.” In one of Goldblatt’s favorite scenes, Child attends her first class at the Cordon Bleu Cooking School. She is the sole female standing in a row of male students, and she towers over them all. The set, built at Silvercup, was based on photos of the real location. The room is almost completely white, with shiny tile on the walls. “Because the room is white, it naturally fills itself in, and we only needed one big light source,” notes Goldblatt. “I loved what I could do with bounce light in that set.” Engel custom-built a 6'x6' bay light comprising 12 2K nooks going through rippled muslin. “We could actually dial in which section we wanted to use with our dimmer system,” says the gaffer. “We made it almost the size of the room and then just teased it off the walls so it had a nice ‘down’ look without giving the actors raccoon shadows. We never used a light directly over the actors.” The production moved to Paris for the final two weeks of the shoot, and most of the movie’s exteriors were filmed there. One exception was a train station that’s 34 August 2009 Middle photo by Stephen Goldblatt.

American Cinematographer - August 2009

Table of Contents for the Digital Edition of American Cinematographer - August 2009

American Cinematographer - August 2009
Contents
Editor’s Note
Letters
Short Takes: “Carousel”
Production Slate: ASC/BSC Panel and Stingray Sam
Fellow Foodies
Exposing a Secret Slaughter
When Not in Rome
Robots Run Rampant
Post Focus: Technicolor’s DP Lights 2.0
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Aaron Schneider
American Cinematographer - August 2009 - Intro
American Cinematographer - August 2009 - American Cinematographer - August 2009
American Cinematographer - August 2009 - Cover2
American Cinematographer - August 2009 - 1
American Cinematographer - August 2009 - 2
American Cinematographer - August 2009 - Contents
American Cinematographer - August 2009 - 4
American Cinematographer - August 2009 - 5
American Cinematographer - August 2009 - 6
American Cinematographer - August 2009 - 7
American Cinematographer - August 2009 - Editor’s Note
American Cinematographer - August 2009 - 9
American Cinematographer - August 2009 - Letters
American Cinematographer - August 2009 - 11
American Cinematographer - August 2009 - Short Takes: “Carousel”
American Cinematographer - August 2009 - 13
American Cinematographer - August 2009 - 14
American Cinematographer - August 2009 - 15
American Cinematographer - August 2009 - 16
American Cinematographer - August 2009 - 17
American Cinematographer - August 2009 - Production Slate: ASC/BSC Panel and Stingray Sam
American Cinematographer - August 2009 - 19
American Cinematographer - August 2009 - 20
American Cinematographer - August 2009 - 21
American Cinematographer - August 2009 - 22
American Cinematographer - August 2009 - 23
American Cinematographer - August 2009 - 24
American Cinematographer - August 2009 - 25
American Cinematographer - August 2009 - 26
American Cinematographer - August 2009 - 27
American Cinematographer - August 2009 - Fellow Foodies
American Cinematographer - August 2009 - 29
American Cinematographer - August 2009 - 30
American Cinematographer - August 2009 - 31
American Cinematographer - August 2009 - 32
American Cinematographer - August 2009 - 33
American Cinematographer - August 2009 - 34
American Cinematographer - August 2009 - 35
American Cinematographer - August 2009 - 36
American Cinematographer - August 2009 - 37
American Cinematographer - August 2009 - Exposing a Secret Slaughter
American Cinematographer - August 2009 - 39
American Cinematographer - August 2009 - 40
American Cinematographer - August 2009 - 41
American Cinematographer - August 2009 - 42
American Cinematographer - August 2009 - 43
American Cinematographer - August 2009 - 44
American Cinematographer - August 2009 - 45
American Cinematographer - August 2009 - When Not in Rome
American Cinematographer - August 2009 - 47
American Cinematographer - August 2009 - 48
American Cinematographer - August 2009 - 49
American Cinematographer - August 2009 - 50
American Cinematographer - August 2009 - 51
American Cinematographer - August 2009 - 52
American Cinematographer - August 2009 - 53
American Cinematographer - August 2009 - Robots Run Rampant
American Cinematographer - August 2009 - 55
American Cinematographer - August 2009 - 56
American Cinematographer - August 2009 - 57
American Cinematographer - August 2009 - 58
American Cinematographer - August 2009 - 59
American Cinematographer - August 2009 - Post Focus: Technicolor’s DP Lights 2.0
American Cinematographer - August 2009 - 61
American Cinematographer - August 2009 - 62
American Cinematographer - August 2009 - 63
American Cinematographer - August 2009 - New Products & Services
American Cinematographer - August 2009 - 65
American Cinematographer - August 2009 - 66
American Cinematographer - August 2009 - 67
American Cinematographer - August 2009 - 68
American Cinematographer - August 2009 - 69
American Cinematographer - August 2009 - International Marketplace
American Cinematographer - August 2009 - 71
American Cinematographer - August 2009 - Ad Index
American Cinematographer - August 2009 - 73
American Cinematographer - August 2009 - Clubhouse News
American Cinematographer - August 2009 - 75
American Cinematographer - August 2009 - ASC Close-Up: Aaron Schneider
American Cinematographer - August 2009 - Cover3
American Cinematographer - August 2009 - Cover4
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